Sidestepping arguments about accuracy, writer Aaron Sorkin and director Danny Boyle take an artistic, impressionistic approach to this biopic about the iconic Apple founder. Using a structure that would work perfectly on stage, the film tells his story through just three extended scenes. In the process, it reveals even more about human nature than it does about Steve Jobs or the tech business.
The first segment is set in 1984, as Steve (Michael Fassbender) is about to launch the game-changing Macintosh computer with cofounder Steve Wozniak (Seth Rogen), marketing expert Joanna Hoffman (Kate Winslet) and developer Andy Hertsfeld (Michael Stuhlbarg). As he organises the launch event to within an inch of its life, he's interrupted by his ex-girlfriend Chrisann (Katherine Waterston), but Steve still refuses to accept that her 5-year-old daughter is his. He also has an important conversation with the Apple chairman John Sculley (Jeff Daniels) just before going on-stage. This same scenario is repeated two more times, at the 1988 launch of NeXT and at the 1998 launch of the iMac, tracing Steve's fierce business acumen, complex interaction with his colleagues, and his evolving connection with his daughter.
Fassbender bravely never hedges his bets as Jobs, finding a tricky balance in an innovator who changed the world but never quite made sense of his personal or professional relationships. This is a man who is likeable and cruel at the same time, eliciting both laughter and gasps of horror from the audience. Fassbender's kinetic energy is hugely engaging, matched cleverly by Winslet's Hoffman, the only person with whom Jobs speaks about his own flaws. With both Rogen's generous Wozniak and Stuhlbarg's determined Hertzfeld, Jobs is much more dismissive, although there's respect under the surface. And its the literate banter with Daniels' thoughtful Sculley that gives the film its brainy kick, especially as it's so inventively written and directed to weave conversations right into flashbacks.
Continue reading: Steve Jobs Review
One of the finest biopics in recent memory, this drama manages to present someone as iconic as Martin Luther King Jr. as a normal man anyone can aspire to emulate. Anchored by an internalised performance from David Oyelowo, the film is skilfully directed by Ava DuVernay (Middle of Nowhere) with a sharp attention to subtle details. And the script by newcomer Paul Webb draws the characters with such complexity that the film has provoked controversy from people who like their heroes untextured.
The film enters Martin's story as he is awarded the Nobel Peace Prize alongside his activist wife Coretta (Carmen Ejogo) in October 1964, just over a year after his soaring "I have a dream" speech. And a few months later, he's called to Selma, Alabama, to help blacks who are being denied the right to vote by racially motivated voter registration laws. Martin meets with President Lyndon Johnson (Tom Wilkinson), who has more pressing things on his political agenda, then heads to Selma to lead a march on the state capitol in Montgomery. But the peaceful protest is met with nightmarish violence, ordered by Governor George Wallace (Tim Roth). So as the protesters regroup and plan a second march, Martin heads back to Washington to challenge Johnson to set some new priorities.
Cleverly, the script just covers a few months, punctuated with a series of King's most rousing speeches. Since none of this is presented for its big inspirational value, it has a much stronger kick than we expect. The film's punchiest scenes are almost silent, as King struggles to knot his tie before an appearance or fails to find the words to confess his infidelities to his wife. Oyelowo is so transparent in the role that King emerges as an everyday man with a gift for oratory in the right place at the right time. But it's his steely desire to do the right thing that makes him inspirational. And how he reacts when he discovers the human cost of his actions.
Continue reading: Selma Review
Oprah Winfrey has signed on to be one of the producers of the upcoming drama based on Martin Luther King's voting rights campaign.
Oprah Winfrey has signed on to produce 'Selma'.
The 60-year-old star will work on the forthcoming drama based on civil rights activist Martin Luther King and his 1965 landmark voting rights campaign, which was regarded as the peak of the civil rights movement, according to Deadline.com.
Continue reading: Oprah Winfrey Has Signed On To Produce Selma
Danny Boyle is making a film version of new documentary 'Smash and Grab: The Story of the Pink Panthers' about the infamous Balkan jewel thieves.
Danny Boyle is adapting the documentary 'Smash and Grab: The Story of the Pink Panthers' for the big screen.
The filmmaker has finally chosen his next project after this year's art heist thriller 'Trance', signing on to make a blockbuster version of the real-life story of the infamous Balkan jewel thieves.
Danny was reportedly fascinated by the 2013 documentary directed by Havana Marking about the most successful thieves of all time, and instantly saw the potential for a feature film.
