Vampire death dealer Selene has been fighting for survival for years against the vampire faction that double-crossed her and her bloodline's sworn enemy the Lycans. Imprisoned for twelve years, she awoke to a world overrun with Lycans, but also to a potential end to the eternal war. He daughter Eve, a vampire-lycan hybrid who's father is Selene's lover Michael Corvin, could be the key to curing the world of this supernatual disease, but the pair have still not reunited with Michael who is believed to be on the run himself. Selene and Eve aren't alone, however, because this time they are joined by a vampire survivor named David and his father Thomas. But what will they have to sacrifice to save the world from drowning in darkness?
Continue: Underworld: Blood Wars Trailer
With a story that links together every cliche from the weepy chick-flick library, this movie uses its doomed romance premise to reduce every woman in the audience into floods of tears. Adapted by author Jojo Moyes from her bestselling novel, the movie will work its trickery on its target audience, and it will just about keep others interested, thanks to engaging central performances by Emilia Clarke and Sam Claflin.
It's set in a picture-perfect British village located next to the ruins of a picturesque castle, where the quirky Louisa (Clarke) has just lost her job as a waitress in a tearoom. But her parents (Brendan Coyle and Samantha Spiro) need her income to make ends meet, so she takes a job with the village's most prominent couple (Janet McTeer and Charles Dance), caring for their son Will (Claflin), who was a high-flying banker until he was hit by a motorbike and paralysed. Working alongside Will's nurse Nathan (Stephen Peacocke), Louisa struggles to connect with the relentlessly surly Will, who believes that there's no point with going on with his life. But Louisa is determined to help him find some hope.
Everything that happens on the way to the unnerving conclusion is deeply predictable, because we've seen it all in movies from Bridget Jones to The Fault in Our Stars. Even the gently wacky romance feels oddly by-the-book, shifting from interested sideways glances to another smiley montage sequence to contrived comedy and gloomy drama. Thankfully, Clarke and Claflin breathe life into these characters, adding personality details and a spark of chemistry that helps the audience feel the connection developing between Louisa and Will. Of the supporting cast, only Peacocke manages to give his character a sense that he has a life off the screen. And it's nice to see Downton Abbey's Coyle against type.
Continue reading: Me Before You Review
Katya and Alexander were never meant to fall in love but that's exactly what happened. The year was 1959 and the couple were both living in Moscow, Alexander a Soviet politician and Katya a spy for the US. Katya was tasked with infiltrating Alexander's political circle by targeting him. Initially Katya's mission goes to plan but when the couple fall in love, her plan goes awry.
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In a world where the undead are waiting around every corner to tear you limb from limb, naturally you have worries more pressing than trying to penetrate the brooding aloofness of Mr Darcy. And yet, Elizabeth Bennet's dexterity in destroying zombies leaves her able to ponder the trivial moments of her life; not that potential marriage is regarded as such within the Bennet household. Elizabeth's parents are determined to wed their daughters to some wealthy newcomers, and while she isn't the prettiest of her sisters, her down-to-earth and bookish nature is enough to catch Mr Darcy's eye. But this isn't a straight-forward relationship; this couple have a lot of feelings to unlock while defending each other against flesh-eating fiends. Let's just hope death doesn't get in the way of what could truly be a match made in heaven.
Igor Strausman is the less thought about assistant of the insane but brilliant Victor Frankenstein. He's as genius as the passionate medical student he aids in experiments, but more rational when it comes to ethics. He does, however, share Frankenstein's obsession with eternal life and becomes equally as excited when they manage to bring a dead animal back to life. This in itself marks a unique scientific advancement, but Frankenstein's morbid curiosity fails to stop there. He wants to be able to create human life, but doing this involves sourcing body parts from mortuaries - and any other place they can find. Igor's timid nature, though deeply involved passion for the project, keeps him from doing his best to dissuade Frankenstein from completing their 'monster', until it's too late. Now they have a rogue beast on their hands, not to mention the police who are out for blood.
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A meaty, fascinating story is splintered into three plot strands that battle for the viewer's attention, so while the film is never boring, it's also oddly uninvolving. Fortunately, it has an excellent cast and is shot with skill and a relentless intensity to feel like a big, epic-style dramatic thriller with heavy political overtones.
After a scene-setting prologue, the story starts in 1953 Moscow, where Leo (Tom Hardy) is a war hero now working in the military police, purging the city of its spies. Or at least its suspected spies. In the Soviet socialist utopia, crime officially doesn't exist, but Leo finds it difficult to tell his best pal Alexei (Fares Fares) that his 8-year-old son was killed in a train accident when he was so clearly tortured and murdered. Ordered by his boss (Vincent Cassel) to let it go, and menaced by his rival colleague Vasili (Joel Kinnaman), Leo continues investigating, resulting in a reprimand that sees Leo and his wife Raisa (Noomi Rapace) relocated to the the grim industrial city of Volsk. But when another young boy's body appears here, Leo gets his new boss (Gary Oldman) to see the connection.
