Scottie Pippen, David Beckham, Chang Chen , Larsa Pippen - The event series which began in the heart of London last March at the Wellington Arch will move to Shanghai in 2016. - Miami, Florida, United States - Tuesday 15th September 2015
Leave it to Hong Kong maestro Wong Kar Wai (In the Mood for Love) to reinvent both the historical biopic and Chinese kung fu action movie in one fell swoop. This is a staggeringly beautiful movie, designed and shot with precision and sensitivity to show both the action and the drama in telling detail. The story of one of the most iconic martial artists in Chinese history, the film is lush and involving even as it's also somewhat overly complicated and hard to engage with.
It starts in 1936, when northern master Gong (Wang Qingxiang) travels to the south to investigate reports about Ip Man (Tony Leung Chiu Wai), who just might be the future of kung fu. Intrigued, he offers Ip the chance to become the grandmaster. But Gong's daughter Er (Zhang Ziyi) feels like this is an insult to her family. Then in 1938 Japan invades, and Ip refuses to collaborate with the enemy, which separates him from his wife (Song Hye-kyo) and children. Although Gong's heir Ma San (Zhang Jin) does make a deal with the Japanese, which strongly offends Er's intensely held code of honour. More than a decade later Ip tracks down Er again in Hong Kong; she's working as a doctor while Ip is teaching martial arts. His newest student is the young Bruce Lee.
This story is told through a series of epic hand-to-hand battles, each of which is choreographed in a specific style suitable to the combatants. These details may not be clear to unschooled audience members, but the way Wong shoots and edits the scenes is seriously striking. With lush photography by Oscar-nominated Philippe Le Sourd, the fight scenes have astounding detail, often slow-motion close-ups that make each encounter refreshingly lucid. They're also never overwrought, designed to show the skill of the fighters rather than the usual blood and death. And while Leung gives the film a strikingly cool centre, it's Zhang Ziyi who breathes real passion into the story, lighting up the screen even when she's standing silent and still
Continue reading: The Grandmaster Review
Ip Man is a legend in the field of martial arts, best known for teaching Chinese actor and fight Bruce Lee. Born into a prosperous family in Foshan, Southern China, his enthusiasm for his art leads him to the well-known brothel, the Gold Pavilion, which becomes the spot where Gong Baosen renounces his title as Grandmaster in Northern China. Ip is challenged to a fight in order to usurp the Grandmaster title, though against Gong's daughter Gong Er, who is worthy to take up the title? Between the continued threats of Japanese occupation of China, Gong Baosen finds himself amidst a brutal betrayal leading Gong Er on a mission of vengeance. As both Ip's and Gong's personal toils wear on, their futures become uncertain - Ip's only goal is to become China's greatest grandmaster and to teach his disciples the magnificence of his life's passion.
Continue: The Grandmaster Trailer
Ip Man was a martial arts legend famous for tutoring the actor and Jeet Kune Do founder Bruce Lee. This movie tells the story of how Northern China's best martial artist Gong Yutian renounces his grandmaster title and challenges Ip (who was picked as the representative of Southern China) to a fight. However, following his dignified win, Gong's daughter Gong Err seeks to restore her family's honour with another challenge. Later, though, their lives are interrupted by the Second Sino-Japanese War and Ip's family is thrust into poverty while Gong Err is forced on a mission of vengeance when her father is brutally killed. Both must choose a new path for themselves to follow - though Ip struggles to make much of a life for himself; standing out against the other fighting talent of Hong Kong proves to be difficult and he must use all his ability to become a great Grandmaster.
Continue: The Grandmaster Trailer
While Bullet in the Head is set in Vietnam during the war, Blood Brothers takes us back to the glamorous nightclubs of Shanghai in the '30s. Feng (Daniel Wu), Kang (Liu Ye), and Kang's brother Hu (Tony Yang) decide to leave their poor village and venture into town to see what they can make of themselves. It's rough going at first, with the guys taking on menial and humiliating jobs such as rickshaw pulling, but Hu lucks out by landing work as a waiter at the gorgeous Paradise Club, where all of haute Shanghai comes to party and to pay homage to the crime bosses who run it. The star of the show: Lulu (Shi Qi), who's the plaything of the big boss but is secretly in love with Mark (Chang Chen), one of his bodyguards.