Continue reading: Danny Boyle Adapting Pink Panthers Gang Movie
Danny Boyle is obviously having a ball with this thriller, deploying every cinematic trick he can think of to throw the audience off the track. But sometimes too much of a good thing is annoying. And while this film holds our interest, it also reveals early on that we simply can't trust anything we see on-screen. So while it's expertly shot and edited, and the actors make the most of their shifty characters, it's not easy to just sit back and enjoy the show.
McAvoy stars as Simon, an auctioneer presiding over the sale of a £30 million Goya painting, which promptly goes missing after an elaborate heist. Simon suffers a head injury in the assault, and can't remember anything, which is a problem when it turns out that he was working with criminal mastermind Franck (Cassel). Now Franck and his goons (Sapani, Cross and Sheikh) want to know where the painting is, so they enlist hypnotherapist Elizabeth (Dawson) to help Simon recover his memory using a series of unconventional methods. But she wants her share of the cash.
Yes, the further they travel into Simon's mind, the stranger things get. McAvoy has little to do here but look dazed in between moments of lucidity that generally spark something horribly violent. Opposite his understated performance, Cassel can hardly help but be a lot flashier as a menacing charmer. And Dawson has a fierce presence as a woman who quickly takes control of every situation she's in. Although Dawson also has to contend with a couple of leery nude scenes that go further than what was strictly necessary.
Continue reading: Trance Review
British independent drama 'The King's Speech' has gained the most nominations at this year's Academy Awards, being named in 12 categories.
The 'King's Speech' leads the nominations at the 83rd Academy Awards with nods in 12 categories.
Among the Oscars the Tom Hooper-directed drama is up for are Best Picture, Best Actor for Colin Firth - who plays late British monarch King George VI - and Best Supporting Actress for Helena Bonham Carter.
Continue reading: The King's Speech Leads Oscars With 12 Nominations
In April 2003, adventure sportsman Aron Ralston (Franco) heads into Utah's Blue John Canyon for a day of hiking. He meets two girls (Mara and Tamblyn) along the way, and stops to show them a cool underwater lake. Then he heads on his own into a narrow slit in the earth where a bolder falls and pins his right arm against the wall. Unable to move, he spends the next five days pondering for the first time his own humanity and mortality. And after trying everything imaginable, he only has one option left.
Continue reading: 127 Hours Review
Tom Hanks and James Cameron will be presented with awards at the 22nd annual Producers Guild Awards on January 22.
Judd Apatow will host the ceremony at the Beverly Hilton Hotel on January 22nd, which will see the 'Forest Gump' star receive the Norman Lear Achievement Award in Television along with Gary Goetzman and the 'Avatar' director presented with the Milestone Award.
Academy Award-winning director Danny Boyle faces competition from a host of producers including Christopher Nolan and Joel and Ethan Coen in the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures.
Continue reading: Tom Hanks To Be Honoured At Producers' Guild Awards
Quintus Dias (Fassbender) seems to be an unusually lucky centurion. Stationed in the nastiest outpost on the edge of the Roman Empire in Britain, he's the only survivor of a Pict attack by the vindictive Gorlacon (Thomsen). So he teams with General Virilus (West) and heads back into the hot zone. Again, the Picts launch a devastating attack. This time seven Romans survive, and it becomes a cat-and-mouse chase as mute huntress Etain (Kurylenko) tenaciously tracks Quintus and company across the Highlands. Can they make it back to safety in the south?
Continue reading: Centurion Review
David (Turgoose) is the mid-teen son of a Norfolk caravan park performer (Maudsley). To survive the boredom, he bonds perhaps too tightly with Emily (Grainger), daughter of the site's shop clerk (Lynch). As they dash across caravan roofs and hang out with security guard Steve (Spall), their life is pretty happy. But Emily's when mother decides to send her to live with her father (Sidi), David helps her hide in a seaside cave. Tension builds when a police detective (Mackintosh) starts investigating. And it gets worse when a secret is revealed.
Continue reading: The Scouting Book For Boys Review
There's very much a strength of conviction in remaining what you were, but arguably more so in becoming what you want to be.
The BBC drama starring Aidan Turner returns to BBC One on September 4th.
Guns N' Roses were detained at the Canadian border last week for gun possession but they're adamant the weapon didn't belong to them.
The show is up for 12 awards altogether.
Benedict Cumberbatch's success elsewhere could prove to be bad news for the show.
Gene Simmons has poured cold water on rumours the original KISS line up will reunite.
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