Chow Yun-fat

Chow Yun-fat

Chow Yun-fat Quick Links

News Pictures Video Film RSS

The Most Undiscovered Movies On Netflix


Wes Anderson Alfonso Cuaron Jamie Uys Stephen Dorff Antoine Fuqua Chow Yun-Fat Macaulay Culkin Diego Luna Gael Garcia Bernal

Most films on the lower rungs of Netflix occupy that position for a single reason: they’re downright terrible. The acting is at best laughable and at worst cringe-worthy, whilst the script seems to be the product of baboons who possess a slightly above average intelligence. Elsewhere, the special effects are seemingly artefacts from design software that became obsolete once Windows 98 was released and the goofs and continuity errors come thick and fast. But amongst the schlock, the horribly ill-conceived box office flops and throwaway Chuck Norris vehicles are a selection of films hardly deserving of their placement amongst the vast expanse of Hollywood detritus. We’ve all sifted through the lower echelons of the vast Netflix database, ambivalently scrolling past Beverly Hills Ninja and Death Wish 4 and laughing at the hilarity of shoe-string budget horror C-movies such as Return Of The Killer Tomatoes and Strippers Vs Werewolves. Hiding amongst the most forgettable and artistically hollow filmic endeavours are some criminally overlooked works of cinematic art. Here is a selection of filmic diamonds who have unfairly found themselves confined to the Netflix motion picture ghetto:

Rebellion

Rebellion (2011), Director: Matheiu Kossovitz

Continue reading: The Most Undiscovered Movies On Netflix

Dragonball Evolution Review


Bad
As a director, James Wong has made some interesting films. He was part of the original X-Files team and cut his teeth on the Chris Carter serial killer series Millennium before heading up such genre favorites as Final Destination and The One. Now, he's been burdened with bringing one of manga's most popular titles and characters to life. Already an incredibly popular anime series, Dragonball is a dense, complex universe consisting of 519 individual chapters and more than 42 volumes. Naturally, any movie made of this material would have to concentrate on a single storyline -- in this case, the "Z" mythos. Alas, anyone hoping that Wong could keep this very Asian entry from being "westernized" by Hollywood was sadly mistaken. Instead of something new and unique, we have just another dull teen action film.

On his 18th birthday, Goku (Justin Chatwin) is given a sacred dragonball by his grandfather. Told that with the other orbs in the set, a single perfect wish will be granted, a tragedy sends our hero out to find Master Roshi (Chow Yun-Fat), an old family friend who is the key to unlocking the object's secrets. Along the way, Goku picks up Bulma Briefs (Emmy Rossum), who agrees to help him. With Roshi and desert bandit Yamcha (Joon Park) in tow, he prepares to take on alien invader Piccolo (James Marsters), who along with his assistant Mai (Eriko Tamura) is bent on summoning the dragon Shen Long and ruling the Earth. As the impending solar eclipse signals the moment of reckoning, our group must train to overcome centuries of evil and transform into the ultimate fighting force in the universe.

Continue reading: Dragonball Evolution Review

The Children Of Huang Shi Review


Bad
Roger Spottiswoode's limp The Children of Huang Shi sounds, looks, and feels like a chapter torn from a dusty history textbook that was relevant somewhere in the mid-1960s. Every revelation feels like a lesson being thrust upon the viewer, every character a simple metaphor for their nationality's opinion toward (and hand in) the Japanese occupation of China that culminated in the Rape of Nanking in the winter of 1937. Here, the Chinese were honorable soldiers from a conflicted country, the Japanese were buffoonish barbarians who still took their shirt off before they decapitated people, the British were naive and in way over their heads, and the Americans just wanted to get married.

As the film's pre-script enlightens us, Children follows the life of George Hogg (Jonathan Rhys Davies), a British journalist who steals the identity of a Red Cross worker to sneak into Nanking and get the story and the pictures of the massacres. After being captured, he almost meets the business-end of Tokyo steel before Hansheng (Chow Yun-Fat, not having fun with a mostly-American dialect), a resistance fighter, saves him from the blade. Hansheng sends Hogg off to the titular village, which serves as a sort of city for lost children, held in check by Dr. Pearson (Radha Mitchell), an actual Red Cross medic.