Continue reading: Blood Brothers Review
While the Taiwanese thriller Silk doesn't come close to providing a definitive answer about ghosts' motivations, it does take the question very seriously and even suggests that ghosts have a kind of enviable existence, in part because "they don't have to look for parking spaces anymore."
Continue reading: Silk Review
Chang Chen, Tony Leung, John Woo, Kaneshiro Takeshi and Lin Chi-ling - Chang Chen, Tony Leung, John Woo, Kaneshiro Takeshi and Lin Chi-Ling Seoul, South Korea - Photocall to promote the movie 'Red Cliff' at W Hotel Wednesday 25th June 2008
The first section, titled "A Time for Love," concerns Chen (Chang Chen), a soldier who silently plays pool on leave and writes love letters to pool-hall girls while he is away. When he returns from leave, he finds that the last girl has been replaced by May (Shu Qi), a breathtaking woman in a flower dress. They say very few words, but he promises to write her while away. When he returns and she has been replaced, he searches through several small towns just to spend one night next to her.
Continue reading: Three Times Review
Wong Kar Wai's bluntly titled "The Hand" and set in his recurring milieu of early '60s Hong Kong, follows Zhang (Chang Chen), a humble tailor's apprentice, over his years-long infatuation with a beautiful socialite-turned-prostitute, Miss Hua (Gong Li). Kar Wai's treatment is aesthetically fussy, in keeping with his well-known style, but dramatically bland. There simply isn't much at stake here as the timorous Zhang must be content with the, ahem, hand jobs (see title) he receives all too rarely from the object of his infatuation. Now, hand job scenes (even in non-porno cinema) can be extremely erotic because of what they offer and what they only tease at (for a convincer, see the relevant scene in Michael Heneke's otherwise awful The Piano Teacher. Wow!). In any case, the segment's manually operated pseudo-erotica provide the only spike in an otherwise indolent story that never substantially conveys its central concern: Zhang's steady sexual awakening and his unshakeable devotion to an unavailable woman. Still, Kar Wai's fabulously crafted sound and imagery are both par for the course for this director and his world-class cinematographer, Christopher Doyle.
Continue reading: Eros Review
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It's tough not to get a kick out of this operatic movie. There's fateful romance, legendary themes of honor and determination, strong heroines, and, oh yeah, that butt-kicking action.
Continue reading: Crouching Tiger, Hidden Dragon Review
Finally grandmaster Michelangelo Antonioni returns to thecinema with "The Dangerous Thread of Things," an overly artsyand confusing metaphor, not helped by its odd and clumsy Italian dubbedsoundtrack. In it, a man (Christopher Buchholz) fights with his wife (ReginaNemni) and then sleeps with another woman (Luisa Ranieri). Some scenesfeel like dreams and others do not. This makes it difficult to grasp anypassage of time, rendering the characters mere ciphers. Nevertheless, takenone at a time, many of the film's images are fascinating and strikinglybeautiful; not many living filmmakers could match them. After all, it wasAntonioni who inspired Wong and Soderbergh to make this film in the firstplace.
A magnificently crafted hybrid of Chinese historical epic, F/X-enhanced martial arts spectacular, mystical romantic tragedy and live-action anime, "Crouching Tiger, Hidden Dragon" is a film that defies genre while embracing traditionalism.
It's an intellectually challenging story of noble warriors in feudal China, yet it's packed with eloquent swordplay and lightning-fast hand-to-hand combat. It's also the story of a burning, long-unspoken love between one warrior and the fiancée of a fallen comrade -- a woman his honor forbids him from pursuing, even years later as they fight side-by-side against a mysterious and vengeful sworn enemy.
What's more, it is an unconventional coming-of-age fable as well, about the beautiful teenage daughter (Zhang Ziyi) of a provincial governor, who longs desperately for freedom in the face of an impending arranged marriage that will surely clip her wings.
Continue reading: Crouching Tiger, Hidden Dragon Review
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