In truth, Frankie's father is in Scotland, gravely ill. His life at sea was concocted by Frankie's mother, Lizzie (Emily Mortimer of Dirty Pretty Things), to keep the real, landlocked father out of their lives. We don't know much about Frankie's dad, only that he caused the boy's deafness and is so despicable that Lizzie, her mother, and Frankie raise stakes frequently to maintain their distance.
Continue reading: Dear Frankie Review
Luckily, we are saved throughout by Watson's performance. As a woman vacationing with her pesky mother in 1920s Italy, she stumbles upon eccentric, pained, chess genius Alexander Luzhin, or more accurately, he stumbles upon her. Luzhin, played by a solid and risk-taking John Turturro, is disheveled and awkward, the kind of absent-minded obsessive that draws stares of both scorn and jealousy. Watson and Turturro, both at the top of their talents, create a sort of Romeo and Juliet -- he's reckless and unkempt, she's proper and well-mannered.
Continue reading: The Luzhin Defence Review
Putting the tale into motion is Nicholas (Paul Bettany), an earnest but lustful priest who is caught bedding a married woman of his flock and fleeing from his town in disgrace. On the road without any prospects, he encounters a troupe of itinerant actors making their way from town to town and earning their keep by staging scenes out of the Bible for an entertainment-deprived, rural public. Offering his limited skills, Nicholas convinces Martin (Willem Dafoe), the troupe's main man, to accept him into the ensemble against Tobias's (Brian Cox) grousing against it. Martin's sister Sarah (Gina McKee), on the other hand, is quick to overcome her initial distrust and soon develops a growing affection for the fair-haired newbie. As her eyes increasingly fasten on him, she brings a hint of sexual tension to the scenario.
Continue reading: The Reckoning Review
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