Ghostbusters is a new film for 2016 and is based on the 1984 film of the same name and is directed by Paul Feig. The film features four women on their quest to save New York City when various ghosts take over and exercise control over the humans.
Two authors Erin Gilbert and Abby Yates write a novel about the existence of ghosts and the revelation that they believe they do exist. However this novel is not taken seriously and when it becomes apparent that Gilbert wrote this book, she becomes the centre of a joke in her professional career as a teacher at Columbia University, even her students don't take her seriously.
This film quickly becomes the tell - tale narrative of who's laughing now, when Gilbert teams up with Yates and two other women to fight the ghosts that have decided to inhabit the city. A mission is deployed and the quartet set out to save the world from the evil ghost Rowan, providing the audience with lots of laughs along the way.
Katya and Alexander were never meant to fall in love but that's exactly what happened. The year was 1959 and the couple were both living in Moscow, Alexander a Soviet politician and Katya a spy for the US. Katya was tasked with infiltrating Alexander's political circle by targeting him. Initially Katya's mission goes to plan but when the couple fall in love, her plan goes awry.
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Erin Gilbert is a brilliant quantum physicist and holds a high ranking lecturing position at Columbia University, that is until a past novel she's written comes to light. The novel was written by Erin and her friend Abby and claims that ghosts are real. When strange occurrences start to happen in Manhattan, Erin and Abby are reunited in a bid to put a stop to the ghostly apparitions.
They set up a small business to help being who are being haunted by the ghosts, the old friends are joined by Jillian Holtzmann, a nuclear engineering mastermind who's just as geeky as the other two girls, the team then recruit Patty Tolan, a lady whose knowledge of New York and its underground is almost unrivalled.
Together the four women for The Ghostbusters.
Up until his recent accident that left him almost entirely paralysed, William Traynor has had a perfect life. He's rich, intelligent and always seeking a new adventure, though now he feels like his life has come to an end. He finds himself in the family house being nannied by his mother and staff. To put an end to his current state, Will decides that he wants to end his life in a clinic. With his mother understandably distraught over his choice, Will agrees to wait six months before committing to his decision.
Louisa Clark is a young local woman who lives a life completely different to Will. Though she doesn't have much self-belief, she's incredibly upbeat, likes her small town ways and has never felt the need to go out and discover the world. When Louisa is left jobless, she pays a visit to the job centre (a place that she's a little too accustom to) and her advisor finds a new listing (for a care giver) that might just be a perfect job for Louisa. Louisa visits the Traynor family estate and Will's mum decides that Louisa and her positivity might just be the ray of sunshine that he needs.
Whilst Will is initially reluctant to allow Louisa into his life, over the course of the following weeks, he can't help but be enamoured by her charm. Their relationship grows and grows but when Lousia finds out about Will's choices for the future, will she be able to convince Will that there is something to live for?
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In a world where the undead are waiting around every corner to tear you limb from limb, naturally you have worries more pressing than trying to penetrate the brooding aloofness of Mr Darcy. And yet, Elizabeth Bennet's dexterity in destroying zombies leaves her able to ponder the trivial moments of her life; not that potential marriage is regarded as such within the Bennet household. Elizabeth's parents are determined to wed their daughters to some wealthy newcomers, and while she isn't the prettiest of her sisters, her down-to-earth and bookish nature is enough to catch Mr Darcy's eye. But this isn't a straight-forward relationship; this couple have a lot of feelings to unlock while defending each other against flesh-eating fiends. Let's just hope death doesn't get in the way of what could truly be a match made in heaven.
Igor Strausman is the less thought about assistant of the insane but brilliant Victor Frankenstein. He's as genius as the passionate medical student he aids in experiments, but more rational when it comes to ethics. He does, however, share Frankenstein's obsession with eternal life and becomes equally as excited when they manage to bring a dead animal back to life. This in itself marks a unique scientific advancement, but Frankenstein's morbid curiosity fails to stop there. He wants to be able to create human life, but doing this involves sourcing body parts from mortuaries - and any other place they can find. Igor's timid nature, though deeply involved passion for the project, keeps him from doing his best to dissuade Frankenstein from completing their 'monster', until it's too late. Now they have a rogue beast on their hands, not to mention the police who are out for blood.
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A meaty, fascinating story is splintered into three plot strands that battle for the viewer's attention, so while the film is never boring, it's also oddly uninvolving. Fortunately, it has an excellent cast and is shot with skill and a relentless intensity to feel like a big, epic-style dramatic thriller with heavy political overtones.
