Whether you agree or not, you'll have a very tough time stomaching this movie (if you can find it at all). Pasolini's message isn't just distasteful, it isn't delivered very well either: The film is rough, the sound is erratic, the pace is jerky. In all honesty it's a terrible, terrible experience -- but give the guy credit: It's certainly unique.
Continue reading: Salo, Or The 120 Days Of Sodom Review
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