Shot four years after his famous The Bicycle Thief, De Sica returns to his roots with a vengeance. No longer content to put a lower-class laborer into an even deeper hellhole, this time the melodramatic director gives us a dying old man, his dog, and a pregnant maid, none of whom are destined for futures we'd describe as happy. Old man Umberto (played by non-actor Carlo Battisti; none of the cast in the film are pros) is so poor is landlady rents out his room during the day to prostitutes to help with the bills. (It's just as well; he's looking for someone to take his puppy so he can off himself.)
Continue reading: Umberto D. Review
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