Cal (Crudup) is a Manhattan architect with a wife and 3-year old son who, for a largely unexplained reason, is discontent. His interior landscape is entirely his own, as he revels in the brooding inner drive that propels him to abandon his family and set out on the road. To help convey the mental anguish he's experiencing, the film employs hallucinatory images, flashbacks, time phase cuts, and other borrowings from films like the successful Memento, though without the consistency or effectiveness of that fine work.
Continue reading: World Traveler Review
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