Christopher Fulford

Christopher Fulford

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Stonehearst Asylum Trailer


Stonehearst Asylum follows the plot of Edgar Allen Poe's short story The System of Doctor Tarr and Professor Fether. It is a story about Edward Newgate (Jim Sturgess) - a medical school graduate in the 19th Century who travels to the titular Asylum to gain 'clinical experience'. It is here that Newgate meets Silas Lamb (Ben Kingsley) and Eliza Graves (Kate Beckinsale), the latter of which he becomes instantly infatuated with. Almost at once, things start to creepy as Edward encounters some of the inmates and realises that perhaps his new colleges are not entirely concerned with following regulations. As the plot thickens and Edward finds himself spiralling further down the rabbit hole, the questions seem pile up. Why does one of the inmates claim to be the asylum's superintendent? Why are the doctors so gleeful when using such barbaric 'treatments'? And why does the man in charge seem so adamant that 'we're all mad'?

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You Will Meet A Tall Dark Stranger Trailer


After years of marriage, Alfie and Helena are getting divorced, this is mainly due to Alfie's midlife crisis and lust for a much younger woman called Charmaine. Whilst Helena seeks guidance from a fortune teller her daughter is also facing troubles of her own. Sally works in an art gallery work whilst her husband stays at home hoping to write a novel that repeats the success of his first.

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Pierrepoint: The Last Hangman Review


OK
Also known as The Last Hangman, director Adrian Shergold's film about the most famous executioner in England during the World War II war crimes trials and hangings follows the long lineage of English droll drama. Though performed behind closed doors these days, Albert Pierrepoint was the man who killed off key members of the Nazi party and therefore was seen as some sort of macabre hero to the masses of England. As a celebrity, however, he was an uncomfortable fit.

Pierrepoint, here played by the great Timothy Spall, was an unlikely public figure. In reality, Pierrepoint looked much older, skinnier and fatigued than Spall does but Spall gets the other part down: efficiency. Following in his father's and uncle's footsteps, Albert took up the job of a hangman to help supplement the wages he got for doing deliveries for the local supermarket. The grocery was also where he met his wife Anne Fletcher (a dazzling Juliet Stevenson) who would be his main supporter in his work. Albert would go on to perform hundreds of hangings, including a major batch of German World War II criminals, until he quit due to the backlash over capital punishment and his arguable celebrity status.

Continue reading: Pierrepoint: The Last Hangman Review

Pierrepoint Review


OK
Also known as The Last Hangman, director Adrian Shergold's film about the most famous executioner in England during the World War II war crimes trials and hangings follows the long lineage of English droll drama. Though performed behind closed doors these days, Albert Pierrepoint was the man who killed off key members of the Nazi party and therefore was seen as some sort of macabre hero to the masses of England. As a celebrity, however, he was an uncomfortable fit.

Pierrepoint, here played by the great Timothy Spall, was an unlikely public figure. In reality, Pierrepoint looked much older, skinnier and fatigued than Spall does but Spall gets the other part down: efficiency. Following in his father's and uncle's footsteps, Albert took up the job of a hangman to help supplement the wages he got for doing deliveries for the local supermarket. The grocery was also where he met his wife Anne Fletcher (a dazzling Juliet Stevenson) who would be his main supporter in his work. Albert would go on to perform hundreds of hangings, including a major batch of German World War II criminals, until he quit due to the backlash over capital punishment and his arguable celebrity status.

Continue reading: Pierrepoint Review

Bedrooms & Hallways Review


Terrible
This limp comedy about sexual ambiguity among a group of British men who form a "men's group" together lost my interest inside of 10 minutes. It tries to be hip and clever, and on a few rare occasions it manages to actually be funny. But mostly -- as is commonly the case with would-be message movies like this -- it's blah blah blah for an hour and a half, with the audience longing for the credits to roll.

Bedrooms & Hallways Review


Terrible
This limp comedy about sexual ambiguity among a group of British men who form a "men's group" together lost my interest inside of 10 minutes. It tries to be hip and clever, and on a few rare occasions it manages to actually be funny. But mostly -- as is commonly the case with would-be message movies like this -- it's blah blah blah for an hour and a half, with the audience longing for the credits to roll.

Millions Review


Excellent
You're a preteen growing up in the United Kingdom, and you just stumbled upon the loot from a bank robbery. What do you do? Tell your father? Keep it a secret? Contact the police? Give it to charity? Go shopping? Well, whatever you're going to do -- be fast, because in less than a week, the UK is switching to the euro, which will render the money useless.

Welcome to the dilemma in which Damien (Alexander Nathan Etel) and Anthony (Lewis Owen McGibbon) find themselves after moving to a developing British subdivision with their father (James Nesbitt) shortly after their mother passes away. Damien discovers the loot one afternoon as he watches trains pass while inside his homemade cardboard box hut. A spiritual young lad obsessed with famous saints, Damien believes the money is a gift from God; therefore, he wants to give it to charities and poor people. When Anthony finds out about the money, however, he has other ideas for the money...

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Millions Review


OK

Director Danny Boyle is known for wildly imaginative visualsin innovative, gritty-cool movies about murderers ("Shallow Grave"),junkies ("Trainspotting")and zombies ("28 Days Later"), so what's he doing makinga sweet, sentimental kids' movie? Virtually reinventing another genre,of course.

In "Millions," an angel-faced 7-year-old Irishboy named Damian (Alexander Nathan Etel) finds a duffle bag full of bankrobbery loot, but thanks to his youthful naivete, his faith in saints thatwatch over him, his run-away imagination and the fact that the bag literallyfell from the sky, he assumes the booty is a gift from God.

"Who else has that kind of money?" he asks innocentlyof his more practical 9-year-old brother, who wants to keep the discoveryhush-hush and invest in real estate. But altruistic Damian sets about ona mission: He resolves to help the poor, excitedly buying pizza for homelessteenagers, secretly stuffing cash in the mailbox of austere-living Mormonneighbors, and anonymously donating £1,000 to an African charity fund atschool.

Continue reading: Millions Review

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