Bruce McGill on the red carpet at Cicada. The stars of Rizzoli and Isles were celebrating the 100th episode. Bruce has been on the show since the start and plays Vince Korsak. Downtown Los Angeles - Los Angeles, California, United States - Saturday 9th July 2016
With a script by Brad Ingelsby (Out of the Furnace), this thriller has more substance than most, although it's also been compromised by the inclusion of a lot of contrived action mayhem. At its centre, there's a nice exploration of two retirement-age men looking at the world they have created, and how things have changed since they made key decisions as younger men. But director Jaume Collet-Serra (Non-Stop) seems uninterested in these serious themes, and would clearly rather stage another shoot-out or chase instead.
Liam Neeson stars as Jimmy, a lifelong criminal who's now a wheezy husk of his former thrusting self. But he maintains his childhood friendship with Shawn (Ed Harris), who turned his crime empire legit but is having problems keeping his son Danny (Boyd Holbrook) out of trouble. Now Danny has made a dodgy deal with some Albanians, and when that goes predictably wrong, it accidentally puts Jimmy's estranged good-guy son Mike (Joel Kinnaman), his wife (Genesis Rodriguez) and kids in danger. So Jimmy sets out to set things right, although this means that he ends up on opposite sides of the conflict from Shawn. And he and Mike also have to outrun his detective nemesis (Vincent D'Onofrio) and a ruthless assassin (Common).
There's a nice sense of respect and inevitability to the relationship between Jimmy and Shawn that goes a long way in making this overlong movie watchable. Neeson and Harris are terrific at playing men who are too old to be running around with guns. Their quietly tense conversations are by far the most riveting scenes in the film. By comparison, the action sequences feel rather routine: brutal and fast, with flashy editing, outrageous stunts and more firepower than is strictly necessary. And for a man who can barely stand when the film opens, Jimmy is suspiciously able to run, jump, drive and shoot like a trained professional a third his age.
Continue reading: Run All Night Review
There's a decent premise to this action-comedy, but the filmmakers can't be bothered to put in the effort to actually make it funny or exciting. Instead, they sit back and hope that the fast-talking Kevin Hart holds our interest. Thankfully, he's quite a lot of fun to watch, creating a likeable character out of an utter moron and generating a few good laughs along the way as he bounces off the other characters.
Hart plays Ben, a videogame addict who wants to spin his career as a school guard into a place at the Atlanta Police Academy. His sexy fiancee Angela (Sumpter) has a brother, James (Cube), who's an undercover detective and wants Ben to prove himself worthy of his sister. So he takes Ben on a ride-along, which he and his partners (Leguizamo and Callen) set up as a series of humiliations. Then Ben inadvertently discovers a few clues in their ongoing case to find mythical arms dealer Omar (Fishburne). And what started as a joke becomes rather a lot more explosive.
Yes, the film is packed with the usual fiery explosions and massive car chases punctuated by Hart's non-stop comedy patter. Ben is the standard cocky, annoying idiot who we know will become someone completely different by the end of the movie (see Beverly Hills Cop, Rush Hour, The Heat, et al). But this allows us to engage with Hart from the beginning, and he finds some sharp humour along the way. Cube, on the other hand, never remotely convinces as a hardened cop; we know he's a big softy. And poor Sumpter, virtually the only female on-screen, struggles to add spice to a thankless role that plays out exactly as the formula demands.
Continue reading: Ride Along Review
Rapper turned actor Ice Cube and comedian Kevin Hart jokingly diss each other in a short featurette which shows their never-ending banter on the set of action comedy 'Ride Along'. The movie is about a security guard (Hart) who is desperate to prove to his girlfriend's formidable cop brother (Cube) that he's good enough to marry her.
Continue: Ride Along - Featurette
Ben is a high-school security who only wants one thing in his life; to marry his beautiful girlfriend Angela. However, that proves to be less than easy when Angela's tough and intimidating cop brother James has less respect for him than the criminals he pursues. When Ben gets accepted into the police academy, he thinks he has James' blessing in the bag, but James has other ideas; he'll let Ben marry his sister if he proves he's worthy of her by joining him on his next shift in the world of car chases, guns and ruthless fights. Initially confident he'll do well in proving himself, Ben finds it a shock to his system as he has never even held a gun before let alone fired one.
'Ride Along' is a brilliant action comedy that's deep down all about love, family and acceptance. Directed by Tim Story ('Fantastic Four', 'Think Like a Man'), the movie has been written by a large collaboration of Greg Coolidge ('Employee of the Month'), Steve Faber and Bob Fisher ('Wedding Crashers', 'We're the Millers'), Phil Hay and Matt Manfredi ('The Tuxedo', 'Clash of the Titans') and Jason Mantzoukas ('Off Duty'). It is set for release in the US on January 17th 2014.
Valerie Plame (Watts) is a high-level CIA operative juggling teams in a variety of locations. In the wake of 9/11, her focus is on investigating Saddam Hussein's nuclear weapons programme. Her husband, Joe Wilson (Penn), is the expert sent to Niger to investigate uranium rumours, but he finds no evidence.
And this is backed up by Valerie's discoveries from scientists in Iraq. So when Joe hears George W Bush lying in a State of the Union address, he writes a rebuttal. Enraged, Bush administration official Scooter Libby (Andrews) releases Valerie's identity.
Continue reading: Fair Game Review
Crowe's uncanny knack for turning up the volume has allowed countless scenes to soar to their potential. One problem nagging Elizabethtown, Crowe's most awkward project to date, is that the director is obligated to crank the knob again and again to overcome bland performances and missed emotional connections. He has assembled another astonishing collection of inspirational rock tracks, but for the first time the soundtrack outshines the accompanying movie by a long shot.
Continue reading: Elizabethtown Review
Of course there's a duplicitous corporate plot to interfere with them, and boy oh boy if the atrocious digital effects don't get piled on in bulk. The supporting cast includes Star Trek: The Next Generation's Wil Wheaton, whose character exits in the most hilarious finale I've seen on film, along with Star Trek: Deep Space Nine's Terry Farrell, as a brainy inventor and requisite love interest. Perhaps most amusing is Harry Van Gorkum (no known Star Trek ties) as the corporate lackey, with a ridiculous beard that makes him look like Taylor Negron dressing up as Ron Silver. Apparently there's a commentary track on the DVD release, but after watching the movie itself I was too depressed to look for it. This one's all Core, no fruit.
Continue reading: Deep Core Review
As part of its bid to make 24-hour news an institution, CNN sent producers Robert Wiener (Michael Keaton) and Ingrid Formanek (Helena Bonham Carter) to Baghdad in August 1990 to cover the brutal Iraqi invasion of Kuwait. The HBO film Live from Baghdad is the story of how Wiener and CNN overcame adversity to become the only network to continue broadcasting from Baghdad during the U.S. air strikes.
Continue reading: Live From Baghdad Review
American audiences adore underdog stories, particularly those tied to sports. From Rocky to Seabiscuit, we devour worthy longshots given a chance to reclaim such precious commodities as pride, significance, or the undying love of family. That, and anything with Darth Vader in it.
Continue reading: Cinderella Man Review
Cab driver Max (Jamie Foxx) is having an ordinary night until he picks up Annie (Jada Pinkett Smith). They have a pleasant, interesting conversation, which director Michael Mann lets unfold at a natural, almost seductive pace. When they finally part ways, you feel as if you've watched a short romantic comedy. Enter Vincent (Tom Cruise).
Continue reading: Collateral Review
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