Left on the steps of an isolated Spanish monastery as an infant, Ambrosio (Cassel) has grown up to be a celebrated priest, wowing the population of nearby Madrid with his radical sermons. But he's haunted by visions, as well as a dark secret kept by an oddly powerful woman (Francois). Meanwhile, young Antonia (Japy) is being wooed by the sexy Lorenzo (Noaille), a match her mother (Mouchet) approves but worries about. And no one has a clue that all of their fates are intertwined.
Continue reading: The Monk [Le Moine] Review
When he was a baby, Ambrosio was raised by Capucin monks in a Spanish monastery. He becomes a devout monk and, as an adult, his sermons are among the most popular in the country, if not the most popular. However, most of his fellow monks are jealous of Ambrosio's success.
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She's One of Us' international title, For She's a Jolly Good Fellow, might have added a touch of wry irony to this ponderous pseudo-thriller. As it stands, however, Alnoy's formalized film plods along with an unwarranted air of profundity. Christine, her last name (Blanc) hinting at her overwhelming vacuity, shuffles wide-eyed from one high-rise office job to another, failing at each to make an impact on her disinterested colleagues. Determined to make nice-nice with someone, she latches onto her temp agency boss Patricia (Catherine Mouchet), lying about a shared affinity for collectible glass owls and repeating snippets of conversation she's overheard at the grocery store. For reasons unknown, Patricia begins to spend her free time with Christine, but things go haywire when, in a fit of embarrassed rage while at a local swimming pool, Catherine lethally lashes out at her new friend.
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Bertrand Bonello's film isn't just a study of how porn has degenerated from adult-oriented love stories to rank perversion, it's also a film about how the movies themselves have changed, especially French cinema. No longer thoughtful spectacles, even Gallic films have succumbed to the need to shock and awe.
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