Chris Klein

Chris Klein

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Chris Klein In His BMW Car In Beverly Hills

Chris Klein - Chris Klein driving in his BMW car in Beverly Hills - Los Angeles, California, United States - Tuesday 3rd March 2015

Chris Klein
Chris Klein
Chris Klein
Chris Klein
Chris Klein
Chris Klein

"Authors Anonymous" - Los Angeles Premiere

Kaley Cuoco-Sweeting and Chris Klein - "Authors Anonymous" - Los Angeles Premiere At The Crest Theatre - Westwood, California, United States - Thursday 10th April 2014

Kaley Cuoco-sweeting and Chris Klein
Kaley Cuoco-sweeting
Terri Seymour and Kaley Cuoco-sweeting
Ellie Kanner, Tricia Helfer, Jonathan Bennett, Kaley Cuoco-sweeting, Chris Klein and Charlene Amoia
Terri Seymour and Kaley Cuoco-sweeting
Kaley Cuoco-sweeting and Briana Cuoco

Premiere Of 'Authors Anonymous' - Arrivals

Kaley Cuoco and Chris Klein - Los Angeles premiere of 'Authors Anonymous' - Arrivals - Los Angeles, California, United States - Wednesday 9th April 2014

Kaley Cuoco and Chris Klein
Kaley Cuoco

American Reunion [aka American Pie: Reunion] Review

Call this a missed opportunity. While there's plenty of scope to have fun with these characters as they hit 30, this script is simply not up to the job. It's never very funny, has no sense of momentum and only comes to life due to the endearing characters and the likeable actors who play them.

It's the class of 1999's 13th reunion (huh?), so the entire gang returns to East Great Falls. Jim and Michelle (Bigs and Hannigan) now have a 2-year-old son, which has interrupted their sex life; Oz (Klein) is a B-list TV star with a supermodel girlfriend (Bowden); the now-married Kevin is worried about rekindling his high school romance with Vicky (Reid); Finch (Thomas) is a world traveler who clicks with Michelle's band camp pal Selena (Ramirez). And then there's party-boy prankster Stifler (Scott), who hasn't changed at all and leads them into all manner of trouble.

Continue reading: American Reunion [aka American Pie: Reunion] Review

American Pie: Reunion Trailer

When we last saw East Great Falls' Class of '99, they were celebrating the wedding of classmates Jim Levenstein and Michelle Flaherty. Several years later, Jim and Michelle have a two year old son and have settled into a comfortable routine.

Continue: American Pie: Reunion Trailer

Street Fighter: The Legend Of Chun-Li Review

Sorry, folks -- the star of Street Fighter: The Legend of Chun-Li is not the mouth-drippingly voluptuous lead actress Kristin Kreuk. It's actually supporting actor Chris Klein, who may very well be our next Keanu Reeves. Klein must have flash-kicked himself in the brain, because his acting is so outrageously horrid and emotionally vapid he inspires unsolicited laughter. In fact, if Klein had more airtime in the movie, I might have sat through the whole thing.

That's right: I walked out (after an hour). And this is the only movie I've walked out of my entire life.

Continue reading: Street Fighter: The Legend Of Chun-Li Review

Day Zero Review

The alternate reality in Day Zero is a nightmare for young American men: Within a backdrop of terrorist attacks and the Iraq War, the U.S. military draft has been reinstated. It's an intriguing concept, but it's stuck in a film that rarely digs deep, and never quite hits the mark.

Rather than investigate the larger, more challenging issues, first-time director Bryan Gunnar Cole keeps it small and personal, focusing on three buddies: a wimpy author (Elijah Wood, continuing to shed Frodo), a suit-and-tied attorney (the stale Chris Klein) and a streetwise cabbie (uneven Jon Bernthal). Each receives his notice at the same time, with 30 days to report for service. And with the first scenes featuring the trio, it's tough to believe they'd ever been friends -- sadly, they just seem like three actors pretending to be friends, proof that on-screen camaraderie can be a bitch to achieve.

Continue reading: Day Zero Review

Day Zero, Trailer Trailer

Day Zero

Continue: Day Zero, Trailer Trailer

Election (1999) Review

Talk about redemption. After starring in some of favorite movies ever, Matthew Broderick had to go and make Godzilla. Election proves that once again he should stick with comedy, with this little gem easily ranking as one of the top comedies in recent memory, and the best thing to ever come out of MTV's film division. (Then again, Broderick's next pic is Inspector Gadget... dunno what to make of that one.)

The story of a high school student body presidency up for bid sounds simple and even cliched, but director Payne makes quick work of the stereotypical teen comedy, turning the tables on just about everyone in the picture.

