The film opens interestingly, almost Matrix-like, as a woman (Arly Jover) is seen undergoing some kind of treatment for amnesia -- she can remember just about everyone except her husband. Increasingly suspicious and susceptible to flashbacks, she help from a psychiatrist who turns her on to the scars behind her ears and on her scalp. An x-ray reveals she's full of metal pins. Someone has done a major plastic surgery number on the gal. An hour into the 128-minute affair we get the film's primary revelation: Jover's Anna was once Turkish!
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