There's more to Godfrey "Duke" Parke (William Powell) than meets the eye. When Irene Bullock (Carole Lombard) transforms this seemingly typical "forgotten man" from a city dump resident to her family's butler, the mystery begins to unravel. Discovered by Irene as the last item in an aristocratic scavenger hunt, Godfrey soon finds out that the chaos of a garbage pile is serene compared to the Bullock household. Rebuffed in her attempt to use him to win the scavenger hunt herself, Irene's sibling-rival Cornelia Bullock (Gail Patrick) plans to make his life miserable as revenge. Mother Angelica Bullock (Alice Brady) is a perfect role model for her spoiled rotten daughters, the three combining to spend every cent of Alexander Bullock's (Eugene Pallette) fortune and patience.
Continue reading: My Man Godfrey Review
To Be or Not to Be opens in 1939 on the eve of war, with a Warsaw theater troupe rehearsing a satire called Gestapo, which has been ordered shut down by the government, for fear of offending Hitler. The troupe's stars are Maria and Joseph Tura - a self-absorbed flirt and a preening ham who wouldn't know acting if it smacked him in the face - who couldn't be less interested in the outside world, until it comes crashing in. Maria (Carole Lombard, all smoky elegance) is carrying on an affair with handsome pilot Stanislav Sobinski (Robert Stack, shockingly fresh-faced and clear-voiced), while Joseph (a nimbly verbal Jack Benny) seems almost more perturbed by the fact that Sobinski walks out on his Hamlet soliloquy every night than the fact that he's doing so to meet backstage with Maria.
Continue reading: To Be Or Not To Be (1942) Review
Mr. and Mrs. Smith offers a potentially rich setup: Married couple discovers there vows weren't quite legal, and the wife (Carole Lombard) decides she prefers it that way, sending husband (Robert Montgomery) into a tizzy. The usual setups follow: Montgomery checks into his men's club and stalks his "wife," who immediately begins dating a series of men.
Continue reading: Mr. And Mrs. Smith (1941) Review