Ben Cahill is an ambitious lawyer with an overwhelming urge to see justice for those who often can't fight for themselves and he has a new target in his sight. Pearson pharmaceuticals are a huge global corporation and the chief at the top of the company is the founder Arthur Denning. When Ben learns about some possible manipulation in drug trails, he goes to his bosses and tells them that he can convict Denning of fraud.
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On the board between Mexico and the United States, something big is brewing. A war between the police force and Cartel drug-runners is ready to explode into something cataclysmic. When concert violinist Jacob (Anton Yelchin) returns to his family's home with his fiancé to see his brother, Buddy (Chris Marquette), spirits are high. Buddy is unable to attend the upcoming wedding, but has invited his brother down to see the new ranch he has built. Things don't add up, however, as there is no way that Buddy would ever have been able to afford to pay for all of the work that has been done. Slowly, the plot begins to unravel, and it turns out that Buddy isn't all that he seems.
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Chris Marquette and Emily Isacson - The Eighth Annual Tribeca/ESPN Sports Film Festival Kick-off With the World Premiere of the ESPN Films' 30 for 30 Documentary When the Garden at BMCC Theater - NYC, New York, United States - Thursday 17th April 2014
Michael Kovak is a young man who's studying to become a priest, his faith is strong but he's not convinced in demonic possession, instead he believes people who claim to be possessed should be treated for psychosis by a doctor. Still unable to truly believe in what the he's being taught, Kovak attends an exorcism school at the Vatican.
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With an all-new cast, it feels almost like a jazz riff, playing with the characters and themes and sending them in new directions. And it's both hilarious and clever.
When she realises that her husband (Williams) hasn't overcome his urge to make obscene phone calls, Joy (Henderson) heads to Florida to see her sister Trish (Janney), who has told everyone that her husband Bill (Hinds) has died. But he's actually in prison for abusing a young boy. Trish is now seeing a nice Jewish man (Lerner) and being a bit too honest with her son Timmy (Snyder).
Continue reading: Life During Wartime Review
Strangely, however, Durst's career has been hit with a severe case of chronological fatigue. Last year, Durst directed Ice Cube in the lethargic teen-football weepie The Longshots, which would make him a filmmaker only in so much as he knew how to turn on a camera. That was his second film, however. His first film, The Education of Charlie Banks, premiered at the 2007 Tribeca Film Festival to mostly favorable reviews but didn't receive U.S. distribution. That is, until earlier this year, when Anchor Bay picked up the tab.
Continue reading: The Education Of Charlie Banks Review
The film is set in what must now be looked at as a golden age of fanboy anticipation: 1998, with the 1999 release of Episode I drawing ever tantalizingly closer. But not close enough: Lifelong friends and Star Wars megafans Linus (Chris Marquette), Windows (Jay Baruchel), Hutch (Dan Fogler), and somewhat estranged (which is to say somewhat more socialized) Eric (Sam Huntington) hatch a plan to drive across the country, break into Skywalker Ranch, and see an early cut of the prequel. They need to do this because Linus has movie cancer, which is just as fatal as regular cancer but much less messy, never prohibiting him from, say, embarking on a zany cross-country road trip.
Continue reading: Fanboys Review
The premise of Graduation is stupid enough: Carl (Chris Marquette) needs $100,000 to pay for the medical treatment of his dying mother, so his posse concludes the only way to obtain this sum is to rob a bank. Gee, I wonder how else they can come up with 100 grand? The main character Polly's father (Adam Arkin) happens to be a bank owner. Perhaps he has 100 grand in his own savings, or at least a portion of it, that he can loan to Carl? Or how about a citywide fundraiser? No, even for Polly (Shannon Lucio), the high school's valedictorian, robbing her father's bank is the only logical step.
Continue reading: Graduation Review
Except that he's dead, of course, but assuming, as The Invisible does, the existence of a rather flexible netherworld between living and death, filling in further details isn't a problem either. When Nick wakes up as a sort of half-ghost, traveling through the land of the living without the ability to be seen or heard while his body lies on the brink of death, his detective skills need only to consist of following the murderers around, overhearing their motivations.
Continue reading: The Invisible Review
For the first time since "Scream," the slasher genre shows signs of life (was that in poor taste?) in "Freddy vs. Jason," a franchise merger that pits hockey-masked psycho Jason Voorhees from the "Friday the 13th" movies against "A Nightmare on Elm Street's" dream-invading bimbo-killer Freddy Krueger and his knife-blade glove.
The scenes in which these two unstoppable supernatural slayers are literally at each other's throats prove to be everything fans of such movies could hope for as they hack, cut, beat, tear and toss each other around, first in Freddy's dream realm (where the burn-scarred nutcase has tapped into Jason's subconscious), and later on Jason's home turf at Camp Crystal Lake after Freddy has been drawn into the real world. Their super-violent showdowns are like John Woo fight scenes with all the elegance sucked out and replaced with brutal fury.
Unfortunately, the rest of the movie is largely the same tired old crap -- 25-year-old half-talents playing unconvincing high-schoolers stalked through the dark by one or the other of our killers. Any bouts of creativity in the script are almost immediately squelched by low standards of hack filmmaking, as evidenced by the boring expository prologue in which Krueger (Robert Englund) blabs on and on about his backstory, then explains the plot: He's awakened Jason (Ken Kirzinger) from the dead by invading his psyche (as a vision of his abusive mother), sending him to Elm Street to rekindle the fear Freddy needs to thrive in the dreams of his hometown teenagers and begin anew his own killing streak.
Continue reading: Freddy Vs Jason Review
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