Continue reading: The Children Of Huang Shi Review

Chow Yun-Fat - Chow Yun-Fat and his wife Saturday 19th May 2007 at Disneyland Anaheim, California

Chow Yun-fat
Chow Yun-fat
Chow Yun-fat
Chow Yun-fat
Chow Yun-fat

Chow Yun-Fat - Chow Yun Fat Saturday 19th May 2007 at Disneyland Anaheim, California

Chow Yun-fat
Chow Yun-fat
Chow Yun-fat
Chow Yun-fat
Chow Yun-fat
Chow Yun-fat

Pirates Of The Caribbean: At World's End Review


Good
An honest-to-God, brawling, hooting, big ball of popcorn spectacle of a movie, Pirates of the Caribbean: At World's End fully embraces its ludicrous sense of summer season overkill without succumbing to the bloated tedium that afflicted its disappointing predecessor Dead Man's Chest. Clocking in at just under three hours, it's definitely longer than necessary, but given the number of unresolved plot strands that the last film left strewn about like so much tangled rigging, it's actually amazing the filmmakers are able to tie everything up quite as nicely as they do.

Starting with its unlikely origin as an amusement park ride, the Pirates series quickly mushroomed into a sort of meta-pirate film, a vast and whirligig universe unto itself that drew in every possible nautical cliché and legend possible. Thus the first film concentrated on yo-ho-ho-ing, rum-drinking, and general pirate-y scalawaggery. The second roped in Davy Jones and The Flying Dutchman -- not to mention an excess of secondary characters and familial drama. For the third (but not necessarily last, given the teaser it ends with) entry, the bursting-at-the-seams script tosses in a raging maelstrom, an actual trip to Davy Jones' Locker, and even the sea goddess Calypso. Dead Man's Chest showed that more is not always better, with excess just leading to more excess and a general sense of lethargy -- they were just setting us up for the conclusion and marking time until then. At World's End, however, shows that Hollywood excess, when combined with the right combination of actors and an occasionally smart script, can work out quite nicely, thank you very much.

Continue reading: Pirates Of The Caribbean: At World's End Review

Curse Of The Golden Flower Review


OK
A pageantry of pageantry that would put Bertolucci or Lean to shame, Zhang Yimou's The Curse of the Golden Flower piles spectacle upon spectacle, and tragedy on top of tragedy, until the whole contraption fairly disintegrates under the fervid weight of it all. Normally this wouldn't really be an issue, as late period Yimou films like House of Flying Daggers and Hero have been perfectly acceptable as period-piece baubles, rife with dynamic wuxia action sequences and dashing costumes -- things that Golden Flower has in abundance. While packed with emotion, those earlier films could certainly be enjoyed on surface detail alone, but there was still some heft to them; one doesn't buy for a second that Zhang Ziyi could fight like that without some help from gravity-defying wires, but the films were still able to dance that line between escapism and drama without leaving either behind. But Golden Flower can't dance.

Set in a royal court during the 10th century Tang dynasty, Golden Flower starts in and spends most of its time inside those same palace walls; which at first doesn't seem like a bad place to be. The place is a bejeweled rainbow of color, splashed with sunlight that sparkles off the golds, reds, and greens, and the camera greedily prowls its corridors looking for fresh spectacle. Yimou starts off with a feverishly choreographed ballet of servitude as hundreds of courtiers ready themselves in synchronized grace for the arrival of the long-traveling Emperor Ping (Chow Yun-Fat, regally villainous). His three princes await him, each curious about how and if he is going to divide up power between them, as his health seems to be in decline.

Continue reading: Curse Of The Golden Flower Review

Curse Of The Golden Flower Review


OK
A pageantry of pageantry that would put Bertolucci or Lean to shame, Zhang Yimou's The Curse of the Golden Flower piles spectacle upon spectacle, and tragedy on top of tragedy, until the whole contraption fairly disintegrates under the fervid weight of it all. Normally this wouldn't really be an issue, as late period Yimou films like House of Flying Daggers and Hero have been perfectly acceptable as period-piece baubles, rife with dynamic wuxia action sequences and dashing costumes -- things that Golden Flower has in abundance. While packed with emotion, those earlier films could certainly be enjoyed on surface detail alone, but there was still some heft to them; one doesn't buy for a second that Zhang Ziyi could fight like that without some help from gravity-defying wires, but the films were still able to dance that line between escapism and drama without leaving either behind. But Golden Flower can't dance.

Set in a royal court during the 10th century Tang dynasty, Golden Flower starts in and spends most of its time inside those same palace walls; which at first doesn't seem like a bad place to be. The place is a bejeweled rainbow of color, splashed with sunlight that sparkles off the golds, reds, and greens, and the camera greedily prowls its corridors looking for fresh spectacle. Yimou starts off with a feverishly choreographed ballet of servitude as hundreds of courtiers ready themselves in synchronized grace for the arrival of the long-traveling Emperor Ping (Chow Yun-Fat, regally villainous). His three princes await him, each curious about how and if he is going to divide up power between them, as his health seems to be in decline.

