The actor has been placed on a blacklist by Chinese officials after meeting with the students seeking to break away from communist rule in the former British territory.
He recently told Cantonese-language publication Apple Daily, "I've met the residents, the students - they are very brave and it's touching to see that they're fighting for what they want. The students are reasonable. If the government can come up with a solution that the citizens or students are satisfied with, I believe the crisis will end."
Continue reading: Chow Yun-fat Blacklisted In China For Pro-democracy Support
Actor Chow Yun-Fat has criticised the Chinese police for using tear gas on protesters amid the ongoing political unrest in Hong Kong.
Campaigners began rallying outside government buildings last month (Sep14) in response to proposed electoral reform and it turned into a mass pro-democracy sit-in with thousands of citizens packing the streets and camping out for days.
Chinese police have used tear gas in a bid to break-up the protest, sparking outrage among the international community, and Yun-fat, who was born and raised in the former British territory, has now criticised the authorities' heavy-handed tactics.
Continue reading: Chow Yun-fat Criticises Chinese Police Over Hong Kong Protests
People often complain about the selection of movies on Netflix- we pick out some undiscovered gems.
Most films on the lower rungs of Netflix occupy that position for a single reason: they’re downright terrible. The acting is at best laughable and at worst cringe-worthy, whilst the script seems to be the product of baboons who possess a slightly above average intelligence. Elsewhere, the special effects are seemingly artefacts from design software that became obsolete once Windows 98 was released and the goofs and continuity errors come thick and fast. But amongst the schlock, the horribly ill-conceived box office flops and throwaway Chuck Norris vehicles are a selection of films hardly deserving of their placement amongst the vast expanse of Hollywood detritus. We’ve all sifted through the lower echelons of the vast Netflix database, ambivalently scrolling past Beverly Hills Ninja and Death Wish 4 and laughing at the hilarity of shoe-string budget horror C-movies such as Return Of The Killer Tomatoes and Strippers Vs Werewolves. Hiding amongst the most forgettable and artistically hollow filmic endeavours are some criminally overlooked works of cinematic art. Here is a selection of filmic diamonds who have unfairly found themselves confined to the Netflix motion picture ghetto:
Rebellion (2011), Director: Matheiu Kossovitz
Continue reading: The Most Undiscovered Movies On Netflix
On his 18th birthday, Goku (Justin Chatwin) is given a sacred dragonball by his grandfather. Told that with the other orbs in the set, a single perfect wish will be granted, a tragedy sends our hero out to find Master Roshi (Chow Yun-Fat), an old family friend who is the key to unlocking the object's secrets. Along the way, Goku picks up Bulma Briefs (Emmy Rossum), who agrees to help him. With Roshi and desert bandit Yamcha (Joon Park) in tow, he prepares to take on alien invader Piccolo (James Marsters), who along with his assistant Mai (Eriko Tamura) is bent on summoning the dragon Shen Long and ruling the Earth. As the impending solar eclipse signals the moment of reckoning, our group must train to overcome centuries of evil and transform into the ultimate fighting force in the universe.
Continue reading: Dragonball Evolution Review
Starting with its unlikely origin as an amusement park ride, the Pirates series quickly mushroomed into a sort of meta-pirate film, a vast and whirligig universe unto itself that drew in every possible nautical cliché and legend possible. Thus the first film concentrated on yo-ho-ho-ing, rum-drinking, and general pirate-y scalawaggery. The second roped in Davy Jones and The Flying Dutchman -- not to mention an excess of secondary characters and familial drama. For the third (but not necessarily last, given the teaser it ends with) entry, the bursting-at-the-seams script tosses in a raging maelstrom, an actual trip to Davy Jones' Locker, and even the sea goddess Calypso. Dead Man's Chest showed that more is not always better, with excess just leading to more excess and a general sense of lethargy -- they were just setting us up for the conclusion and marking time until then. At World's End, however, shows that Hollywood excess, when combined with the right combination of actors and an occasionally smart script, can work out quite nicely, thank you very much.
