Lisa Mordente , Chita Rivera - Opening night of the Broadway musical 'Hamilton' held at the Richard Rodgers Theatre - Arrivals at Richard Rodgers Theatre - New York City, New York, United States - Thursday 6th August 2015
Tom Kirdahy, Chita Rivera and Cast - Closing night curtain Call for the Broadway musical The Visit at the Lyceum Theatre. at Lyceum Theatre,, Lyceum Theatre - New York City, New York, United States - Monday 15th June 2015
The stars of Broadway's 'The Elephant Man' Bradley Cooper, Alessandro Nivola and Patricia Clarkson were spotted laughing and joking together on the red carpet as they arrived for the Meet the 2015 Tony Nominees reception which was held at the Paramount Hotel in New York.
I wish I could say it's a good movie, but an unspeakably lame concept pretty much grounds any hope of that. As the three friends visit and ultimately discover their limitations -- represented by the revealing of the school's time capsule, which holds everyone's then-future hopes -- the women are escorted by the spirits of their dead grandmothers (played by the motley crew of Chita Rivera, Renée Taylor, and Claire Bloom). Yes, you've read correctly. It's an unnecessary idea, stealing time away from the three friends' personal struggles, which is really the meat of the story. Seriously, if you took the grandmother subplot out, what would you lose?
Continue reading: Kalamazoo? Review
Within the first five seconds of the musical number that opens the film adaptation of "Chicago," director Rob Marshall has established such a sublimely vivacious speakeasy atmosphere of hot jazz, cigarette smoke and showgirls that you'll feel as if you've been transported backstage at a posh 1920s cabaret.
The scene crackles with seductive energy as vaudeville siren Velma Kelly (Catherine Zeta-Jones) prowls across the footlights with a phalanx of sexy dancers, cooing "All That Jazz" in a voice that turns the men at the darkened tables around the stage into putty.
And just for a second, wannabe song-and-dance girl Roxie Hart (Renée Zellweger) imagines herself up there in Velma's place. As the beautiful flapper floozy stands in the shadows at the back of the theater, wide-eyed but reeking of wily ambition, Marshall (who directed the recent stage revival of "Cabaret") shows us a flash of Roxie's imagination in which she's the fabulous star of the fabulous show, wearing a fabulously silver sequined waterfall dress, strutting and singing to wild applause.
Continue reading: Chicago Review