After a scene-setting prologue, the story starts in 1953 Moscow, where Leo (Tom Hardy) is a war hero now working in the military police, purging the city of its spies. Or at least its suspected spies. In the Soviet socialist utopia, crime officially doesn't exist, but Leo finds it difficult to tell his best pal Alexei (Fares Fares) that his 8-year-old son was killed in a train accident when he was so clearly tortured and murdered. Ordered by his boss (Vincent Cassel) to let it go, and menaced by his rival colleague Vasili (Joel Kinnaman), Leo continues investigating, resulting in a reprimand that sees Leo and his wife Raisa (Noomi Rapace) relocated to the the grim industrial city of Volsk. But when another young boy's body appears here, Leo gets his new boss (Gary Oldman) to see the connection.
There are at least three main plots in this film, and the filmmakers oddly never allow one to become the central strand. There's the mystery involving this brutal, unhinged serial killer (Paddy Considine) stalking boys along the railway. There's the thriller about Leo being brutally taunted by Vasili, who has a thing for Raisa and is trying to crush them for good. But the only emotionally engaging strand is Leo and Raisa's complex marriage relationship, which takes a couple of unexpected turns. Along the way, there are several action sequences shot with shaky cameras and edited so they're impossible to follow. And there's a sense that the film also wants to be a grandiose Russian epic with its expansive cinematography and big orchestral score.
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This fascinating true story is strong enough to hold up against the formulaic Hollywood treatment, boosted by another riveting performance from Helen Mirren. She adds some badly needed prickly humour to the film, which continually resorts to unsophisticated sentimentality as it traces a remarkable series of real events. And it helps that the story has some intriguing things to say about both art and history.
It opens in 1998 Los Angeles, where Maria Altmann (Mirren) has discovered some documents in her late sister's belongings that refer to a beloved portrait of their Aunt Adele (Antje Traue in flashbacks). The problem is that the painting is Gustav Klimt's Woman in Gold, which is regarded as the "Mona Lisa of Austria" and held in pride of place in the national gallery. Since Austria has begun restoring art stolen from its citizens by the Nazis, Maria hires novice family-friend lawyer Randy Schoenberg (Ryan Reynolds), who quickly realises the futility of the case. But they travel to Vienna to begin the process, getting some help navigating the system from local journalist Hubertus (Daniel Bruhl). Sure enough, the Austrian government fights Maria at every step of the way.
The compelling argument in this film is that if Austria acknowledges that this national treasure was stolen, it implicates the government and the population in complicity with the Nazis. And that's something no one is willing to do. There's also of course the issue of greed, since Woman in Gold is worth $100 million. But Maria's simple question is why the painting's value or status matter when its true ownership is so clear. Director Simon Curtis and writer Alexi Kaye Campbell wisely dash through the series of hearings, court cases and appeals, while emphasising this undeniable fact of the case. Although this also simplifies most scenes into little more than "Nazis bad, Jews good". While the flashbacks to Maria's past are moving and informative, Randy's sideplots feel irrelevant and undercooked, featuring his pregnant wife (Katie Holmes) and sardonic boss (Charles Dance).
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The stars of the epic series walked the red carpet at the historic London landmark on Wednesday night, ahead of the fifth season premiere.
The Tower of London provided a suitably epic backdrop for the ‘Game Of Thrones’ fifth season premiere on Wednesday night. The historic London venue saw stars including Kit Harington and Natalie Dormer gather for the series’ first ever European premiere, in front of hundreds of die hard fans.
Kit Harington at the 'Game of Thrones' season 5 premiere
As fitting a setting as the medieval venue was for the festivities, The Tower found itself given a ‘Thrones’ style makeover for the evening, which included dragons being projected onto the walls and bonfires being placed in the grounds.
When the Nazis took over Vienna prior to the Second World War, they stole countless, priceless artefacts. One of these artefacts was the Portrait of Adele Bloch-Bauer I, and an Austrian Holocaust survivor has the perfect claim to it. Maria Altmann (Helen Mirren) hires Randol Schoenberg (Ryan Reynolds), a lawyer of Austrian decent, to help her become once again acquainted with the famous painting of her aunt. The problem is, that the painting is held in a Vienna art gallery, and the Austrian government are adamant in keeping the national treasure. Altmann, on the other hand, is desperate to get back what is rightfully hers.
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Date of birth
10th October, 1946
Ghostbusters is a new film for 2016 and is based on the 1984 film of...
Katya and Alexander were never meant to fall in love but that's exactly what happened....
Erin Gilbert is a brilliant quantum physicist and holds a high ranking lecturing position at...
Up until his recent accident that left him almost entirely paralysed, William Traynor has had...
In a world where the undead are waiting around every corner to tear you limb...
Igor Strausman is the less thought about assistant of the insane but brilliant Victor Frankenstein....
A meaty, fascinating story is splintered into three plot strands that battle for the viewer's...
This fascinating true story is strong enough to hold up against the formulaic Hollywood treatment,...
When the Nazis took over Vienna prior to the Second World War, they stole countless,...