Noah Baumbach (Frances Ha) is on his way to becoming the new Woody Allen, which is a compliment. This film features an eclectic ensemble of A-listers coming together to play a hilariously neurotic Jewish New York family. The film is episodic and very entertaining as these people collide against each other. And their banter is wickedly funny, even when they're grappling with some very dark themes. It's also a rare chance to see Adam Sandler shine in a non-silly role.
He's at the centre of the story as Danny, who has just split from his wife and moved back in with his cantankerous father Harold (Dustin Hoffman) and his loveably goofy fourth wife Maureen (Emma Thompson). Everyone in this family has artistic tendencies, including Danny, his sister Jean (Elizabeth Marvel) and Danny's 18-year-old daughter Eliza (Grace Van Patten), who is heading off to university to study film. And then there's younger half-brother Matthew (Ben Stiller), who abandoned art to become a wealthy businessman in Los Angeles. Danny and Jean have always felt ignored in Matthew's presence, and this comes out into the open when they all gather to help take care of Harold when he ends up in hospital.
Continue reading: The Meyerowitz Stories (New And Selected) Review
Reese Witherspoon is so likeable that she can carry even the most hackneyed of romantic comedies. And indeed, that's what she's doing here. There's a nice sense of messiness in the plot of this rather silly film, but it's directed with so much sun-drenched perfection that everything feels fake. First world problems abound here: these people simply don't seem to realise how very privileged their lives are.
Of course it's set in Los Angeles, where Alice (Witherspoon) has returned after leaving her music producer husband Austen (Michael Sheen) in New York. She's now living in her late filmmaker father's spectacular house with her two bright daughters (Lola Flanery and Eden Grace Redfield), as all three of them try to start over with their lives and find a new sense of balance. Out celebrating her 40th birthday, Alice meets 27-year-old Harry (Pico Alexander), and she responds to his shameless flirtation. As he and his aspiring filmmaker friends George and Teddy (Jon Rudnitsky and Nat Wolff) move into Alice's guesthouse, Austen gets jealous and flies in from New York.
Nothing quite rings true about this entire set-up. And it doesn't help that Witherspoon basically looks younger than Alexander, even as the script centres obsessively on their 13-year age difference, as if anyone under 30 couldn't possibly be mature enough to relate to someone who's 40 (writer-director Hallie Meyers-Shyer is 30). This idiotic idea is relentlessly pushed at the audience all the way through the movie, and it undermines all of the film's goofy side-plots, which include more romantic confusion, the boys' ludicrously lucky attempts to break into filmmaking, and lingering feelings between Alice and Austen. Through all of this, Witherspoon still manages to make Alice a likeable, strong woman who is taking control of her life. But it's clear that everything about that life is utterly amazing, even in the middle of the film's contrived chaos.
Continue reading: Home Again Review
Harold Meyerowitz (Dustin Hoffman) is a celebrated New York artist, whose quick-temper and filter-less conversation has left him estranged from his entire family. But when an event comes up celebrating his work at the Museum of Modern Art, they return to enjoy the experience with him. Of course, he's a particularly embarrassing person to spend time with, given that he's never short of opinions or afraid to speak his mind and thus ends up coming across as the rudest person in the room at any public event.
Matthew Meyerowitz (Ben Stiller) is his diplomatic son, who has actually had a piece of Harold's art named after him, but there is also his less successful son Danny (Adam Sandler) and his awkward daughter Jean (Elizabeth Marvel), and all of them want to make the most out of their rare time with their father and his alcohol-loving wife Maureen (Emma Thompson).
It's particularly important for Danny to establish some kind of bond again, as his daughter Eliza (Grace Van Patten) is about to move away to college; he's proud, of course, because he was never able to get through college himself, but it's forcing him to release that the time he has left with his father is important.
The actress went out with the President when she was in college.
If you ever wondered what a date with Donald Trump looks like, just ask comedy actress Candice Bergen. She confessed to Andy Cohen and Reese Witherspoon that she once got asked out by the now US President when she was in college - but there was definitely no second date.
Candice Bergen at the AFI Life Achievements Awards gala
The 71-year-old 'Murphy Brown' star revealed the weird news during a game of Candidly Candice on 'Watch What Happens Live with Andy Cohen', where fellow guest Reese had to guess whether or not certain odd facts about her were true. Needless to say, she really did end up out with Trump way back in her college days where she was both Homecoming Queen and Miss University.
Continue reading: Candice Bergen Reveals What A First Date With Donald Trump Is Like
Candice Bergen may just be living proof that life begins after 40.
