Chris Curling

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The Last Station Review


OK
A double love story based on real events from the life of Leo Tolstoy, this period film combines comedy and emotion in a way that's always entertaining, even if it sometimes feels camp and contrived.

Valentin (McAvoy) is a young Tolstoyan in 1910 assigned by the movement's leader Chertkov (Giamatti) to keep an eye on Leo Tolstoy (Plummer) and his sceptical wife Sofya (Mirren). But what Valentin finds is a lively, loving marriage that's strong enough to include opposing views. This isn't good enough for Chertkov, who moves to get Leo to change his will to leave everything to the movement. Which of course enrages Sofya. Meanwhile, Valentin is experiencing his first flush of love with a Tolstoyan commune resident (Condon).

Continue reading: The Last Station Review

Esther Kahn Review


Weak
They say that even the most accomplished actor still has something to prove, that no matter how much adoration he might receive, there is always some sacrosanct person or place where the performer turns to face critical judgment. Esther Kahn, directed by Arnaud Desplechin, is the story of a young actress who battles those harsh demons in order to achieve a sense of accomplishment.

Raised in tenement housing in late-19th century London and forced to live the suppressed life of a sweatshop laborer in a Jewish slum, Esther Kahn (Summer Phoenix) uses the theater as an escape from the harsh realities of everyday life. As a child, her brother and sisters find her awkward because of her abnormal silence and infatuation with the low-budget Yiddish performances put on by the local neighborhood troupes. As the family outcast, she internalizes all the loathing she receives from her mother (Frances Barber) and family, which leads to a desperate search for her place in the world.

Continue reading: Esther Kahn Review

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