Cecilia Cheung

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The Promise Review


Weak
Chen Kaige has always had a weakness for the theatrical, something that can be put to grand and operatic effect in films like Farewell My Concubine and Temptress Moon. It can also lead to quite questionable dramatic choices - or just blatantly silly ones, as is the case his newest, The Promise. The biggest budgeted film in Chinese history ($35 million, about what Bruckheimer spends on catering), it's another in a string of costume action epics that have constituted the bulk of Chinese cinematic export to this country over the past few years. So why does it look so cheap and inspire not awe, but giggling?

It all starts off quite epic. Back in China's distant mystical past, there's a kingdom in which a battle had been waged, and a young girl scavenging food from dead soldiers. She's offered a tempting proposition by the Goddess Manshen, a floating apparition who seems to like messing with mortals: the girl will have everything she's ever desired, but everyone she loves will be taken away from her - unless time runs backward, snow falls in the spring, and the dead rise from the grave. The girl, not having a lot of options, agrees. This sets the stage for a grand, widescreen, Technicolor love triangle two decades down the line, the sort of thing one would imagine that Kaige could pull off in his sleep. The result is something quite closer to self-parody.

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The Promise Movie Review

The Promise Movie Review

Chen Kaige has always had a weakness for the theatrical, something that can be put...

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