Watching The Mother, it's obvious that director Roger Michell and writer Hanif Kureishi, spent a little too much time watching Unfaithful or Bread and Tulips. They offer few original points in their own movie, and express autumnal passion at the expense of common sense. Really, The Mother is as exploitative and flashy as any big-budget summer blockbuster. The only difference is that this movie probably isn't part of a Happy Meal deal.
Continue reading: The Mother Review
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