Your beloved Audrey is not starring in a sweet romantic comedy this time around.
Continue reading: He Loves Me, He Loves Me Not Review
In a boldly theatrical touch, Jean-Baptiste demanded that those gathering to pay their last respects must make a journey by train to his final resting place in Limoges, knowing full well that the damage he has done within their lives will come to a passionate, tumultuous head. As if to mock them, his body is being transported in a small white car driven on the road alongside the tracks.
Continue reading: Those Who Love Me Can Take The Train Review
Un Air de Famille, or Family Resemblances by its English title, is your typical under-drama from the French cinema. It is a single setting observation of the interactions of an estranged family at the weekly family dinner, when tensions begin to run high. I would mention the performances here, but they all kind of run into one melancholy melange, ultimately resulting in very striking resemblances between the characters, at least insofar as my opinion of them.
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Straight up, understand that Immortal is as close to nonsense as a movie can get. The story, as much as it has one, takes place in the distant future, where cybernetics and flying cars are commonplace. Poof: A pyramid appears hovering over the city, and the Egyptian god Horus appears to make trouble. As the film develops, Horus tries to use a human to impregnate a woman with blue hair.
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Castella (Jean-Pierre Bacri) and his wife have to attend a local stage production of Bérénice, in which their daughter plays a small part. They don't care for the theatre and can't understand the verse, but, to Castella's own surprise, he finds himself unusually moved by a leading actress Clara. The charming point here is that Clara isn't a young aspiring theatrical diva but an aging, harried, and often unemployed actress from a small provincial theatre. Castella, however, doesn't see her that way: For him, she brings into his dispassionate routine the whiff of a free-spirited life including cozy, drunken late-night talks and vibrant gallery gatherings. Through happenstance, Castella's new business arrangement requires him to learn English, and Clara (Anne Alvaro) becomes his teacher.
Continue reading: The Taste Of Others Review