Sports writer Joe (Owen) is left in a daze when his wife Katy (Fraser) dies suddenly, leaving him to care for 6-year-old Artie (McAnulty). Since he has spent much of Artie's life travelling with his job, they have a lot of bonding to do, so they head out on a road trip. Then Joe's 14-year-old son Harry (MacKay) arrives from England to get to know his dad. With their unconventional family arrangement, these three cause a bit of concern with Joe's in-laws (Blake and Haywood) and a neighbour (Booth).
Continue reading: The Boys Are Back Review
Intelligently adapted by screenwriter Beatrix Christian from Raymond Carver's short story "So Much Water So Close to Home," Jindabyne is about the things people do to remember that they're alive, and the things they want to forget that make them feel dead. Set in the titular small village (a sign on the road identifies it as "a tidy town") Laura Linney and Gabriel Byrne play Claire and Stewart Kane, a couple with troubles surrounded by friends and coworkers with plenty of their own. Everyone works the small-time kind of jobs you can find in a town the size of Jindabyne, Claire clerking at a drugstore and Stewart (a former auto racing star) running a gas station. There's darkness in the Kanes' past, like the year and a half when Claire lived elsewhere after the birth of their son Tom (played with heartbreaking sincerity by Sean Rees-Wemyss), never explained. A couple they're friends with has troubles, too: a dead daughter and now the unexpected stewardship of their goddaughter, Caylin-Calandria (Eva Lazzaro), a haunted and troublemaking 10-year-old who seems to have a death wish.
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Esben Storm puts this VR-becomes-just-R thriller in the menacing environment of an Aussie parking garage, with (yipes!) some menacing children's toys (somehow escaped from the game universe) chasing a bunch of modern-day role-playing gamers around the ramps. Of course, CGI toys costs money, so often the robots are real kiddie toys: remote-control cars, plastic spheres strung on wire, or bouncy balls simply tossed at the cast. Maybe these are those mini-RC cars that those spam messages tell me are all the rage!
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With such a glut of over-choreographed action flicks, maybe that's why I was so excited to watch Quigley Down Under, the 1990 cowboy flick starring Tom Selleck and Laura San Giacomo. Directed by Lonesome Dove's Simon Wincer, it's a simple, very entertaining tale. Within the movie's first five minutes, there's a fistfight and everyone adheres to the laws of gravity. That's a good sign.
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Viewers suffer through a 92-minute montage of clichéd images -- fields of wheat, diaphanous skirts, birds in flight -- as narrator Derek Jacobi reads from Nijinsky's diaries. As one might imagine, insane ramblings make for poor monologue. Evidence such insight as: "I am feeling in the flesh, and not intellect in the flesh... Beauty cannot be discussed; beauty cannot be criticized. I love beauty because I feel it." After an hour or so, you'll want to scratch at your own skin for diversion.
Continue reading: The Diaries Of Vaslav Nijinsky Review
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In 1916, acclaimed Russian ballet dancer Vaslav Nijinsky had a mental breakdown, which he recorded...