The choice to deny us time with George, which could be spent showing more of his relationship with his new wife, or dropping further clues as to why his brother resents him deeply, is all the more puzzling considering Morrison's (and screenwriter Angus MacLachlan's) eye for characters and detail. The Southern family is not altogether pleasant, but nor are they corn-fed caricatures; Madeleine, who is on the trip mostly to recruit a Southern outsider artist for her Chicago gallery, is well-meaning and only self-centered in the most human ways. Celia Watson masters the low-key hostility of a vaguely, perpetually annoyed mother; the family's varying degrees of wariness toward their new in-law feels right, though it's rarely articulated.
Continue reading: Junebug Review
The singer was discovered dead on Thursday morning.
It’s only taken 53 years, but veteran Mary Poppins star Dick Van Dyke has at last offered an apology for what he called “the most atrocious...