Cheech Marin

Cheech Marin

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Cheech Marin - GBK Golden Globes 2016 Luxury Lounge at The W Hotel Hollywood - Day 1 at Golden Globes - Los Angeles, California, United States - Friday 8th January 2016

Cheech Marin
Cheech Marin

Tommy Mottola , Cheech Marin - New York Premiere of the HBO Documentary 'The Latin Explosion: A New America' - Arrivals - New York, New York, United States - Tuesday 10th November 2015

Tommy Mottola and Cheech Marin
ThalÍa and Tommy Mottola
ThalÍa, Tommy Mottola and Sheila Nevins
ThalÍa, Tommy Mottola and Sheila Nevins
Tommy Mottola and Jose Feliciano
David Zayas Jr, Tommy Mottola and George Lopez

Cheech Marin - Photo's from a celebrity golf tournament which was held at the Lakeside Golf Club in Burbank to raise money for the Melanoma Research Foundation's in Los Angeles, California, United States - Monday 10th November 201

Cheech Marin
Cheech Marin

The Book Of Life - International Trailer


Manolo has a lot of pressure forced upon him from his family regarding his future, but all he wants to do is marry the woman of his dreams, Maria. However, he is not the only person who wants to make Maria his wife and he is in serious competition with her charming and handsome suitor (and his own best friend) Joaquin. Meanwhile, two spirits of The Land of the Remembered named La Muerte and Xibalba look upon the scene in fascination during the Day of the Dead; a time when spirits are able to effect the the land of the living as they pass between worlds. They decide to make a bonding wager on who will win Maria's affection, with La Muerte betting on Manolo being the victor. When it looks like she might be right, Xibalba has him killed by a snake and taken over to the Land of the Remembered where he is forced to face his biggest fears in order to see his beloved once again.

Continue: The Book Of Life - International Trailer

Book Of Life Trailer


In Mexico, two best friends Manolo (Diego Luna) and Joaquin (Channing Tatum) fall in love with the same girl, Maria (Zoe Saldana and so both face each other for her love. Two spirits passing through the world, La Muerte (Kate del Castillo) and Xibalba (Ron Perlman), make a bet over who will triumph out of the two. Muerte on Manolo and Xibalba on Joaquin. When the Xibalba feels the odds are against him, he brings Manolo into The Land Of The Remembered. 

The Book Of Life sees Manolo setting out on an exciting, but dangerous journey across three majestic worlds where he will face his greatest challenges, in order to return to Mexico and win over Maria once and for all.

From producer Guillermo Del Toro, The Book Of Life is an animated comedy film directed by Jorge Gutierrez and written by Gutierrez and Doug Langdale (Aladdin: The Return of Jafar). The Book Of Life sees Gutierrez attempt a Nightmare Before Christmas esque Tim Burton style, with jovially dark animation. With exceptional visuals and a story of fortitude, The Book Of Life should be a loveable film for all.

Cheech Marin, Celebration and Tom Ford Thursday 24th February 2011 Tom Ford Flagship Store Opening Celebration Beverly Hills, California

Cheech Marin, Celebration and Tom Ford

Machete Review


Very Good
Essentially part three of the Grindhouse series, this old-style thriller sprang from Rodriguez's fake trailer. In some ways it should have stayed that short, because while it's riotously entertaining, there's nothing much to it.

Machete (Trejo) is a disgraced Mexican Federale who's hiding amongst the illegal immigrants on the Texas-Mexico border. Here he stumbles into a conspiracy involving a trigger-happy senator (DeNiro) and a wild-eyed vigilante (Johnson) who are cleaning up the border one bullet at a time. But he also runs up against a sexy immigration officer (Alba), a ruthless businessman (Fahey) and a trail of criminality leading to his nemesis Torrez (Seagal). As things get nasty, he gets help from his priest brother (Marin) and a feisty taco-truck lady (Rodriguez).

Continue reading: Machete Review

Cheech Marin - Cheech Marin and guest Hollywood, California USA - 'Swing Vote' Premiere held at El Capitan Theatre Thursday 24th July 2008

Cheech Marin

Oliver & Company Review


OK
Disney's animated version of Dickens' Oliver Twist, Oliver & Company, is a true oddity in the Disney canon. For starters, the animation style is completely different from anything else in its repertoire. Obviously inspired by Ralph Bakshi (of Felix the Cat fame), the movie features garish perspectives, serious abuse of zoom (in almost every scene), and an attempt at urban grittiness which Walt Disney never knew in his entire life.