World, rejoice! Candice Bergen has penned a second memoir, three decades after her first, Knock Wood. The new chapters in A Fine Romance offer a poignant, charming and funny glimpse into Bergen's later years and her marriage to French director Louis Malle.
Bergen has spent the past three decades working in theatre, film, TV and on her biggest role - Murphy Brown.
The book also focuses on motherhood - Bergen had her daughter, Chloe, at 39 - and the success she found later in her career with the CBS sitcom Murphy Brown, which ran between 1988 and 1998. Long before Tina Fey's Liz Lemon, Murphy Brown became the example of a driven, funny, complex career woman, trying to have it all. Bergen was the perfect actress to play her.
Candice Bergen - Shots of a variety of stars as they took to the red carpet for the Museum Of The Moving Image as they honored Julianne Moore at 583 Park Avenue in New York City, New York, United States - Tuesday 20th January 2015
Michael B. Jordan, who portrays Oscar Grant in the movie 'Fruitvale Station', arrived at the screening of the film at the Museum of Modern Art in New York City alongside 'Starting Over' star Candice Bergen with her husband Marshall Rose, 'Jerry Maguire' star Cuba Gooding Jr. and The Weinstein Company co-founder Harvey Weinstein.
Lila and Laura were best friends through college, they were always close and their extended set of friends were almost as close as they were. Named 'The Romantics' by other college mates for their almost incestuous dating history the group of seven reunite for the marriage of Lila and Tom. Lila and Laura have both got their history with the groomsman and seeing Laura again appears to have flustered the groom and begins to question his feelings for both women.
Continue: The Romantics Trailer
These are not preliminary selections for the inaugural class of an as-yet-unfounded Hollywood Hall of Shame. They are instead the most recent cinematic abominations to have been released in the early weeks of the new year, dating back to 2005. My colleagues and I regularly joke that if a studio hopes to bury a movie in the cold, efficient style of the mob hiding Jimmy Hoffa, they release it in early January (late August is a suitable alternative). And I've long believed if an intelligent studio sought a surefire hit, they'd counter-program a halfway decent film against the post-holiday garbage, then sit back and watch the box-office receipts pour in.
Continue reading: Bride Wars Review
In The In-Laws (based on the 1979 film of the same name), like most other Michael Douglas vehicles, his gaunt face is rarely off the camera. Wisely, director Andrew Fleming inserts a hilarious Albert Brooks as the perfect remedy for Douglas's self-absorption.
Continue reading: The In-Laws (2003) Review
Making only a minimal effort to be any different or better than the hundreds of other forgettable, predictable, almost-married-the-wrong-guy romantic comedies that have come before it, "Sweet Home Alabama" has the benefit of a talented, appealing cast and the burden of being entirely dependent on clichés to drive its story.
Reese Witherspoon stars as Melanie Carmichael, a rising-star designer in New York's fashion world who is downright giddy about her new engagement to the political mover-and-shaker son (Patrick Dempsey) of the city's image-conscious mayor (Candice Bergen). In the movie's most romantic scene, Mr. Wonderful proposes by getting down on one knee at Tiffany's, which he's arranged to stay open after hours, and telling her to pick any ring she wants.
But there's one little wrinkle Melanie's fiancé doesn't know about: Before she can marry him, she'll have to divorce her hayseed childhood sweetheart back in small-town Alabama. A handsome, blue-eyed charmer named Jake (Josh Lucas, "A Beautiful Mind") with a playful Paul Newman smirk, she did nothing but fight with him once the magic wore off their relationship, so Melanie bailed out to follow her ambition.
Continue reading: Sweet Home Alabama Review
Date of birth
9th May, 1946
Noah Baumbach (Frances Ha) is on his way to becoming the new Woody Allen, which...
Reese Witherspoon is so likeable that she can carry even the most hackneyed of romantic...
Harold Meyerowitz (Dustin Hoffman) is a celebrated New York artist, whose quick-temper and filter-less conversation...
Alice (Reese Witherspoon) is a 40-year-old single mother of two young daughters living in Los...
Warren Beatty writes, directs and stars in the new movie Rules Don't Apply. Marla Mabrey...
Lila and Laura were best friends through college, they were always close and their extended...
Code Name: The Cleaner. BloodRayne. Grandma's Boy. White Noise. Elektra. Are We There Yet?These are...
Longtime Murphy Brown scribe Diane English dips her toes into bigger waters as she attempts...
Has Michael Douglas found The Fountain of Youth in Catherine Zeta-Jones? Since the Gordon...