Chazz Palminteri - Keep Memory Alive Rolls Out The Red Carpet For 20th Annual Power Of Love Gala Honoring Tony Bennett - Arrivals at MGM Grand Garden Arena - Las Vegas, Nevada, United States - Saturday 21st May 2016
Written and directed with a rakish swagger, and featuring two full-on performances from Tom Hardy, this true London gangster drama is hugely entertaining, even if it feels undercooked. Aside from that generic title, the film basically has no plot at all, and it strips real-life people of their complexity. It's as if the filmmakers were afraid to challenge the audience in any way. But the edgy mix of comedy and violence is riveting.
The events recounted took place over about two years in the early 1960s, although the film's anecdotal structure makes it feel more like a decade. As it begins, the fearsome young Kray brothers (both played by Tom Hardy) are consolidating their gangland grip on East London and expanding around the city, with their next target being South London boss Charlie Richardson (Paul Bettany). Reggie Kray is the tough-minded businessman, while identical twin Ronnie is a terrifying thug who happens to be openly gay at a time when being so was illegal. As they blatantly manipulate the rule of law, a Scotland Yard inspector (Christopher Ecclestone) is desperately looking for a way to take them down. Meanwhile, Reggie is romancing the 16-year-old Frances (Emily Browning), much to the annoyance of her imperious mother (Tara Fitzgerald).
The tumultuous relationship between Reggie and Frances is the only thing that adds a sense of narrative momentum to the film. Otherwise, it's a series of set-pieces that take a darkly humorous approach to family clashes and criminal violence. Writer-director Brian Helgeland infuses even the grisliest brutality with an amusing smirk, which makes the movie much more engaging than expected. And Hardy storms through the film with real charisma in both roles, as the steely, magnetic Reggie and the more unstable, fearsome Ronnie. Both performances are scene-stealing, nicely conveying how these men managed to hold the entire city in their grip, even though they were only in their early 30s at the time.
Continue reading: Legend Review
Throughout the 1950s and 1960s, London was at the mercy of the terrifying Kray twins (Tom Hardy). Reggie Kray was forced to spend most of his life holding back his identical twin brother, Ronnie, who suffered from paranoid schizophrenia. As acclaimed night club owners and feared gangsters, the two twins were seen to own London, and lived a life of glitz and glamour, as well as blood and brutality. That is, until Detective Superintendent Leonard "Nipper" Read (Christopher Eccleston) took the task of bringing two of the most powerful and dangerous criminals in the city's history to justice, by any means necessary.
Continue: Legend - First Look Trailer
'Avengers' star Samuel L. Jackson and 'Homefront' actress Kate Bosworth with husband Michael Polish were among the star-studded arrivals at the Museum Of The Moving Image's 28th Annual Salute in New York, which this year was honouring 'House Of Cards' actor Kevin Spacey.
Both the credit and the blame go to writer-director Robert Celestino. His cornball plot shouldn't work, but his direction, especially with actors, does. Chazz Palminteri (Celestino's executive producer) is the title guy, a gambling stiff with an amazing ability to cheat crap games. He'll belly up to a table, pull some David Blaine-like moves to drop tainted dice into a game, and make a fortune. Unfortunately, Atlantic City security has his number, and private games are too small for his ambitions.
Continue reading: Yonkers Joe Review
Judging solely from his film, Montiel can actually write, at least as far as authentic dialogue goes. His characters hem and haw and shout at each other, profanities overlapping and cascading yet going nowhere. The scenes of young Dito (Shia LaBeouf), his family, and his friends crammed into his kitchen can be wearying, but also show an expert knowledge of the way the ruts of people's lives can create a jocular yet maddening hardheadedness.
Continue reading: A Guide To Recognizing Your Saints Review
How many more movies do we need about a rough neighborhood full of lifelong friends hopelessly turned to crime or worse? The enormous catalog of such movies might dissuade a filmmaker from making yet another, but here we have it. Again. Five Irish kids in NYC's Hell's Kitchen make an overemotional pact over some stolen rings on an anonymous rooftop. With teary music. And slow motion. In the film's first scene.
Continue reading: One Eyed King Review
Yes, "Analyze This" has many generous burstsof hilarity, especially with Robert De Niro goofing on the kind of mobsterroles that made him by playing a mafioso with high anxiety.
Yes, casting him as a hoodlum headcase opposite Billy Crystalas his reluctant shrink is damn funny all by itself.
No, this isn't enough to carry the picture. In fact "AnalyzeThis" degrades so dramatically that in the last act Crystal is reducedto ad libbing through an over-long mock-wise guy schtick, taking his bestshot at Robin Williams-dom and tanking.
Continue reading: Analyze This Review
Fans of "Stuart Little," the classic E. B. White's children's book about a congenial little mouse with a wind-up red roadster, would be wise to avoid "Stuart Little," the mostly in-name-only big screen adaptation featuring Michael J. Fox's voice emanating from a computer-animated Stuart.
Nearly everything delightful about the book is erased or painted over here with near-plotless kiddie fare, predictably zany adventures and deliberately ham-fisted acting from a wildly talented cast (Geena Davis, Hugh Laurie, Jeffrey Jones, Allyce Beasley, Estelle Getty, Julia Sweeney), entirely wasted on a Saturday morning cartoon script.
Ironically co-written by M. Night Shyamalan (the writer-director of "The Sixth Sense"), the story opens with Mr. and Mrs. Little on their way to an orphanage to pick out a kid for no explored reason. Won over by the home's least likely resident -- a talking mouse named Stuart with a miniature wardrobe and a pithy personality -- they take him home, where his new brother George (Jonathan Lipnicki from "Jerry Maguire") gives him the cold shoulder and the family cat (voiced obnoxiously by Nathan Lane) tries to eat him.
Continue reading: Stuart Little Review
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