Chris Moore

Chris Moore

Chris Moore Quick Links

News Pictures Film RSS

The British Fashion Awards 2014

Chris Moore - Shots of a host of stars as they took to the red carpet for the 2014 British Fashion Awards which were held at the London Coliseum in London, United Kingdom - Monday 1st December 2014

Chris Moore

Promised Land Review


Excellent

Hydraulic fracturing might not be the most compelling subject for a movie, but it provides a topical backdrop for this engaging drama about ethics. It also lets actor-screenwriter Damon reunite with his Good Will Hunting director Van Sant for another strikingly well-made movie centring around a handful of strong characters. And while we know what the filmmakers feel about this contentious issue, at least the script isn't heavy handed about it.

The story takes place in a rural New England town, where oil company workers Steve and Sue (Damon and McDormand) are trying to secure the leases needed to drill for natural gas. The farmers badly need the cash to keep in business, but a retired science teacher (Holbrook) voices concern about the potential dangers of "fracking". He's joined by environmental activist Dustin (Krasinski) to turn the town against Steve and Sue's multinational corporation. And Dustin even starts to meddle in a budding romance between Steve and local teacher Alice (DeWitt). 

The script is cleverly constructed to make us wonder who is telling the full truth. There are obviously risks associated with fracking, but have they been exaggerated by politically motivated campaigns? Damon plays Steve as a straight-arrow, a nice guy who genuinely believes that the process is safe. Meanwhile, Krasinski is a but more slippery as the grassroots voice of caution, and the terrific McDormand gets all the best lines.

Continue reading: Promised Land Review

American Reunion [aka American Pie: Reunion] Review


Grim
Call this a missed opportunity. While there's plenty of scope to have fun with these characters as they hit 30, this script is simply not up to the job. It's never very funny, has no sense of momentum and only comes to life due to the endearing characters and the likeable actors who play them.

It's the class of 1999's 13th reunion (huh?), so the entire gang returns to East Great Falls. Jim and Michelle (Bigs and Hannigan) now have a 2-year-old son, which has interrupted their sex life; Oz (Klein) is a B-list TV star with a supermodel girlfriend (Bowden); the now-married Kevin is worried about rekindling his high school romance with Vicky (Reid); Finch (Thomas) is a world traveler who clicks with Michelle's band camp pal Selena (Ramirez). And then there's party-boy prankster Stifler (Scott), who hasn't changed at all and leads them into all manner of trouble.

Continue reading: American Reunion [aka American Pie: Reunion] Review

The Adjustment Bureau Review


Good
It's impossible to avoid comparing this film to both Inception and The Truman Show, as it delves into the issue of free will from a fantastical perspective.

But this is a lighter movie, focussing on romance rather than weighty themes.

David (Damon) is a hotshot Congressman destined for greatness when a past indiscretion derails his Senate campaign. Not to worry: the Adjustors (Slattery and Mackie) will put things back to plan. But in the process there's a blip: David meets Elise (Blunt) and can't get her out of his head. He also discovers the existence of the Bureau, and subverting their plan becomes his goal. So they call in feared Adjustor Thompson (Stamp), and over the next four years the cat-and-mouse game escalates.

Continue reading: The Adjustment Bureau Review

Premiere Screening Of 'The People Speak' Presented By The History Channel - Arrivals

Chris Moore Thursday 19th November 2009 Premiere screening of 'The People Speak' presented by the History Channel - Arrivals New York City, USA

Chris Moore

Feast Review


Good
Matt Damon and Ben Affleck's Project Greenlight, a reality program designed to give first-time film makers an unprecedented shot at their dream, won a few battles but ultimately lost its war.

Over the course of three seasons, Greenlight made mountains out of molehill-sized production problems for the benefit of its drama-craving audience. The program also took joy in vilifying bullish producer Chris Moore, a headstrong professional whose chief crime was trying to keep unfocused amateur film makers on track. Not surprisingly, the weekly episodes ended up being more entertaining than the theatrically released films.

Continue reading: Feast Review

Joy Ride Review


Excellent
Ever make someone else the brunt of a practical joke -- only to learn the joke is really on you? The characters in Joy Ride have, and after the lessons they learn, you can bet they'll never, ever tease anyone else again.

Joy Ride has clearly learned from similar, high-octane road thrillers like Breakdown. It calculates every move, but seldom do we see the surprises coming. The film explores the misadventures of a college student named Lewis (Paul Walker). Lewis is a nice guy, having just bought a used car to travel all the way across the country to help a friend in need (Leelee Sobieski). Along the way, he also stops to post bail for his troublemaking brother, Fuller (Steve Zahn), and give him a ride as well.

Continue reading: Joy Ride Review

American Pie 2 Review


Excellent
The gang from American Pie is back in American Pie 2, or, I Still Know What You Screwed Last Summer. The immortal pie, of course, is gone, but there are plenty of foreign objects and luscious ladies to occupy the genitalia of the entire cast for a full hour and a half.

After reinventing the sex comedy in 1999's American Pie, AP2 had a high bar to live up to, and miraculously, it has done so. It actually outdoes the original (by a mile) when it comes to juvenile and crude humor. And the sex gags... jeez, the dick jokes come rapid fire, one every minute. It ain't Woody Allen, but damn if it isn't utterly hysterical.