Continue reading: Election (1999) Review

American Dreamz Review

There's a peculiarly painful sensation one gets when witnessing a comedy build toward its big moment, having carefully laid all out all the correct elements and primed you for all the gags as it leads up to the orchestrated finale and then... Just. Doesn't. Get. There. You get that feeling quite a lot in Paul Weitz's American Dreamz, about an American Idol-like reality show which becomes the linchpin in a dangerously rickety skit about wannabe celebrities, and yes, the war on terror (because one must be relevant). There's another feeling one gets, and it comes from that oft-ignored voice in the back of your head, the one that says, Hey, maybe we shouldn't be laughing at this, even if it was funny.What are we supposed to make of this queasy and uncertain concoction that lands a few weak punches and then dances safely back out of range? Weitz is no Wilder, but he's done better than most in comedy. American Pie may have brought us an unfortunate amount of Chris Klein, and In Good Company was hardly a beacon of originality, but they both possessed a refreshing amount of heart; while About a Boy proved that Hugh Grant's louche side is his best one. These were all films of modest means that succeeded beyond their stated intent. With American Dreamz, writer/director Weitz not only bites off more than he can chew, he (not to mention we) can barely get his mouth around the thing.The constellation of players include: Britney-like Ohioan pop striver Sally Kendoo (Mandy Moore), Simon Cowell-esque host Martin Tweed (Hugh Grant), a president and vice-president (Dennis Quaid and Willem Dafoe) who just may resemble a pair currently in power over there in D.C., and Omer (Sam Golzari), a clumsy, showtunes-loving terrorist (you read that right) who accidentally gets on the show after being sent to join a sleeper cell in Orange County. There's also Sally's sweet but dumb-as-rocks boyfriend William Williams (Chris Klein), who runs off to the army after she dumps him, and Omer's flaming-gay cousin Iqbal (Tony Yalda) who thinks he deserves to be on the show, and a number of fine performers like Shohreh Aghdashloo, Judy Greer, and John Cho wasted in dead-end roles. With all this at hand, Weiss aims to plug into some sort of vein of current American irreality, juxtaposing the fanatic public adulation of this TV show with the grinding presence of the war and the terrorist threat, but ends up splashing them all with the same cartoonish colors and scoring only the easiest of points.There is ample opportunity here, it's just not utilized. Quaid plays his Bush stand-in with ardent vigor as a decent but none-too-bright man who wakes up the day after his reelection and announces to his stunned manservant, "I'm going to read the newspaper." Cut to weeks later and the president bedroom is thick with papers and books, the commander in chief's head dangerously expanding, saying incredulously to his Cheney-like VP (Dafoe, mixing just the right amount of malice and buffoonery), "Did you know there were three different kinds of Iraqistanis?" But then this line of broad mockery is abandoned for a "Terrorist Training Camp" in some California desert masquerading as the generic Middle East, where Omer - who became a terrorist because his mom was killed by an American bomb; funny, that - dances to showtunes in his tent. Then it switches again to Ohio for some dreadfully unfunny reality-show-contestant satire that flops dead on arrival due to Moore's dead fish of a performance. Like Grant - who should have turned in a killer Cowell impression here, and whose soulless character bonds with Moore - she remains on the leash, never fully engaging. About the only thing in the too widely ranging American Dreamz that works is Omer, a sweetheart of a character whose earnest lack of talent is as endearing in the film as it would be on a reality show - for a satire aimed at modern society, he's about the only character who could actually exist in it.It has been said by some that Paul Greengrass's United 93 - prior to its opening, at least - is an exploitation of a national tragedy, a shameless attempt to make dramaturgical hay from an episode that should be treated with more respect. The jury of public opinion has yet, of course, to make a ruling in that matter. Until then, though, we have American Dreamz, which seems to think that the Iraq War, terrorism, the death of innocent Middle Easterners by American hands, and the current White House situation are all just as equally worthy targets of spoofery and fun as is reality TV. It's not really a cynical or outrageous point of view, but just a really lazy one, and offensively, exploitatively so.Who likes pizza?

Just Friends Review

I like Ryan Reynolds. I like Anna Faris. I'm befuddled why Amy Smart hasn't become the 21st century version of Meg Ryan. All three star in Just Friends, and they are all likable, with Reynolds and Faris showing deft comic timing. It's too bad the script doesn't just let them down, it leaves them for dead.

The movie starts in 1995. Chris (Reynolds) and Jamie (Smart) are childhood friends, who have just graduated high school. Chris chooses the night of her graduation party to confess his love for her. Long story short, Chris's love for Jamie gets broadcast for everyone to hear, and she responds by telling Jamie that she loves him. Like a brother.

Continue reading: Just Friends Review

Rollerball (2002) Review

Seeing a movie remake inevitably leads viewers to make comparisons, matching up new casting choices, storylines, and updated themes. It happens all the time, as moviegoers may catch Open Your Eyes (Abre Los Ojos) or the original Thomas Crown Affair on video so they can compare, contrast, discuss. Well, it won't happen with Rollerball, a remake of the 1975 futuristic sports thriller, because the John McTiernan-directed update is so thoroughly bad, so outrageously uninteresting, and so poorly presented that it demands no comparison, perhaps not even to other terrible movies.

In line with the James Caan version, Jonathan Cross (the horrid Chris Klein) is a young hotshot athlete playing the dangerous, thrill-seeking game of Rollerball, a roller derby-style sport that pits armor-clad combatants on skates and motorcycles against one another, hoping to slam a metal ball into a goal.

Continue reading: Rollerball (2002) Review

American Pie 2 Review

The gang from American Pie is back in American Pie 2, or, I Still Know What You Screwed Last Summer. The immortal pie, of course, is gone, but there are plenty of foreign objects and luscious ladies to occupy the genitalia of the entire cast for a full hour and a half.

After reinventing the sex comedy in 1999's American Pie, AP2 had a high bar to live up to, and miraculously, it has done so. It actually outdoes the original (by a mile) when it comes to juvenile and crude humor. And the sex gags... jeez, the dick jokes come rapid fire, one every minute. It ain't Woody Allen, but damn if it isn't utterly hysterical.

Continue reading: American Pie 2 Review

Chris Klein

Chris Klein Quick Links

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Chris Klein

Date of birth

14th March, 1979







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