After an hour of ridiculous love scenes with the likes of adult-magazine starlets Victoria Silvstedt and Carrie Stevens, we are thrown into an even more ridiculous stolen-$1-million/who's-scamming-who? story. By working in three plot twists at the end to ensure that no one understands what exactly went down, writer/director Masahi Nagadoi unfortunately makes one even more major mistake, failing to realize that we have long since ceased to care.
Continue reading: Cruel Game Review
The Vault lets loose its first unreleased material.
Ocean's two albums, ‘Blonde’ and ‘Endless’, both missed the Grammy deadline.