The most expensive movie ever made (the final word is $172 million), Waterworld will be a true monument in Kevin Costner's career. Unfortunately, this film isn't going to have quite the effect something like Dances with Wolves had. The bottom line is Waterworld is a marginal film: always extravagant, sometimes entertaining, often preachy and dull--a pure formula picture.
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What a pity that Die Hard 2: Die Harder (based on the novel 58 Minutes) falls into the trap of being just another Die Hard in Washington's Dulles Airport. I mean, it's kinda funny that John McClane (Bruce Willis, having a good ol' time) acknowledges his pathetic luck. Not this shit again! He's waiting for his wife's plane to land when terrorists seize control of the airport, crashing a plane just to prove that they'll stop at nothing. Yes, they will stop at nothing! Insert an evil laugh here, and throw in a moustache twirl, why dontcha?
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In the '90s, Costner's messianic ambitions - his belief that his aw-shucks Everyman demanded an epic canvas to match his bank account - produced some of the worst films ever made. But his attitude works perfectly in 1989's Field of Dreams (based on the book Shoeless Joe) because the setting is appropriately modest; if we could never buy him as a post-apocalyptic savior, he's just fine as a middle-class hero. Costner plays Ray Kinsella, a rat-race refugee who's moved his wife Anni (Amy Madigan) and daughter Karin (Gaby Hoffmann) to a farmhouse in Iowa. One evening, alone amongst the corn, Ray hears a voice tell him, "If you build it, they will come." A vision of a baseball field is presented before him, and he immediately sets to work re-creating it, believing that it might help him better understand his late father, from whom he was long estranged.
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Matthew (Emile Hirsch) is at the top of his class, has recently been accepted to Georgetown University, and is readying himself for a career in politics. He's also preparing to deliver a speech (on morality, ironically) that could earn him a prestigious scholarship. Danielle (Elisha Cuthbert) wants a break from her job in the Los Angeles porn industry, and is housesitting for her aunt who lives next door to Matthew. She's also hiding out from her producer, ex-boyfriend Kelly (Timothy Olyphant) who nets $30,000 for each film she makes. Matthew wants to be cool like the school jocks that cut class and ditch school; Danielle wants to get the college education she never had and live a normal, suburban existence. They're perfect for each other, right?
Continue reading: The Girl Next Door (2004) Review