Cary-hiroyuki Tagawa

Cary-hiroyuki Tagawa

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Little Boy Trailer

Pepper Flynt Busbee (Jakob Salvati) is a 7-year-old boy who stands much shorter than any of his classmates, to the worry of his mother (Emily Watson). He has few worries himself though, despite the occasional bully, forever playing adventure games with his beloved father (Michael Rapaport) and feeling like he can take on the world. Things take a turn for the worst, however, when his father is sent off to fight during the troubles of World War II. Distraught, Pepper is willing to do anything to get his father back, and when he is encouraged to use his focus to move an object during a magic show, he starts to see that he really can do anything. He's determined to use his ability to summon Mr. Busbee back home, but he has to be careful never to let a single trace of doubt cross his mind.

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47 Ronin - International Trailer

Kai is a half-English and half-Japanese outsider who was exiled from his homeland, beaten within an inch of his life and enslaved for his heritage. Now he is stronger; an accomplished fighter with an ability to triumph over even the most formidable of adversaries. He is enlisted by a group of samurai warriors to help them regain their land which has been overrun by an infinite army of demons, witches, monsters and giants who have enslaved their people following the dishonourable death of their leader. The forty-seven ronin vow to avenge their master, sacrificing their own lives to attempt to free their compatriots; though as the land becomes more and more sated with savage beasts and ruthless mystics, Kai is left wondering if this is one battle he can't win.

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47 Ronin Trailer

Kai is an outsider, banished from his home, beaten and forced into slavery for being half-English and half-Japanese. He was among a small group of samurais exiled after the dishonourable death of their leader, and now his suffering has turned him into one of the land's most formidable warriors, able to defeat even the largest of beasts. He is enlisted to be part of an army of forty-seven ronin who vow to seek revenge against the infinite army that has taken over their home and killed their master. However, their plan looks almost impossible as the nation is rapidly becoming overrun with a myriad of colossal shape-shifting monsters with the ability to wipe out the ronin all at once.

'47 Ronin' is a fictional interpretation of the real events that happened in Japan in the 18th century, when a small group of samurais sought to avenge their leader. There have been many variations of the story and it has been described as Japan's  National Legend. First time director Carl Rinsch is at the helm of this gripping fantasy war film and it has been written by Chris Morgan ('Fast & Furious', 'Cellular', 'Wanted'), Hossein Amini ('Snow White and the Huntsman', 'The Wings of the Dove', 'Drive') and Walter Hamada in his screenplay debut. It will hit the UK on December 26th 2013.

23rd Annual Night Of 100 Stars Black Tie Dinner Viewing Gala at the Beverly Hills Hotel

Cary-Hiroyuki Tagawa - 23rd Annual Night Of 100 Stars Black Tie Dinner Viewing Gala at the Beverly Hills Hotel - Los Angeles, California, United States - Sunday 24th February 2013

Cary-Hiroyuki Tagawa

Nemesis Review

Don't blame yourself if Nemesis makes virtually no sense to you. It's not your fault. It really does make minimal sense. In the near future (Japan and the U.S. have "merged"), Olivier Gruner plays a half-man half-machine cop who ends up leaving the LAPD and taking a kind of bounty hunter job for his old employers. Mass hysteria, explosions, and washed-out "futuristic" footage ensue. The acting is appalling, but the low-budget special effects do manage to impress from time to time.

Rising Sun Review

Wildly improbable (read: typical Crichton) tale about a murder in a Japanese office building. It's action heroes Connery and Snipes on the case, so look out! Plenty of Japanese subculture to be examined and often mocked, which led to charges of racism against the book and the movie.

The Art of War Review

Wesley Snipes is a master of selecting bad action roles. Murder at 1600, U.S. Marshals, Money Train, Drop Zone, Boiling Point, and the ultimate camp film - Passenger 57. The Art of War is another entry in this very ugly and unique category. Ultimately, it is little more than a ridiculous action film with a plot as believable as the Warren Report, ugly violence that would have made Peckinpah cringe, and terrible acting by B-list actors like Michael Biehn and Anne Archer. Oddly, it feels like the undiscovered sequel to another Snipes "masterpiece," Rising Sun.

