Given a weirdly futuristic spin, Jonathan Parker's interpretation of Bartleby takes him out of a law office and into a public records commission, subtly morphing from typist to file clerk. More notably than all that is Parker's balls-out casting, with the certifiably unhinged Crispin Glover taking the role of the lowest-of-low-key peons.
Continue reading: Bartleby Review
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Tristan Corrigan on the difficulties of making music within a genre that is so popular.
From 'Happy' to 'Banana Pancakes', these are soaked in positivity.