In reality, the movie centers not around Phoenix but around Miranda Presley (Samantha Mathis), who lets everyone know she's "no relation" to The King but has similar musical dreams. She meets up with southern beauty queen and songwriter wannabe Linda Lue (Sandra Bullock with a rather unfortunate southern accent) and the hunky Connecticut cowboy Kyle (Dermot Mulroney), whose instrument of choice, strangely enough, is the cello. They all hang around the Bluebird Café, which hosts Nashville's most promising open mike night, the place where aspiring songwriters come to show their stuff.
Continue reading: The Thing Called Love Review
As the camera probes into a crowded room of ballerinas spinning and dipping, a young blond is immediately isolated from the bunch. The male choreographer's assistant notes that the girl has poor form. The choreographer retorts, "Who cares, look at her." And with that the blonde, blue-eyed Jodie is given a spot in the American Ballet Academy, the Julliard of dancing.
Continue reading: Center Stage Review
What do you do when you discover that evil capitalists are secretly planning to turn the fun, laid back, quirky independent music store you work at into a "Music Town" (e.g. Music Warehouse, Tower Records, etc.)? Why you steal the nightly deposit and take it to Atlantic City, of course. Or so confused outsider Lukas (Rory Cochrane) assumes. But after an uninspired - both visually and luck-wise - trip to the craps table, Lukas is forced to return empty handed and face the music (pun intended). However, lucky Lukas has the coolest boss in the whole world, and they get together with the rest of the Empire Records crew to fix the money problem and keep the store's capitalist pig owner and the threat of Music Town at bay.
Continue reading: Empire Records Review
It's time for a riot grrrl revolution.
How are the world's biggest superstars changing?
Who inspired Royse?
Graham J tells all about his experience with the Jazz Journal.
An interview with Nick Wilson.