The movie revolves around the convenient story of a special UN operative caught up in a secret murder conspiracy involving a Chinese ambassador, the Chinese Triad Brotherhood, a rich Chinese businessman (played by...that bad guy from Rising Sun, Cary-Hiroyuki Tagawa) a Chinese UN interpreter, and, inexplicably, Donald Sutherland. The film ends with more confusion than a boatload of Chinese immigrants trying to register at Ellis Island. Or should I say the film ends with the most blatant ripoff of both The Matrix and all of John Woo's Hong Kong films combined.

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Mortal Kombat Review

This one's a howler that's so bad it's almost good -- almost. In this infamous adaptation of the popular arcade game series, weird otherworldly semi-immortals bring in three humans by boat to a sort of interplanetary fighting match, the idea being that if the humans lose, the space dudes can conquer earth... or something like that. It's very absurd and all just an excuse to get people fighting again and again and in endless combinations. Alas, none of this is ever able to explain why the space goons can't spell "combat."

Planet Of The Apes Review


Without the faintest hint of director Tim Burton's uniquely uncanny style, "Planet of the Apes" version 2.0 feels like nothing more than a generic (albeit overblown) sci-fi summer movie -- and a forgettably mediocre one at that.

A passionless, elementary endeavor of wow effects and a yawn plot (which has been reinvented from the 1968 original), the picture opens circa 2029 with astronaut Mark Wahlberg working on a space station, training chimps to pilot one-man pods into electrical storms encountered in deep space.

After losing contact with one chimp in a rather ominous anomaly, Wahlberg establishes his maverick personality (which soon fades into a vanilla version of your standard action hero) by swiping a pod against orders to go rescue him. Once inside the storm, our hero is sucked into a wormhole that turns his helm dead and spits him out to crash land on a faraway world in the distant future where -- as if you didn't know -- a brutal, medieval society of evolved simians enslaves primitive humans as labor and pets.

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The Art Of War Review


Cool as dry ice, Wesley Snipes comes off a two-year action movie hiatus like a bad-ass, black-belt James Bond with some ghetto in his blood in the opening scene of "The Art of War."

Dressed to the nines for a well-heeled Y2K New Year's Eve party in Hong Kong, he's doing a little workaday blackmailing of Chinese government officials when he is spotted by security and has to kung-fu his way out of there before parachuting off a skyscraper to escape.

Somebody shoots holes in his chute, but while Wes lands safely, the movie crashes face first into the pavement.

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Elektra Review


Scantily clad action heroine with a sexy-tough pout? Check. Supernatural bad-guy gang of tattooed, Goth-punk clowns? Check. Hard-to-follow kung-fu fight scenes flash-edited to disguise actors' martial arts deficiencies? Check. A complete lack of adherence to its own internal logic? Double-check.

"Elektra" is the latest Marvel Comics superhero flick to roll off the assembly line, and it's such a half-hearted, prefabricated effort that even the normally charismatic Jennifer Garner can't save it.

Reprising her role from 2003's disastrous "Daredevil" adaptation (which she almost did save), Garner plays the title character -- a stereotypically brooding, ninja-trained super-assassin with a conscience who has been brought back from the dead by a generic, mystical army of good that is fighting a generic, mystical army of evil.

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Pearl Harbor Review


The handful of battle scenes that make up a good hour of "Pearl Harbor" are adrenaline-pumping and hyper-realistic on a massive scale.

You feel the impact of every single 7.7mm round from dive-bombing Japanese Zeros as they rip through pavement, planes and people in the infamous attack around which the film in centered. Director Michael Bay's camera goes inside cockpits, rides along on bombs from release to explosion, captures the terror of a torpedo in the water from the deck of a ship and includes some of the best special effects ever put on film.

The money shot is a hull-buckling blast that rips through the USS Arizona. It makes being on a luxury liner hit by an iceberg look like a 25-cent carnival ride.

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Cary-hiroyuki Tagawa

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