The plot of Postman is, indeed, sexier than usual - the perceived naughtiness of Cain's original, excellent novel got it a "Banned in Boston" stamp. But toned down for the screen, Postman is mainly an excellent noir that's fueled by one of John Garfield's best performances. As Frank and Cora fall deeper into their romance, they begin to plan doing away with Nick. The first attempt sadly and (thanks to a clumsy shot of an electrocuted cat) hilariously fails to take, but the second works out ghoulishly. From there, the story becomes a noir classic of shifting loyalties, betrayal, and paranoia. Few actors of the time were as good as portraying the decent man in a conundrum, but there's something about the combination of Garfield's mannish broad shoulders and childish eyes that make him perfect for noirs. Body and Soul is his finest hour, but Postman is worth Garfield as well.
Continue reading: The Postman Always Rings Twice (1946) Review
Continue reading: Guess Who's Coming To Dinner Review
Many ticket-holders couldn't get into the O2 Arena show on Tuesday night (September 19th) because they didn't bring photo ID to match their booking.
An album re-release, a new song and a documentary mark the singer's legacy this year.
The film will be the first in the Marvel Cinematic Universe led by a person of colour.
The actor plays the titular hero in the forthcoming adaptation.