Continue reading: Curse Of The Golden Flower Review

The Replacement Killers Review


Good
Antoine Fuqua tries to blend Hong Kong action fare with gritty urban sensibilities in The Replacement Killers, to mixed effect. Surprisingly, Mira Sorvino holds her own as an unlikely action star, and the shots of her ass don't hurt matters.

The Corruptor Review


Good

"The Corruptor" gets off to a shaky start --literally. The over-stylized, '70s-inspired shake-and-zoom handheld cameraworkin the establishing action scenes was enough to make me wish I had a someDramamine.

The first act of the movie mostly by-the-book ganglandcop stuff, featuring Hong Kong action king Chow Yun-Fat ("TheReplacement Killers") as a hard-boiled(naturally) NYPD detective working the gang beat in Chinatown who reluctantlytakes on Mark Wahlberg ("Boogie Nights") as his inexperienced and laughablyidealistic new partner.

Early on Wahlberg and Chow, in his trademark sunglasses,slick suits and leather duster get into the kind of bystander-endangeringchases and shoot-outs that would get a real cop suspended (if not fired),but instead they receive commendations. They rough up informants, cut dealswith mafia leaders and raise the FBI's hackles by busting an undercoveroperative. They're kick-ass Chinatown gang cops who don't play by the rulesand act like a gang themselves.

Continue reading: The Corruptor Review

Anna & The King Review


Good

Because "Anna and the King" stands on its own remarkably well, it may be unfair to begin this review with a comparison to "The King and I," the most famous film adapted from the same source material. But what I found most striking about the elegant, intelligent remake is how acutely aware it made me of the insulting Euro-centricity of its predecessors.

In the same story told in 1946 ("Anna and the King of Siam"), 1956 (from the Rodgers and Hammerstein musical) and 1999 (that dreadful cartoon version), widowed English schoolteacher Anna Leonowens has always been portrayed as a much wiser, civilized woman who teaches the elaborate but backwards Asian monarch to think like a European, to waltz like a European and shapes his diplomatic policy by whispering in his ear.

The prudent but powerful screenplay for this non-musical, epic remake -- directed by Andy Tennant, who so successfully reinvented Cinderella in "Ever After" -- puts this Anna (played by Jodie Foster) and this King (Chow Yun-Fat) on very equal footing, making their relationship far more combative and compelling.

Continue reading: Anna & The King Review

Crouching Tiger, Hidden Dragon Review


Very Good

A magnificently crafted hybrid of Chinese historical epic, F/X-enhanced martial arts spectacular, mystical romantic tragedy and live-action anime, "Crouching Tiger, Hidden Dragon" is a film that defies genre while embracing traditionalism.

It's an intellectually challenging story of noble warriors in feudal China, yet it's packed with eloquent swordplay and lightning-fast hand-to-hand combat. It's also the story of a burning, long-unspoken love between one warrior and the fiancée of a fallen comrade -- a woman his honor forbids him from pursuing, even years later as they fight side-by-side against a mysterious and vengeful sworn enemy.

What's more, it is an unconventional coming-of-age fable as well, about the beautiful teenage daughter (Zhang Ziyi) of a provincial governor, who longs desperately for freedom in the face of an impending arranged marriage that will surely clip her wings.

Continue reading: Crouching Tiger, Hidden Dragon Review

Chow Yun-fat

Chow Yun-fat Quick Links

News Pictures Video Film RSS
Advertisement

Chow Yun-Fat

Date of birth

18th May, 1955

Occupation

Actor

Sex

Male

Height

1.83


Chow Yun-Fat Movies

Dragonball: Evolution Trailer

Dragonball: Evolution Trailer

Watch the trailer for Dragonball: EvolutionDragonball: Evolution is a film adaptation based on the anime...

Pirates of the Caribbean: At World's End Movie Review

Pirates of the Caribbean: At World's End Movie Review

An honest-to-God, brawling, hooting, big ball of popcorn spectacle of a movie, Pirates of the...

Curse Of The Golden Flower Movie Review

Curse Of The Golden Flower Movie Review

A pageantry of pageantry that would put Bertolucci or Lean to shame, Zhang Yimou's The...

Curse Of The Golden Flower Movie Review

Curse Of The Golden Flower Movie Review

A pageantry of pageantry that would put Bertolucci or Lean to shame, Zhang Yimou's The...

Crouching Tiger, Hidden Dragon Movie Review

Crouching Tiger, Hidden Dragon Movie Review

If you thought the only real place for gravity-defying fight scenes was The Matrix, think...

Anna And The King Movie Review

Anna And The King Movie Review

Anna and the King of Rock and Roll...My theory is that every generation needs their...

Bulletproof Monk Movie Review

Bulletproof Monk Movie Review

Thank God for late April. Tax refunds, nice warm weather, and all of the...

Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.