Bruce Beresford

Bruce Beresford

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Bruce Beresford - 2016 Tribeca Film Festival - 'Mr. Church' - Premiere - Red Carpet Arrivals at Tribeca Film Festival - New York, New York, United States - Friday 22nd April 2016

Bruce Beresford
Bruce Beresford
Bruce Beresford and Britt Robertson

Bruce Beresford - Opening night red carpet for the 5th annual Hollywood Brazilian Film Festival - Los Angeles, CA, United States - Wednesday 31st July 2013

Bruce Beresford
Bruce Beresford
Bruce Beresford
Bruce Beresford

Bruce Beresford Tuesday 13th September 2011 36th Annual Toronto International Film Festival - 'Peace, Love, and Misunderstanding' premiere arrival at the Roy Thomson Hall. Toronto, Canada

Bruce Beresford
Bruce Beresford

'Breaker' Morant Review


Excellent
Before there was Nicholson's "You can't handle the truth!" outburst in A Few Good Men, there was the firey Edward Woodward as an Australian soldier during the Boer War (South Africa, 1899 to 1902). Like Jack, Woodward is on trial for murder -- in this case of Boer guerillas, executed possibly under the implicit orders of the Aussie government. Now a scapeoat, Woodward's "Breaker" Morant is asked to defend his actions. His explanation -- "We caught 'em and we shot 'em under rule 303!" -- is one of cinema's most undernoticed and passionate speeches. The camera cuts away to show us exactly what rule 303 is: The caliber of the rifles used by Morant's division.

Heavy stuff, and though most of the based-on-a-play Morant plays out in holding cells and the courtroom, as a court martial determines the guilt of Morant and two of his compatriots (including Brian Brown in an early role), it's still compelling and fascinating stuff. Morant is a genuine bastard, but he's just following orders and trying to win a war. It's the same argument that we'd see in umpteen Nazi films (and understanding the intricacies of the Boer conflict is probably a fool's errand), but Woodward's Morant makes for a troubling and complex anti-hero. He's aided amicably by Jack Thompson, playing the three lieutenants' good-hearted but ultimately ineffective attorney. (Also of note, this film was director Bruce Beresford's big break. He'd come to Hollywood shortly after Morant hit.)

Continue reading: 'Breaker' Morant Review

Aria Review


Bad
Every decade or so, those wacky independents try this stunt -- getting a bunch of Big Name Directors together to make a collaborative movie. Invariably, it sucks (see Lumiere and Company), but rarely does it suck so hard as it does in Aria.

The conceit this time: Each director takes a piece of classical music and sets it to film -- mostly without dialogue and invariably without any sense whatsoever.

Continue reading: Aria Review

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