Not long since the harrowing and almost fatal birth of their daughter Renesmee, newly born vampire Bella Cullen nee Swan and her new husband Edward have even more deadly drama to contend with. With prestigious Italian vampire coven the Volturi led by Vampire Irina accusing the rapidly growing Renesmee of being a demon child, Bella and Edward have no time to enjoy married life and bring her up together like regular parents. When their homelife is threatened by those who wish only to protect themselves, they realise that they must band together a formidable army to fight the Volturi down in a battle if they wish to save the life of their mortal child.
This much-adored vampire love story finally comes to a close in one of the most dramatic conclusions of fantasy fiction ever written. Based on the best-selling novels by Stephenie Meyer, 'The Twilight Saga: Breaking Dawn: Part 2' has been directed by 'Part 1's director Bill Condon ('Dreamgirls', 'Gods and Monsters') with screenwriter Melissa Rosenberg (who has written all of the other screenplays for the blockbuster series) working alongside him. This final instalment is set to become a major box office hit with its release on November 16th 2012.
Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner, Mackenzie Foy, Peter Facinelli, Dakota Fanning, Kellan Lutz, Maggie Grace, Ashley Greene, Nikki Reed, Michael Sheen, Elizabeth Reaser, Jackson Rathbone, Jamie Campbell Bower, Boo Boo Stewart, Joe Anderson, Billy Burke, Lee Pace, MyAnna Buring, Christopher Heyerdahl, Noel Fisher, Alex Meraz, Rami Malek, Cameron Bright, Mia Maestro, Charlie Bewley, Christian Camargo, Angela Sarafyan, Julia Jones, Daniel Cudmore, Tinsel Korey, Judith Shekoni, Chaske Spencer, Casey LaBow, Kiowa Gordon, Bronson Pelletier, Omar Metwally, Tracey Heggins, Andrea Gabriel, Toni Trucks, Lisa Howard, Patrick Brennan, Tony Bentley, Valorie Curry & JD Pardo.
After their reckless marriage ceremony and the traumatic near-death-experience that was the birth of their daughter Renesmee in 'The Twilight Saga: Breaking Dawn Part 1', newly turned vampire Bella Swan and Edward Cullen think they have overcome the worst. However, 'Breaking Dawn Part 2' forces them to face a vicious battle with the Volturi after they hear a false claim the rapidly growing Renesmee is an immortal child; the conception of which is outlawed due to fact that immortal children can become out of control and dangerous. Bella and Edward must protect their daughter and themselves from assassination from the Volturi and find a way to prove that Renesmee is not in fact immortal.
Bella Swan is finally a vampire. She discovers that the world seems somewhat brighter now and learns about the heightened senses that vampires have. Her body temperature now matches Edward's, so she no longer finds him cold to the touch. She takes quickly to vampire life - very quickly, to the surprise of the Cullens, who were anticipating that it would take decades - even centuries - for Bella to adjust.
Why? Well, besides star Aaron Eckhart's flawlessly sumptuous performance as Naylor, I'll just quote a line from Naylor himself: "The beauty of argument is that if you argue correctly, you're never wrong." In the end, Nick Naylor is not just right; he's unquestionably the most passionate, most seductive man on the screen, and everyone else just looks limp and dull beside him.
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Believe me, I wanted - at times frantically - to like Ultraviolet. While the plot is entirely reductive, the acting painfully amateurish, most of the special effects uniformly crummy, Ultraviolet is breathtaking to watch. At times it looks like a 3rd generation bootleg of some ultra-obscure New Wave music video (perhaps, Experimental Projects' "Glowing in the Dark" - try tracking that one down), at others like goofy outtakes from Kill BillKill Bill: Volume 1. The film rampages wildly through neon infused colors and minimal THX 1138 styled sets, Matrix stunts, and gaudily shot sentimental close-ups. The entire film is an uncanny buffet of cult culture - we've got everything from Grant Morrison to Max Headroom, Tron to the Wachowski's Doc Frankenstein comic book, Iggy Pop's abs to Cassavetes' Gloria, all stuffed into a weirdly affected plot.
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Birth hangs its hat on a delicate premise that demands kid gloves if it seriously hopes to sustain the already shaky credibility. An elegant transition of life forces starts the film. Physician Sean dies while jogging. Simultaneously, a baby is born. Fast forward 10 years, where a cave-eyed child coincidentally named Sean (Cameron Bright) claims to Upper West Side basket case Anna (Nicole Kidman) that he is her reincarnated ex-husband. Anna's humorless fiancée (Danny Huston) scoffs at the idea. Her mother (a neglected Lauren Bacall) displays indifference. ("I never liked Sean, anyway," she articulates.) But Anna's not so quick to write the boy off.
Continue reading: Birth Review
That also explains director Nick Hamm's jackhammer approach to his material. He knows he's working with a cheesy campfire story, the kind best whispered to terrified boy scouts in the dead of night. But he's sadly unaware of when enough is enough, and his final act becomes a series of ludicrous scientific explanations offset by cheap jolts to our nervous system.
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With his innocent smirk and sincere delivery, Kutcher (who also executive produced) brings a fun simple honesty to this alternate-worlds thriller, and it's often necessary, as the subject matter ranges from heavy-duty to soap opera-sudsy. Kutcher is Evan Treborn, a college student who, after growing up suffering childhood blackouts, begins recalling lost memories. The effects are traumatic.
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