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Buck Henry Wednesday 30th June 2010 Opening night of The Public Theater production of 'The Winter's Tale' at Shakespeare In the Park at the Delacorte Theater - Arrivals. New York City, USA

Buck Henry
Buck Henry

Buck Henry Thursday 22nd April 2010 TCM Classic Film Festival opening night - 'A Star Is Born' premiere held at the Mann's Chinese Theater - Arrivals Los Angeles, California

Buck Henry
Buck Henry
Peter Bogdanovich, Tippi Hedren and Buck Henry

Buck Henry Friday 7th November 2008 Opening Night After Party for The New Group's production of Mouth To Mouth at the West Bank Cafe. New York City, USA

Buck Henry

Buck Henry Tuesday 2nd October 2007 attends Sony Pictures Classics' Premiere of 'Sleuth' at the Paris Theatre New York City, USA

Buck Henry

Buck Henry held at the Paris Theater New York Premiere of Sleuth Tuesday 2nd October 2007

Buck Henry

The Man Who Fell To Earth Review


Excellent
Sorry folks, Labyrinth was not David Bowie's best movie. It's arguably this, The Man Who Fell to Earth, a rambling and haunting science fiction movie unlike any you've ever seen. (Except perhaps 2001.)

Director Nicolas Roeg doesn't exactly clue us in to what's going on through the entire running of the film -- and even the ending has some ambiguity to it -- so the following synopsis is more of a rough guideline based on the acclaimed novel and personal conjecture. Bowie plays Thomas Newton, the assumed name of an alien who has landed on earth in the hopes of finding a way either to save his home planet, which has become a desert wasteland, or to figure out a way to get the rest of the homeland's survivors to earth. His plan is simple: Use his advanced technology to start a company that will instantly dominate most industries, and use the proceeds to further these ends.

Continue reading: The Man Who Fell To Earth Review

Gloria (1980) Review


Bad
John Cassavetes made some iffy movies during his career, but none is worse than the original Gloria, one of many films made with with his wife Gena Rowlands and proving that even her natural charm and ability can't muster its way through one of the worst stories ever told. Straight out of a Hallmark card comes this story of a pistol-totin' bad mama who protects a little Puerto Rican kid on the streets of New York from the hands of the mob. This movie is so saccharine and at the same time ridiculous that it's impossible to take seriously. And yet it goes on and on and on for over two hours. Appalling.

The Owl And The Pussycat Review


Good
In the grand tradition of movies like The Odd Couple, Butterflies are Free, and Barefoot in the Park comes The Owl and the Pussycat, with a mixmatched pair of roommates trying to make a go of it in a tiny New York City apartment. Like virtually all of these 1970s comedies, after frustration comes understanding -- and George Segal's failed writer combined with Barbra Streisand's fetish hooker makes for a lot of frustration indeed. After an hour of solid comedy, though, Pussycat meanders into the melodrama of a less-than-believable romance. Alas, life in the Big Apple is always complicated.

The Man Who Fell To Earth Review


Excellent
Sorry folks, Labyrinth was not David Bowie's best movie. It's arguably this, The Man Who Fell to Earth, a rambling and haunting science fiction movie unlike any you've ever seen. (Except perhaps 2001.)

Director Nicolas Roeg doesn't exactly clue us in to what's going on through the entire running of the film -- and even the ending has some ambiguity to it -- so the following synopsis is more of a rough guideline based on the acclaimed novel and personal conjecture. Bowie plays Thomas Newton, the assumed name of an alien who has landed on earth in the hopes of finding a way either to save his home planet, which has become a desert wasteland, or to figure out a way to get the rest of the homeland's survivors to earth. His plan is simple: Use his advanced technology to start a company that will instantly dominate most industries, and use the proceeds to further these ends.

Continue reading: The Man Who Fell To Earth Review

I'm Losing You Review


Good
This multi-storied film centers around Langella, dying of cancer, and how his imminent death (and the death of others) impacts the rest of the cast. Throw in another three or four soon-to-be-six-feet-unders (the most memorable and surprising being Elizabeth Perkins as a woman slowly dying of AIDS) and you've got yourself one hell of a depressing movie. Even those who aren't dying are obsessed with it (McCarthy hawks "death futures" -- reselling life insurance policies for dying people). Even if you're perfectly healthy, you'll probably start checking for lumps after this one.

Short Cuts Review


Very Good
While one could argue that Robert Altman's 1993 film Short Cuts was simply an updating of his 1975 classic Nashville, with a much higher quotient of star power and slightly more prurient subject matter - an attempt to keep the once iconic filmmaker from straying into the shadowy irrelevance like so many of his '70s peers - and while that argument could very well be true, that doesn't deprive Short Cuts of any of its power, or disprove the fact that it's ultimately a better film.