There are at least three main plots in this film, and the filmmakers oddly never allow one to become the central strand. There's the mystery involving this brutal, unhinged serial killer (Paddy Considine) stalking boys along the railway. There's the thriller about Leo being brutally taunted by Vasili, who has a thing for Raisa and is trying to crush them for good. But the only emotionally engaging strand is Leo and Raisa's complex marriage relationship, which takes a couple of unexpected turns. Along the way, there are several action sequences shot with shaky cameras and edited so they're impossible to follow. And there's a sense that the film also wants to be a grandiose Russian epic with its expansive cinematography and big orchestral score.
Continue reading: Child 44 Review
This fascinating true story is strong enough to hold up against the formulaic Hollywood treatment, boosted by another riveting performance from Helen Mirren. She adds some badly needed prickly humour to the film, which continually resorts to unsophisticated sentimentality as it traces a remarkable series of real events. And it helps that the story has some intriguing things to say about both art and history.
It opens in 1998 Los Angeles, where Maria Altmann (Mirren) has discovered some documents in her late sister's belongings that refer to a beloved portrait of their Aunt Adele (Antje Traue in flashbacks). The problem is that the painting is Gustav Klimt's Woman in Gold, which is regarded as the "Mona Lisa of Austria" and held in pride of place in the national gallery. Since Austria has begun restoring art stolen from its citizens by the Nazis, Maria hires novice family-friend lawyer Randy Schoenberg (Ryan Reynolds), who quickly realises the futility of the case. But they travel to Vienna to begin the process, getting some help navigating the system from local journalist Hubertus (Daniel Bruhl). Sure enough, the Austrian government fights Maria at every step of the way.
The compelling argument in this film is that if Austria acknowledges that this national treasure was stolen, it implicates the government and the population in complicity with the Nazis. And that's something no one is willing to do. There's also of course the issue of greed, since Woman in Gold is worth $100 million. But Maria's simple question is why the painting's value or status matter when its true ownership is so clear. Director Simon Curtis and writer Alexi Kaye Campbell wisely dash through the series of hearings, court cases and appeals, while emphasising this undeniable fact of the case. Although this also simplifies most scenes into little more than "Nazis bad, Jews good". While the flashbacks to Maria's past are moving and informative, Randy's sideplots feel irrelevant and undercooked, featuring his pregnant wife (Katie Holmes) and sardonic boss (Charles Dance).
Continue reading: Woman In Gold Review
The stars of the epic series walked the red carpet at the historic London landmark on Wednesday night, ahead of the fifth season premiere.
The Tower of London provided a suitably epic backdrop for the ‘Game Of Thrones’ fifth season premiere on Wednesday night. The historic London venue saw stars including Kit Harington and Natalie Dormer gather for the series’ first ever European premiere, in front of hundreds of die hard fans.
Kit Harington at the 'Game of Thrones' season 5 premiere
As fitting a setting as the medieval venue was for the festivities, The Tower found itself given a ‘Thrones’ style makeover for the evening, which included dragons being projected onto the walls and bonfires being placed in the grounds.
When the Nazis took over Vienna prior to the Second World War, they stole countless, priceless artefacts. One of these artefacts was the Portrait of Adele Bloch-Bauer I, and an Austrian Holocaust survivor has the perfect claim to it. Maria Altmann (Helen Mirren) hires Randol Schoenberg (Ryan Reynolds), a lawyer of Austrian decent, to help her become once again acquainted with the famous painting of her aunt. The problem is, that the painting is held in a Vienna art gallery, and the Austrian government are adamant in keeping the national treasure. Altmann, on the other hand, is desperate to get back what is rightfully hers.
Continue: Woman In Gold - Trailer And Clips
The actor plays military man Leo Demidov in the Tom Rob Smith adaptation.
Tom Hardy has a go at yet another accent in the Ridley Scott produced 'Child 44', an adaptation of Tom Rob Smith's award-winning 2008 novel about a series of brutal murders during the time of the Soviet Union.
Gary Oldman and Tom Hardy go head to head in 'Child 44'
Hardy plays a former Russian military officer named Leo Demidov in the thriller, who's offered the highest protection in the wake of his war heroism. But things take a dark turn when it becomes apparent that a set of ongoing child killings are being covered up by the authorities, and Demidov wants to do the right thing and find the perpetrator - to much anger from his Stalin obsessed superiors.
Charles Dance - Photographs of a host of stars as they arrived for the Moet British Independent Film Awards which were held at the Old Billingsgate in London, United Kingdom - Sunday 7th December 2014
Charles Dance - A variety of female stars attended the American fashion magazine 'Harper's Bazaar' Women of the Year Awards 2014 which was held at at Claridge's Hotel in Brook Street, London, W1K 4HR - London, United Kingdom - Tuesday 4th November 2014
Date of birth
10th October, 1946
Vampire death dealer Selene has been fighting for survival for years against the vampire faction...
With a story that links together every cliche from the weepy chick-flick library, this movie...
Katya and Alexander were never meant to fall in love but that's exactly what happened....
Erin Gilbert is a brilliant quantum physicist and holds a high ranking lecturing position at...
Up until his recent accident that left him almost entirely paralysed, William Traynor has had...
In a world where the undead are waiting around every corner to tear you limb...
Igor Strausman is the less thought about assistant of the insane but brilliant Victor Frankenstein....
A meaty, fascinating story is splintered into three plot strands that battle for the viewer's...
This fascinating true story is strong enough to hold up against the formulaic Hollywood treatment,...
When the Nazis took over Vienna prior to the Second World War, they stole countless,...