Charles Sturridge

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Picture - Charles Sturridge , Thursday 18th October 2012

Charles Sturridge Thursday 18th October 2012 48th Chicago International Film Festival screening of 'The Scapegoat' - Arrivals

Charles Sturridge

Picture - Matthew Rhys, Charles Sturridge , Thursday 18th October 2012

Matthew Rhys, Charles Sturridge and Chicago International Film Festival - Matthew Rhys, Charles Sturridge Thursday 18th October 2012 48th Chicago International Film Festival screening of 'The Scapegoat' - Arrivals

Where Angels Fear to Tread Review


Grim
Insanely overwrought British period drama (based on E.M. Forster's first novel) has corset-ready standbys like Rupert Graves, Helena Bonham Carter, Judy Davis, and Helen Mirren headed to turn-of-last-century Italy. The story gets off to a promising start as the wealthy Mirren decides to marry an Italian of low status (Guidelli), finding a culture clash that only gets worse with the pronouncement that she is pregnant. Unfortunately, Mirren's character dies during childbirth, launching the movie into its primary plotline -- the war over the child, fought by her family and her no-Ingles husband. Sadly, this plot is melodramatic, incredibly phony, and nearly unwatchable. Unless you've just got a thing for corsets and petticoats, give this one a pass.

Where Angels Fear to Tread Review


Grim
Insanely overwrought British period drama (based on E.M. Forster's first novel) has corset-ready standbys like Rupert Graves, Helena Bonham Carter, Judy Davis, and Helen Mirren headed to turn-of-last-century Italy. The story gets off to a promising start as the wealthy Mirren decides to marry an Italian of low status (Guidelli), finding a culture clash that only gets worse with the pronouncement that she is pregnant. Unfortunately, Mirren's character dies during childbirth, launching the movie into its primary plotline -- the war over the child, fought by her family and her no-Ingles husband. Sadly, this plot is melodramatic, incredibly phony, and nearly unwatchable. Unless you've just got a thing for corsets and petticoats, give this one a pass.

Aria Review


Terrible
Every decade or so, those wacky independents try this stunt -- getting a bunch of Big Name Directors together to make a collaborative movie. Invariably, it sucks (see Lumiere and Company), but rarely does it suck so hard as it does in Aria.

The conceit this time: Each director takes a piece of classical music and sets it to film -- mostly without dialogue and invariably without any sense whatsoever.

Continue reading: Aria Review

Charles Sturridge

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