These films effectively argue for multi-ethnicity from different vantage points. The former is a daughter asking her parents to accept her black fiancé. The latter defends an obviously innocent African-American charged with raping a young white girl. Both feel more like plays than big screen cinema, with their tiny handful of locations, lack of visual effects, and explicitly heavy-handed dialogue. Though society has changed since their release, and "statement films" now rally for more current political causes, the strength of the issues relayed in these classics doesn't lose its appeal.
Continue reading: To Kill A Mockingbird Review
Paramount eventually noticed the pattern. Star Trek VI: The Undiscovered Country, the sixth mission of the starship Enterprise, was largely the work of director/screenwriter Nicholas Meyer, who wrote Khan, and executive producer Leonard Nimoy (who played Spock, of course), director of Star Trek IV. The sixth movie generally reflects Meyer's and Nimoy's concern for integrity.
Continue reading: Star Trek VI: The Undiscovered Country Review
Ford attributes his career success to films that pass 'from generation to generation'.
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