Plot-wise, this is refreshingly simple stuff. Paul (Jean-Pierre Léaud), a spray can-toting socialist in 1960s Paris, spends his time rallying against all things American, when he falls head-over-heals for Madeleine (played by real-life yé yé singer Chantal Goya), a pretty but clueless brunette on the verge of commercial breakthrough (she's already burning up the charts in Japan). Broke and evicted, Paul moves in with Madeleine and her roommates, Elizabeth and Catherine (Marléne Jobert and Catherine-Isabelle Duport), where he continues his attempts to reconcile his disapproval of Madeleine's money-driven dreams with his deep-seated hankering to get it on with her.
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