Charles Martin Smith

Charles Martin Smith

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The World Premiere of Warner Bros. Pictures' and Alcon Entertainment's "Dolphin Tale 2."

Charles Martin Smith - The World Premiere of Warner Bros. Pictures' and Alcon Entertainment's "Dolphin Tale 2." - Los Angeles, California, United States - Sunday 7th September 2014

Charles Martin Smith
Charles Martin Smith

'Dolphin Tale 2' world premiere

Charles Martin Smith - 'Dolphin Tale 2' world premiere at Regency Village Theater in Los Angeles - Arrivals - Los Angeles, California, United States - Sunday 7th September 2014

Charles Martin Smith
Charles Martin Smith
Charles Martin Smith
Charles Martin Smith
Charles Martin Smith

Picture - Charles Martin Smith Los Angeles, California, Saturday 17th September 2011

Charles Martin Smith Saturday 17th September 2011 The Los Angeles premiere of 'Dolphin Tale' at the Mann Village Theatre - Arrivals Los Angeles, California

The Snow Walker Review


Good
A little The Edge, a little Dances with Wolves, this adventure oddity is surprisingly watchable while featuring two stars who never learn to fully communicate.

Barry Pepper is a bush pilot named Charlie Halliday who takes ill Inuit woman Kanaalaq (Annabella Piugattuk) on a routine flight, only to have it go down in the remote wilderness of the tundra. (Lucky for them it's summertime.) The survive the crash, but Kanaalaq is too sick to walk for help, so Charlie heads out on his own. He gets lost (and attacked by bees), but Kanaalaq has secretly tracked him, and she nurses him back to health. Eventually they try to trek back to the plane (which no one has found, weeks later), and from there they finally opt to try to trek back to civilization after Kanaalaq has taught Charlie extensive survival skills.

Continue reading: The Snow Walker Review

American Graffiti Review


Excellent
The Star Wars prequels have tarnished his rep a little, but give him his due --- George Lucas once understood the possibilities and limitations of film like few others. Lucas' second feature film, American Graffiti, was a self-assured gem that established him as a major director (though a lot of studios still didn't want to bankroll Star Wars, proving that studio execs weren't any smarter in the seventies than they are now).

A cinematic collection of slightly exaggerated memories from Lucas' senior year in high school (1962), Graffiti was well-timed; it caught a wave of fifties nostalgia that would crest with Happy Days, Grease, etc. While the iconoclasm of the sixties and seventies would continue to take youth culture in a very different direction, Graffiti helped spark a cultural backlash (or at least a flashback) after the free-love/acid-rock/anti-war era.

Continue reading: American Graffiti Review

More American Graffiti Review


Grim
Six years after the massively popular American Graffiti, the bulk of the original cast (sans Richard Dreyfuss) reunited for this sequel, a textbook example of how even a great idea usually fails to carry more than one picture. The final scene of the original film tells us what would happen to the principals in later years, and More essentially turns that 30 seconds of text into a grueling 110-minute experience. Alternately boring and insulting, the film dutifully chronicles Vietnam and the far-out groooovy '60s (plus numerous unmemorable side plots), all topics which have been done better in other films, 20 times over.

Starman Review


Good
Jeff Bridges plays a language-challenged alien who crash lands on earth in one of John Carpenter's best films -- not that that's saying much. While he drags Karen Allen (whose dead husband he has taken the form of) along on his quest to get back into space (because he can't drive, he needs the girl) while the feds try to hunt him down. What follows is one wacky road trip... but will he make it? In my book, you never bet against the alien (unless, of course, he's a bad alien).
Charles Martin Smith

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