Small-town girl Sherrie (Hough) takes the bus to 1987 Hollywood to become a rock star. There she meets Drew (Boneta), who has the same dream and works in the famed Bourbon Room on the Sunset Strip. He convinces the owner (Baldwin) to hire her as a barmaid just as diva-rocker Stacee Jaxx (Cruise) comes to play a major gig. Buzzing around him are a Rolling Stone journalist (Akerman) wanting an interview and a right-winger (Zeta-Jones) trying to protect the children from the evils of rock-n-roll.
Continue reading: Rock Of Ages Review
It's for those people in particular that Alex Gibney's deeply unsettling documentary Taxi to the Dark Side should be required viewing, though just about any citizen should feel the film worthy of their time. Gibney, who did a smart job of untangling the tortured and headache-inducing mess that was the Enron case with 2005's Enron: The Smartest Guys in the Room, does similarly swift work here cleaving through the morass of obfuscation and half-truths that have veiled the country's involvement in torture and extralegal detention since 9/11.
Continue reading: Taxi To The Dark Side Review
Hank Greenberg was not the first Jewish ballplayer, but he was the first Jewish ballplayer to keep his last name when he entered the game. As such, Greenberg faced anti-Semitic comments in addition to the insults that come with the game. As its title would suggest, The Life and Times of Hank Greenberg discusses how Greenberg dealt with that (such as the decisions to take certain religious holidays off). It also discusses how Greenberg's very presence brought hope into the hearts of Jewish people everywhere, and does all of this in a humorous fashion, to boot.
Continue reading: The Life And Times Of Hank Greenberg Review
It must be said that things don't begin well, however, with its focus the film's star bitch, 15-year-old Kimberly Joyce (Evan Rachel Wood), who looks to be the queen of her snotty private high school in Beverly Hills. Appearing at first to be the result of some hideous experiment whereby Reese Witherspoon's Election spunk and drive was spliced with the power-lusting evil of at least a couple of the Heathers, Kimberly soon shows herself to be an entirely different sort of villain. In the process of escorting a quiet new Arab student, Randa Azzouni (Adi Schnall), around campus and explaining to her the facts of life and a clinical cost/benefit analysis of the two of them being friends (Randa gets to hang out with one of the school's stars, while Kimberly thinks she looks prettier standing next to Randa), Kimberly drops in this little nugget, "I have respect for all races. But I'm really happy to have been born white." She then proceeds to list, in descending order, the races she would prefer to be, and then patiently explains to Randa - in her flat, rational, almost toneless voice - exactly why Arab would be her last choice ("No offence.").
Continue reading: Pretty Persuasion Review