Richard Martini thrives on making movies out of nothing. His 1996 Cannes Man was shot on the run at the Cannes Film Festival, using whatever talent he could weasel into the production.

Amazingly, Martini seems to be able to do this with some regularity. His 2000 film Camera -- an official Dogme 95 movie -- ostensibly follows the life of a digital video camera from its first purchase (or theft, rather), to various bedrooms, skydives, weddings, suicides, breakups, and more. The camera is sold, resold, stolen repeatedly, and eventually ends up in Martini's hands.

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