Continue reading: Pirates Of The Caribbean: At World's End Review
The third film in the hugely-successful Pirates Of The Caribbean franchise has received its premiere in Los Angeles.
Stars Johnny Depp and Orlando Bloom were present at the At World's End gala event, held at Disneyland in a nod to its theme park ride origins.
The first two films in the series took more than $1 billion (£500 million) at the global box office, with At World's End expected to break the recent opening weekend record set by Spider-Man 3 when it goes on worldwide release on May 24th.
Depp reprises his role as Jack Sparrow in Disney's latest film, with the pirate captain finding himself in a spot of bother at the end of its precursor, subtitled Dead Man's Chest.
Rolling Stones guitarist Keith Richards, who Depp based his Oscar-nominated portrayal on, makes a cameo appearance in At World's End as Sparrow's father.
A host of British actors also reprise their roles in the third movie, including Bill Nighy, Kevin McNally, Tom Hollander, Jack Davenport, Jonathan Pryce and Naomie Harris.
Martial arts action hero Chow Yun-Fat makes his debut in the series as Captain Sao Feng.
Continue reading: New Pirates Of The Caribbean Film Gets Premiere
"The Corruptor" gets off to a shaky start --literally. The over-stylized, '70s-inspired shake-and-zoom handheld cameraworkin the establishing action scenes was enough to make me wish I had a someDramamine.
The first act of the movie mostly by-the-book ganglandcop stuff, featuring Hong Kong action king Chow Yun-Fat ("TheReplacement Killers") as a hard-boiled(naturally) NYPD detective working the gang beat in Chinatown who reluctantlytakes on Mark Wahlberg ("Boogie Nights") as his inexperienced and laughablyidealistic new partner.
Early on Wahlberg and Chow, in his trademark sunglasses,slick suits and leather duster get into the kind of bystander-endangeringchases and shoot-outs that would get a real cop suspended (if not fired),but instead they receive commendations. They rough up informants, cut dealswith mafia leaders and raise the FBI's hackles by busting an undercoveroperative. They're kick-ass Chinatown gang cops who don't play by the rulesand act like a gang themselves.
Continue reading: The Corruptor Review
Because "Anna and the King" stands on its own remarkably well, it may be unfair to begin this review with a comparison to "The King and I," the most famous film adapted from the same source material. But what I found most striking about the elegant, intelligent remake is how acutely aware it made me of the insulting Euro-centricity of its predecessors.
In the same story told in 1946 ("Anna and the King of Siam"), 1956 (from the Rodgers and Hammerstein musical) and 1999 (that dreadful cartoon version), widowed English schoolteacher Anna Leonowens has always been portrayed as a much wiser, civilized woman who teaches the elaborate but backwards Asian monarch to think like a European, to waltz like a European and shapes his diplomatic policy by whispering in his ear.
The prudent but powerful screenplay for this non-musical, epic remake -- directed by Andy Tennant, who so successfully reinvented Cinderella in "Ever After" -- puts this Anna (played by Jodie Foster) and this King (Chow Yun-Fat) on very equal footing, making their relationship far more combative and compelling.
Continue reading: Anna & The King Review
A magnificently crafted hybrid of Chinese historical epic, F/X-enhanced martial arts spectacular, mystical romantic tragedy and live-action anime, "Crouching Tiger, Hidden Dragon" is a film that defies genre while embracing traditionalism.
It's an intellectually challenging story of noble warriors in feudal China, yet it's packed with eloquent swordplay and lightning-fast hand-to-hand combat. It's also the story of a burning, long-unspoken love between one warrior and the fiancée of a fallen comrade -- a woman his honor forbids him from pursuing, even years later as they fight side-by-side against a mysterious and vengeful sworn enemy.
What's more, it is an unconventional coming-of-age fable as well, about the beautiful teenage daughter (Zhang Ziyi) of a provincial governor, who longs desperately for freedom in the face of an impending arranged marriage that will surely clip her wings.
Continue reading: Crouching Tiger, Hidden Dragon Review
Date of birth
18th May, 1955
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