And yet here it is, Oliver & Company, wherein an orphaned kitten falls in with a crowd of dogs-cum-hustlers, only to end up adopted into a rich girl's house. A kidnappng and rescue plot (pushing the boundaries of the G rating) ensues -- ironically, it's the best part of the movie.

Continue reading: Oliver & Company Review

Spy Kids Review


Excellent
There are few respectable filmmakers in the world that would take on the difficult challenge of creating a children's movie. I don't mean those hack directors who just sit behind the camera and yell "action" and "print," but those few who take on the challenge of writing, directing, producing, and even editing a successful film for the underage masses. Creating a fantasy world with non-abrasive violence, imaginative sets and props, and engaging characters to follow is a tough process. With Spy Kids, Robert Rodriguez proves that his handling of adult fare extends to kids' stuff, too.

My favorite films are from my childhood -- Flash Gordon, Willy Wonka & the Chocolate Factory, Mary Poppins, the Muppets movies, Pee-Wee's Big Adventure, and The Never-Ending Story -- and they all presented an impossible world made real only by the power of imagination. Spy Kids ranks up there with the best children's films by creating implausible scenarios made from martial arts stunts, gee-whiz spy gadgets, robots built entirely of huge thumbs, a holodeck-like room filled with rolling clouds and stretches of golden sands, and providing total escapism for both kids and adults.

Continue reading: Spy Kids Review

After Hours Review


Extraordinary
It's one of cinema's greatest freak-outs. The mild-mannered and terminably hapless Paul (Griffin Dunne, in the defining role of his career) encounters Marcy (Rosanna Arquette, ditto) in a coffee shop, reading Tropic of Cancer, naturally. When he gets her number and takes a cab ride to a desolate and rain-drenched SoHo to meet her at her loft, things take a turn for the bizarre -- with Paul finding himself entangled with an intertwined web of people, including an obsessive cocktail waitress (Teri Garr), a suicidal girl, a possibly murderous sculptress (Linda Fiorentino), an unhinged ice cream truck driver (Catherine O'Hara), and a whole host of other characters that represent some of the wackiest nutjobs in cinema. No one else seems to notice it's so bizarre except for Paul: As Dick Miller's diner cook character puts it, when it's after hours, "Different rules apply."

By the end, Paul is on the run from an angry mob who thinks he's a burglar, fleeing in fear for his life. Will he escape? Well, rest assured that After Hours is actually a comedy. It's also one of my favorite Martin Scorsese movies (and a massive departure from his grittier fare), fresh every time you see it and full of little touches that you catch more of with each subsequent viewing. Check out the rows of Aqua Net in Garr's apartment. Or the "tie" she's wearing.

Continue reading: After Hours Review

Masked & Anonymous Review


Bad
Masked & Anonymous, as a title, comes across as a vague, artsy moniker as inaccessible as the film it represents. But look closer at the name of this movie about revolution and despair, and you'll discover a clear reference to the film's writers; credited as Rene Fontaine and Sergei Petrov, the screenwriters have been unmasked, as it were, revealed to be the film's iconic star, Bob Dylan, and director Larry Charles (HBO's Curb Your Enthusiasm).

The result of this combination is an overly ambitious film that's as muddled and cryptic as a mumble-filled Dylan vocal. Dylan stars as the symbolically named Jack Fate, an apparent musical legend, jailed in the midst of a brutally downtrodden America where the government has taken over, war is rampant, and even the counter-revolutionaries have counter-revolutionaries.

Continue reading: Masked & Anonymous Review

The Lion King Review


Extraordinary

One of Disney's greatest achievements, this is to my knowledge the only animated film to be turned into a Broadway musical. (Beauty and the Beast doesn't count, since that film had prior life outside the Disneyverse.)

The Lion King is primarily memorable because it's not based on a fairy tale or a children's story, and thus avoids the cliches that saddle so many Disney flicks. There's no "love conquers all" message, no moral about how trying hard will make everything come out OK. In fact, for much of its running time, The Lion King says the exact opposite: Hakuna Matata means "no worries," right? It's in the past, so let it go. But The Lion King also tells us that we can learn from the past, that tyrants should be overthrown, and that we should own up to our mistakes in the end.

