Warren Beatty writes, directs and stars in the new movie Rules Don't Apply.
Marla Mabrey could be the next talk of the town, having already made a name for herself by being named the local beauty queen in the small town she grew up in, much bigger things await the brunette beauty. Hollywood is on her doorstep and with a little luck she's about to become one of the biggest actresses the town knows.
The year is 1958 and Marla is accompanied to the city by her mother having grown up in a strict Baptist environment, some people might judge Marla as being a little frigid, especially as the city is just on the brink of a feminist uprising. She doesn't drink, smoke or believe in premarital sex but the city might just loosen Marla up and introduce her to a few vices she never thought she'd take up.
Continue: Rules Don't Apply Trailer
Candice Bergen may just be living proof that life begins after 40.
World, rejoice! Candice Bergen has penned a second memoir, three decades after her first, Knock Wood. The new chapters in A Fine Romance offer a poignant, charming and funny glimpse into Bergen's later years and her marriage to French director Louis Malle.
Bergen has spent the past three decades working in theatre, film, TV and on her biggest role - Murphy Brown.
The book also focuses on motherhood - Bergen had her daughter, Chloe, at 39 - and the success she found later in her career with the CBS sitcom Murphy Brown, which ran between 1988 and 1998. Long before Tina Fey's Liz Lemon, Murphy Brown became the example of a driven, funny, complex career woman, trying to have it all. Bergen was the perfect actress to play her.
Candice Bergen - Shots of a variety of stars as they took to the red carpet for the Museum Of The Moving Image as they honored Julianne Moore at 583 Park Avenue in New York City, New York, United States - Tuesday 20th January 2015
Michael B. Jordan, who portrays Oscar Grant in the movie 'Fruitvale Station', arrived at the screening of the film at the Museum of Modern Art in New York City alongside 'Starting Over' star Candice Bergen with her husband Marshall Rose, 'Jerry Maguire' star Cuba Gooding Jr. and The Weinstein Company co-founder Harvey Weinstein.
Lila and Laura were best friends through college, they were always close and their extended set of friends were almost as close as they were. Named 'The Romantics' by other college mates for their almost incestuous dating history the group of seven reunite for the marriage of Lila and Tom. Lila and Laura have both got their history with the groomsman and seeing Laura again appears to have flustered the groom and begins to question his feelings for both women.
Continue: The Romantics Trailer
These are not preliminary selections for the inaugural class of an as-yet-unfounded Hollywood Hall of Shame. They are instead the most recent cinematic abominations to have been released in the early weeks of the new year, dating back to 2005. My colleagues and I regularly joke that if a studio hopes to bury a movie in the cold, efficient style of the mob hiding Jimmy Hoffa, they release it in early January (late August is a suitable alternative). And I've long believed if an intelligent studio sought a surefire hit, they'd counter-program a halfway decent film against the post-holiday garbage, then sit back and watch the box-office receipts pour in.
Continue reading: Bride Wars Review
Like Cukor's film, English's effort boasts an all-female cast that ranges from raging, single Manhattanites to pot-smoking, transplanted Angelenos to Connecticut-rich ladies who lunch. The latter would be Mary Haines (Ryan), a fashion designer who gets the axe from her father after expecting him to hand over the keys to the castle. Before Mary even finds out, her best friend Sylvia (Bening) receives drive-by gossip about Mary's husband's affair with a counter girl at Saks named (appropriately) Crystal (Mendes). Mary's mother (Candice Bergen) expected it, and her lesbian friend Alex (Pinkett-Smith) wants to convert her. Needless to say, she finds her way through the fog of familial uprooting and finds herself a better mother, friend, and daughter for it.
Continue reading: The Women (2008) Review
In The In-Laws (based on the 1979 film of the same name), like most other Michael Douglas vehicles, his gaunt face is rarely off the camera. Wisely, director Andrew Fleming inserts a hilarious Albert Brooks as the perfect remedy for Douglas's self-absorption.
Continue reading: The In-Laws (2003) Review
Making only a minimal effort to be any different or better than the hundreds of other forgettable, predictable, almost-married-the-wrong-guy romantic comedies that have come before it, "Sweet Home Alabama" has the benefit of a talented, appealing cast and the burden of being entirely dependent on clichés to drive its story.
Reese Witherspoon stars as Melanie Carmichael, a rising-star designer in New York's fashion world who is downright giddy about her new engagement to the political mover-and-shaker son (Patrick Dempsey) of the city's image-conscious mayor (Candice Bergen). In the movie's most romantic scene, Mr. Wonderful proposes by getting down on one knee at Tiffany's, which he's arranged to stay open after hours, and telling her to pick any ring she wants.
But there's one little wrinkle Melanie's fiancé doesn't know about: Before she can marry him, she'll have to divorce her hayseed childhood sweetheart back in small-town Alabama. A handsome, blue-eyed charmer named Jake (Josh Lucas, "A Beautiful Mind") with a playful Paul Newman smirk, she did nothing but fight with him once the magic wore off their relationship, so Melanie bailed out to follow her ambition.
Continue reading: Sweet Home Alabama Review
If the whole crew that made "Miss Congeniality" -- writer, director, stars, everybody -- were to get together for another movie, one with a less idiotic plot than a tomboy FBI agent going undercover at a beauty pageant, I'd be gung ho to see it.
The level of talent and the amount of good humor that goes to waste in this gimmicky, so-stupid-it-stops-being-funny star vehicle is phenomenal.
Sandra Bullock is said star, and her screwball (bordering on Lucille Ball) performance as a clodhopping, quarrelsome, graceless lout of a foible-prone FBI agent would be comic gold if the boat anchor of a story weren't dragging it down.
Continue reading: Miss Congeniality Review
With its overblown script striving for maximum wackiness and cheap laughs, the espionage-and-matrimony comedy "The In-Laws" walks a thin line between funny and dumb in an inebriated stupor. Butt-crack gags and unlikely explosions are the order of the day. But a threesome of smarter-than-the-screenplay comedic performances keep the flick punchy enough to earn fairly steady smiles.
Albert Brooks stars as an anxiety-ridden podiatrist who considers a little foot fungus one of the most dangerous things in the world. Needless to say, he's in way over his head when, while trying to micro-manage his daughter's wedding plans, he stumbles onto a covert operation of international intrigue being led by the father of the groom (Michael Douglas), a loose-cannon undercover CIA agent.
Brooks provides a running narrative of amusing neuroses as he's knocked out and dragged along on a mission so he doesn't blow Douglas's cover as the screwy spook tries to prevent an effeminate French arms dealer (David Suchet) from selling a stolen nuclear stealth submarine. With masked insanity in his eyes and caffeine in his bloodstream, Douglas rides a comically uneven keel as the obnoxious daredevil spy of questionable sanity who does everything by the seat of his pants, including trying to negotiate with bad guys in a restaurant bathroom while having his first dinner with his future in-laws.
Continue reading: The In-Laws Review
Date of birth
9th May, 1946
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