Continue reading: American Pie 2 Review

The Battle Of Shaker Heights Review


OK
We're two movies into Matt Damon and Ben Affleck's Project Greenlight, and I'm ready to call the experiment a success. At what, I'm still not sure. The behind-the-scenes antics captured each week for the multi-part HBO series provide an unprecedented insight into a movie's arduous journey from script to screen. Week to week, it provides excellent reality television.

But the end results - from Stolen Summer to this year's The Battle of Shaker Heights - haven't proven strong enough to separate themselves from the series. They struggle to stand on their own two independent feet.

Continue reading: The Battle Of Shaker Heights Review

American Wedding Review


OK
That wacky American Pie crew is back -- er, a handful of them, anyway -- for a lackluster third and undoubtedly final outing with sex, pie, and ice cream. Okay, there's no pie or ice cream.

Picking up three years after American Pie 2, we find pastry-loving Jim (Jason Biggs) and band-camper Michelle (Alyson Hannigan) graduating from college and still in love. A wedding is deemed in order, which brings back Jim's pals Kevin (Thomas Ian Nicholas), Finch (Eddie Kaye Thomas), and Stifler (Seann William Scott) to plan the blessed event. Of course, any married man knows that no wedding in history has ever been organized by three hapless guys, and when the crew drives three hours to Chicago to buy Michelle a wedding dress (huh!?) you know we're in for an old-fashioned round of Spot the Plot Device.

Continue reading: American Wedding Review

Stolen Summer Review


Weak
Writer-director Pete Jones serves up a nostalgic slice-of-life in his examination of friendship and faith in the winsome but saccharine Project Greenlight winner Stolen Summer. Jones, the budding filmmaker whose chosen screenplay would emerge victorious among hundreds of competitors, delivers a film that has atmosphere and heart but ultimately ends up as just another anemic, personal story with well-meaning sentiment. There is much being made about the behind-the-scene politics of nurturing Jones's winning pet project through the Project Greenlight campaign, as well as his movie being the subject of a hit HBO documentary series. Sadly, this all feels like some publicity stunt more than it does a legitimate process in discovering talented artists.

Stolen Summer tells the poignant tale of two energetic 8-year old youngsters living in the hazy days of Chicago circa 1976 where disco music and polyester profoundly dominated the scene. Pint-sized rabble-rouser Catholic schoolboy Pete O'Malley (Adi Stein) is sternly lectured by his teacher and told that he must change his mischievous ways over the summertime. And so Pete is released from school with some serious thinking to do while he basks in the glory days of the upcoming summer. But Pete's overworked firefighter father (Aidan Quinn) and stay-at-home mother (Bonnie Hunt) are harried by all their responsibilities and just don't have the time to cater to all the personal and emotional needs of their brood. Thus, Pete has to find his own way to spiritual salvation.

Continue reading: Stolen Summer Review

Best Laid Plans Review


OK
Straight-to-video movies usually do so for a reason, but Best Laid Plans just may have gotten a bum rap. Centered around a complicated scheme between Nivola and Witherspoon (fiesty as ever, here) to steal a valuable Civil War artifact in order to pay back the subject of an earlier crime, things get progressively more complicated until the enexorably uninspired conclusion. While it's a relatively tepid thriller, Best Laid Plans actually had me sit up on the edge of my seat once, and any chance to see Witherspoon in handcuffs is certainly an opportunity not to be missed.

Reindeer Games Review


Weak
Reindeer Games is one of those movies that thinks so much of itself it sports a special cover sheet over the press notes, reading, "Reindeer Games is filled with twists and turns that we hope will keep the audience guessing," followed by a plea that critics will not spoil the fun by divulging these twists and turns to the gentle readers.

All of which assumes there is some fun to spoil.

Continue reading: Reindeer Games Review

American Pie Review


Excellent
This is certainly the year for comedy, with South Park, Austin Powers 2, and now American Pie making the last month alone nothing short of a gut buster.

With all the sophistication of Porky's 2, American Pie is a teen sex comedy (and was originally titled as such) that leaves taste and sophistication at the door and goes straight for the comedic jugular. The highest-of-concepts plot is simple: Four high school virgins vow to lose their virginity by the end of school, and the prom is only three weeks away. Plots and schemes are hatched out the yin-yang.

Continue reading: American Pie Review

The Third Wheel Review


Weak
After Good Will Hunting and a round of Project Greenlight, Ben Affleck and Matt Damon got their hooks into this odd choice, a screwball romantic comedy called The Third Wheel, which plays out exactly like you might expect.

After a half hour of setting up the leads (Luke Wilson and Denise Richards, co-workers in a finance film which is featured endlessly in the first act to the point of mind numbness), Wilson finally asks Richards out on a date -- after a year of pining for her. Things immediately take a turn for the worse when Wilson runs his car into a crazy homeless man (Jay Lacopo), who ends up joining them for the rest of the evening. Get it? He's a third wheel! And he's kooky. How do we know he's kooky? He sings on the bus and makes hand shadows on the wall.

Continue reading: The Third Wheel Review

Chris Moore

Chris Moore Quick Links

News Pictures Film RSS
Advertisement

Occupation

Filmmaker


Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.