Spinning together a series of short stories from the master of the form, Raymond Carver, Altman takes some 20-odd Los Angelenos and twists their lives together seemingly just for the fun of how their individual little lives play out and connect up, like a puppetmaster who can't stop adding new puppets to his repertoire. To flesh out his tapestry of early '90s Southern California life, Altman has a fine batch of actors and actresses, including everyone from the best of their generation (Jennifer Jason Leigh, Robert Downey Jr) to the solidly respectable but not terribly exciting choices (Julianne Moore, Matthew Modine, Madeleine Stowe) to oddly effective musician stunt casting (Lyle Lovett, Tom Waits, Huey Lewis) to one lordly presence (Jack Lemmon).

Continue reading: Short Cuts Review

What's Up, Doc? Review


Very Good
What ever happened to joyously screwball comedies? Sure, once in a while a chaotic free-for-all like Rat Race will come along, but for the most part, fast-paced Marx Brothers-style farces are gone with the wind. One of the last pure examples may be What's Up, Doc?, Peter Bogdanovich's 1972 tribute to the great comedies of the '30s and '40s. This wacky sendup of every comedy cliché is what my mother would call a hoot from beginning to end, with Barbra Streisand and Ryan O'Neal leading a big and crazy supporting cast through all sorts of wacky gyrations.

When four people carrying identical luggage all check into a San Francisco hotel at the same time, you know right away that the movie will be driven by a big suitcase screwup. Uptight scientist Howard Bannister (O'Neal) is carrying a bunch of ancient rocks that he thinks emit interesting musical tones. Judy Maxwell (Streisand), a petty thief and mooch who is hanging around the hotel mainly to steal room service sandwiches, is carrying underwear. Another guest carries a load of diamonds, and the fourth has a stack of secret government papers. When everyone grabs the wrong bag, the comedy commences.

Continue reading: What's Up, Doc? Review

The Day Of The Dolphin Review


Good
Like watching a car try to beat a train across the tracks -- and failing -- The Day of the Dolphin is a jaw-dropping disaster that you can't turn away from. Fortunately, this one is caught on film (and now DVD) for posterity.

If you're unfamiliar with the movie, you won't believe it's really about this until you see it. Put simply, it's the story of a man (George C. Scott) who trains dolphins to speak -- English -- and then finds them caught up in a government assassination plot. It's either a grand joke on the scale of Punk'd or a grand disaster on the scale of Ishtar. There's not an ironic line in the film -- and in fact, there's not a terrible lot of lines, as the underwater footage recalls silent Jacques Cousteau-style filmmaking.

Continue reading: The Day Of The Dolphin Review

Breakfast Of Champions Review


Bad
The word "unfilmable" is often bandied about over cult classic books. That never stops people from filming them.

Witness The English Patient, which turned out to be filmable after all. And then there was Fear and Loathing in Las Vegas, which wasn't. But maybe unfilmable is the wrong word. Breakfast of Champions might have proved filmable, but it sure isn't watchable.

Continue reading: Breakfast Of Champions Review

Lisa Picard Is Famous Review


OK

Lisa Picard is a struggling New York actress who has had her 15 minutes and just doesn't realize it yet. She starred in a rather carnal breakfast-in-bed commercial for Wheat Chex that made her notorious and got her fired from her steady job playing "Sally Starfish" in a production that tours elementary schools.

"If the director's cut could be seen, this would be a non-issue," she grouses in "Lisa Picard Is Famous" -- an inept documentary by an under-prepared filmmaker who has decided this starlet is on the verge of being discovered and he's determined to capture the moment when it happens.

In actuality, "Lisa Picard Is Famous" is a mock documentary by actor-director Griffin Dunne ("Practical Magic," "Addicted to Love") -- and a whimsically sardonic concept that just doesn't quite congeal because the movie is more uncomfortable than it is funny.

Continue reading: Lisa Picard Is Famous Review

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Benedict Cumberbatch Interviews Tom Hiddleston, But Avoids The Taylor Swift Question

Benedict Cumberbatch Interviews Tom Hiddleston, But Avoids The Taylor Swift Question

One Marvel Universe star interviewed another, as part of Interview magazine's October edition.

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The Last Shot Movie Review

The Last Shot Movie Review

This is a sometimes hilarious sometimes flat takeoff on the allure of Hollywood make believe...

Town & Country Movie Review

Town & Country Movie Review

Past-their-prime actors don't die -- they pick up studio paychecks for hack projects like Town...

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