Charles Boyer

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Casino Royale (1967) Review


OK
Though great he may be, there is a limit to the amount of uninterrupted Burt Bacharach music one can endure. And sadly, that limit -- of music punctuated by kazoos, harpischords, and accordions -- is far less than 137 minutes.

There's also a limit on the length of a spy spoof one can sit through (the second Austin Powers and Richard Grieco's If Looks Could Kill being the few notable, yet guilty, exceptions). That limit tends to run about 58 minutes.

Continue reading: Casino Royale (1967) Review

Gaslight Review


OK
It would be mean to say that Ingrid Bergman played confused all too well, but it would nevertheless be true. Director George Cukor (My Fair Lady) likely didn't have to look too far when he was casting about for his female lead in this 1944 adaptation of Patrick Hamilton's old warhorse of a play, as he needed somebody with an imperious grace and a trusting demeanor that could easily be read as a lack of intelligence. Bergman fits the bill perfectly, playing Paula Alquist, a traumatized young British woman whose family sent her away from her London home after her aunt (an internationally famous singer whom she was living with) was found murdered. Years later, after a long stay convalescing in Italy, where she takes singing lessons in a desultory fashion, trying to emulate her dead aunt, Paula falls in love with the piano player, Gregory Anton (Charles Boyer), whom she marries after a whirlwind romance.

The seed of an idea that something is not quite right gets planted during their honeymoon, when Gregory convinces Paula - even though she's obviously still traumatized by her aunt's horrible murder - that they should move into the old London house together; he's just a little too insistent about it, in a way that would set any sane person's alarm off. But Paula goes blithely along, and they return to the house. It isn't long before Gregory is chipping away at Paula's self-confidence, convincing her that she's forgetful ("But, dear, I already told you, don't you remember?") and insinuating in a not-too-subtle manner that she's going crazy. At the same time, he's always finding excuses for them not to leave the house, Paula keeps hearing noises and wonders why the gaslight keeps inexplicably getting turned down low. All you need are hints of the dead aunt's jewelry and the longing way that Gregory stares at the Crown Jewels in a rare trip out of the house to the Tower of London, to figure out that there's a financial reward at the end of his chicanery.

Continue reading: Gaslight Review

Casino Royale Review


OK
Though great he may be, there is a limit to the amount of uninterrupted Burt Bacharach music one can endure. And sadly, that limit -- of music punctuated by kazoos, harpischords, and accordions -- is far less than 137 minutes.

There's also a limit on the length of a spy spoof one can sit through (the second Austin Powers and Richard Grieco's If Looks Could Kill being the few notable, yet guilty, exceptions). That limit tends to run about 58 minutes.

Continue reading: Casino Royale Review

Charles Boyer

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Charles Boyer Movies

Gaslight Movie Review

Gaslight Movie Review

It would be mean to say that Ingrid Bergman played confused all too well, but...

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