As a debut, it did exactly what it needed to do: It announced the director's intentions in film. The Farrelly brothers wanted inspired vulgarity, laughs mixed equally with disgust. And for awhile there, they had it; Dumb & Dumber, Kingpin, and There's Something About Mary were pioneering efforts in the history of gross-out cinema. Lately, however, the Farrelly Brothers have become tame and inoffensive, bothering themselves with misguided causes (Shallow Hal) and dull remakes (Fever Pitch). Peter, Bobby, we need you back, and in a hurry.
Continue reading: Dumb & Dumber Review
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