This also makes The Lion King one of Disney's most adult movies. Though it's rated G, it features numerous scenes of peril and death -- with lion cub Simba orphaned after his uncle kills off his dad to usurp the throne and title of king of the jungle. But that too is part of the famed Circle of Life. Ashes to ashes, dust to dust. Simba runs off to live in the jungle -- gettin' real, ya know -- stricken with guilt that he (thinks he) killed his father. Eventually he returns home to showdown with evil uncle Scar, who has been ruling the jungle with an iron fist, disrupting the Circle of Life.

The Lion King is one of Disney's last great 2-D creations, with computers aiding in some truly stellar moments such as the wildebeest stampede. Lots of perspective shots and moving cameras make this one of the genre's most film-like movies.

If there's anything annoying about the film, it's the singing, young Simba sounds like a young Michael Jackson. On the new song added to the just-out DVD release of the movie, the atrociously vapid "Morning Report," he sounds like a castrato Michael Jackson. You almost don't want him to succeed, but thankfully, Simba eventually grows up and is replaced, voice-wise, by Matthew Broderick. By way of other extras, there's a whole second disc of goodies, including an extensive selection of making-of footage, a deleted scene or two, an alternate first verse of "Hakuna Matata," a special home theater audio mix (sounds good), and about a bazillion kid-friendly features like games and singalongs.

The Lion King has rightfully spawned one of the most enduring industrial complexes ever to come from an animated cat. Way to go, Disney.

[]Join the Disney Movie Club and get three free Disney DVDs![][]

Ah, the majesty.

Oliver & Company Review


OK
Disney's animated version of Dickens' Oliver Twist, Oliver & Company, is a true oddity in the Disney canon. For starters, the animation style is completely different from anything else in its repertoire. Obviously inspired by Ralph Bakshi (of Felix the Cat fame), the movie features garish perspectives, serious abuse of zoom (in almost every scene), and an attempt at urban grittiness which Walt Disney never knew in his entire life.

And yet here it is, Oliver & Company, wherein an orphaned kitten falls in with a crowd of dogs-cum-hustlers, only to end up adopted into a rich girl's house. A kidnappng and rescue plot (pushing the boundaries of the G rating) ensues -- ironically, it's the best part of the movie.

Continue reading: Oliver & Company Review

Underclassman Review


Unbearable

Here we have a definite candidate for the year's worst picture, and it comes just a few weeks after director Marcos Siega's other failure, "Pretty Persuasion."

This time Siega shares the blame with star Nick Cannon, whose impressive breakout performance made 2002's "Drumline" such a surprise hit. Now Cannon co-produces and co-writes the "story" for "Underclassman," a kind of fifth-rate "Beverly Hills Cop" knock-off.

Cannon plays Tre Stokes, a smart aleck young black cop going undercover at a ritzy white high school to rout out a murderer. Of course, Tre's behavior gets him kicked off the force and so he must finish the job alone.

Continue reading: Underclassman Review

Cheech Marin

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Cheech Marin Movies

Cars 3 Trailer

Cars 3 Trailer

Former Piston Cup Champion Lightning McQueen was a hero in his day, but it seems...

Cars 3 Trailer

Cars 3 Trailer

Lightning McQueen may be a legendary name in the Piston Cup Championship history, but as...

Cars 3 - Teaser Trailer

Cars 3 - Teaser Trailer

Lightning McQueen is a legendary Piston Cup champion who might have shown humility and sportsmanship...

The Book Of Life Trailer

The Book Of Life Trailer

Manolo has a lot of pressure forced upon him from his family regarding his future,...

Book Of Life Trailer

Book Of Life Trailer

In Mexico, two best friends Manolo (Diego Luna) and Joaquin (Channing Tatum) fall in love...

Machete Movie Review

Machete Movie Review

Essentially part three of the Grindhouse series, this old-style thriller sprang from Rodriguez's fake trailer....

Cars 2 Trailer

Cars 2 Trailer

Lightning McQueen knows he's the best and fastest race car in the world and when...

Machete Trailer

Machete Trailer

Machete is a ex-Federale whose legend is known throughout Mexico. He's an expert killer but...

The Perfect Game Trailer

The Perfect Game Trailer

The Perfect Game is based on a true story about 9 young boys from Monterrey,...

Beverly Hills Chihuahua Movie Review

Beverly Hills Chihuahua Movie Review

Of all the misguided movie genres, the modern family film is the most disingenuous. While...

Spy Kids Movie Review

Spy Kids Movie Review

There are few respectable filmmakers in the world that would take on the difficult challenge...

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