Javier Camara , Carlos Areces - The 28th European Film Awards (Europaeischer Filmpreis) at Haus der Berliner Festspiele - Arrivals at Haus der Berliner Festspiele - Berlin, Germany - Saturday 12th December 2015
Fans of more recent Almodovar films like The Skin I Live In or Volver should be warned about this one, because it harks back to his much cheesier 1980s films with its broad comedy, lurid production values and camp characters. But even if it looks fluffy and silly, there are some serious things going on under the surface, as Almodovar undermines stereotypes and plays with sexuality issues. Although this means that most of the humour is aimed at a gay audience.
It all takes place on a flight from Spain to Mexico, but shortly after take-off the pilot (de la Torre) announces that a mechanical fault means they need to make an emergency landing. Then the passenger Bruna (Duenas) reveals that she's a virginal psychic who sees death ahead, and everyone starts to panic. The flight crew (Camara, Areces and Arevalo) try to distract the passengers from impending doom by performing a choreographed number to the Pointer Sisters' eponymous hit. And when that doesn't work, they lace everyone's drinks with mescaline.
Each person in the first class cabin (economy is sound asleep) has his or her own crisis, including a notorious dominatrix (Roth), a businessman (Torrijo) on a quest, a shady hitman (Yazpik), a just-married groom (Silvestre) who prefers his wife to be asleep, and a man (Toledo) running from his suicidal girlfriend (Vega). And the pilots and flight attendants are also romantically entangled. All of this swirls together like a nutty 1970s Mexican soap, complete with flimsy-looking sets and a sparky mariachi score.
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