Heavy stuff, and though most of the based-on-a-play Morant plays out in holding cells and the courtroom, as a court martial determines the guilt of Morant and two of his compatriots (including Brian Brown in an early role), it's still compelling and fascinating stuff. Morant is a genuine bastard, but he's just following orders and trying to win a war. It's the same argument that we'd see in umpteen Nazi films (and understanding the intricacies of the Boer conflict is probably a fool's errand), but Woodward's Morant makes for a troubling and complex anti-hero. He's aided amicably by Jack Thompson, playing the three lieutenants' good-hearted but ultimately ineffective attorney. (Also of note, this film was director Bruce Beresford's big break. He'd come to Hollywood shortly after Morant hit.)
Continue reading: 'Breaker' Morant Review
The conceit this time: Each director takes a piece of classical music and sets it to film -- mostly without dialogue and invariably without any sense whatsoever.
Continue reading: Aria Review
The Irish folk brothers have plenty of stories to tell.
In terms of approach, 'Chain Tripping' takes some beating. To call Yacht's latest release conceptual would be underplaying its inspiration wildly.
On 'Tallulah', Grant Nicholas and Taka Hirose seem to have that burning connection again.
Burn My Eyes was released on this day (August 9th) in 1994.
With an eclectic mix of established acts, up and coming talent and resurgent household names, Neverworld once again offered up some superb musical...
Listen to their new song 'Alchemy'.