Jeanette Walls is raised with the idea that city life is not something to be desired. Her parents put themselves across to her and her siblings Lori, Brian and Maureen as adventurous travellers who believe that they don't need a proper education or a house with all the usual amenities - all they need is the open road and the stars. The reality is that her father Rex is an alcoholic and her mother Rose Mary is a failed artist and occasional teacher. They are constantly uprooting the kids and moving them around as they escape the FBI and their mounting debts, compromising their future as they disrupt their schooling. Eventually Jeannette and the others escape their parents for a life the complete opposite of what they grew up with, and have to find it within themelves to forgive them and show them that they are truly happy.
Continue: The Glass Castle Trailer
The booming studio revealed that 2019's 'Captain Marvel' would be directed by Ryan Fleck and Anna Boden.
The forthcoming Marvel Cinematic Universe standalone film Captain Marvel, featuring Brie Larson in the lead role, has apparently landed its two directors in the shape of Anna Boden and Ryan Fleck, according to new reports.
The duo, whose previous directing credits include 2015’s Mississippi Grind, will be helming the first female-fronted MCU superhero movie, if reports from Variety and The Hollywood Reporter are to be believed.
Fleck and Boden mainly have experience in television, directing episodes of ‘Billions’ and ‘The Affair’ among many others, but they also scored a hit with 2006 movie Half Nelson which starred Ryan Gosling in his first Oscar-nominated role.
Basically a 90-minute shoot-out, there isn't a lot to this movie. British filmmaker Ben Wheatley (High-Rise) is using a group of wildly offbeat characters to play a hilarious riff on Tarantino-style dialogue and violence. So while there's not much to it, the actors have plenty of grist to bring their roles to life. Which makes the film funny and intense all the way through, even if there's no emotional connection at all.
The entire film is set in a warehouse in 1978 Boston, where Justine (Brie Larson), Chris (Cillian Murphy) and Frank (Michael Smiley) have gone with their drivers Stevo and Bernie (Jack Reynor and Enzo Cilenti) to buy a cache of guns from the swaggering Ord (Armie Hammer) and his mercurial arms dealer Vernon (Sharlto Copley), who has brought ex-Black Panther Martin (Babou Ceesay) as some muscle, plus bickering drivers Harry and Gordon (Jack Reynor and Noah Taylor). All of them greet each other tensely, but they make the deal with a bit of offhanded banter and wary respect. But just as they're all getting ready to leave, Stevo and Harry spot each other. And both are still feeling wounded after the nasty encounter they had last night.
What follows is an explosion of utterly pointless violence. All of these people are nervous and trigger-happy, so it doesn't take much to set them off. The carnage that follows isn't like most movies, because people don't get shot and just lie on the ground; they crawl off injured, regroup and rejoin the fray. Alliances shift, and every moment of panic leads to even more chaos. And right in the middle, there's a bag of cash and a crate of rifles that everyone has an eye on. Wheatley stages this in real-time, with a steady flow of jaggedly witty conversation between the gunshots and constant sight-gags in the action mayhem.
Continue reading: Free Fire Review
The actress explains how her experiences influenced her acting on Kong: Skull Island.
Fantasy movies that rely a lot on CGI aren't always easy for actors to get to grips with, especially if there's nothing they can bounce their emotions off of. It was a similar thing for Brie Larson with 'Kong: Skull Island', but she had a real life experience from which to draw her on-screen fear.
Brie Larson stars in 'Kong: Skull Island'
In reference to Brie's character Mason's reaction when she first lays eyes on the colossal Kong in the film (a creature which the actress insists is 'five times bigger' than he's ever been before: 'He's absolutely massive!'), she reveals that she drew inspiration from her first meeting with an Indian elephant.
Brie Larson, Mitch O'Farrell, John Goodman, Jeff Bridges, Leron Gubler and Fariba Kalantari seen together on the day that John Goodman was honoured with a star on the Hollywood Walk Of Fame - Hollywood, California, United States - Saturday 11th March 2017
After the success of 2014's Godzilla reboot, the Warner Bros monsters get their own franchise, continuing with this King Kong prequel. It's a ripping adventure, cleverly directed by Jordan Vogt-Roberts (The Kings of Summer) to resemble a snarky Apocalypse Now remake with added gigantic beasts. And the eclectic cast makes sure that there's plenty of comedy, villainy and heroics to draw the audience in.
It's 1973, and Bill (John Goodman) is taking a pair of scientists (Corey Hawkins and Jing Tian) to an uncharted island to verify reports of prehistoric creatures before the Russians can get there first. En route, they stop in Vietnam to collect a mercenary adventurer (Tom Hiddleston), a photojournalist (Brie Larson) and a helicopter squadron led by Packard (Samuel L. Jackson). But their noisy arrival on the island enrages towering monkey Kong (mo-capped by Terry Notary and Toby Kebbell, who also plays a member of the team). With their choppers grounded, the main job now is to get out of here alive. And after discovering a castaway WWII pilot (John C. Reilly), they learn that Kong is actually protecting the world from far scarier monsters.
The story is told with a blast of dry humour, weaving in lots of sharp banter along with a collection of iconic 70s rock anthems. This gung-ho approach makes the movie energetically good fun, obscuring the fact that it's not particularly deep or meaningful. There are big themes gurgling away under the surface (such as the way blind militaristic action unearths dangers far worse than the perceived enemy), but these things remain subliminal, only barely visible amid the fast-paced action and big effects mayhem. That it all leads to some heavily animated monster-vs-monster destruction is hardly surprising. But when a movie is this light on its feet and so cheerfully frenetic, the audience is really only interested in hanging on for the ride.
Continue reading: Kong: Skull Island Review
She was abused, raped and harassed as a child and young woman.
Jane Fonda is the latest star to open up about her struggles with sexual abuse as a woman growing up in the 50s and 60s, confessing that she has suffered more than once at the hands of the 'patriarchy'. She revealed her experiences as part of her stance on International Women's Day.
Jane Fonda reveals that she was sexually abused as a child
The 79-year-old actress revealed that not only has she been a victim of rape, but also of child abuse and sexual harassment in the workplace; the later being when she was dismissed from her job because she refused to have sexual relations with her boss.
Continue reading: Jane Fonda Bravely Opens Up To Brie Larson About Sexual Abuse
The drama picked up the coveted People's Choice Award at the Toronto International Film Festival on Sunday (September 20th).
Lenny Abrahamson’s drama Room impressed the critics and wowed audiences at this year’s Toronto International Film Festival, taking home the prestigious People's Choice Award. In the film Brie Larson stars as Ma, a woman being held captive in a room with her son Jack, in a role which required the actress to really get in the mind of someone cut off from the outside world.
Brie Larson stars in Room.
For Larson, becoming Ma would take enormous mental and physical preparation which started with an intense diet and exercise program to get her inside the mind of someone being held in captivity. “That physical process really put me in a certain mindset,” Larson said.
A young woman and her 5-year-old son Jack live together in a confined, sound-proofed room in the outhouse of Old Nick's backyard. There is nothing but a bed, a bathtub and a few household items inside, with Old Nick making occasional visits when Jack hides away in a wardrobe. The woman was kidnapped seven years ago by Nick, and subsequently raped by him, meaning that Jack knows nothing of life outside the room. He's content with life with his mother, but she has never given up hopes to escape their prison. She hatches a plan for Jack to escape and seek help and the pair are eventually re-united with her mother and father, and given temporary accommodation in hospital. But Jack is barely able to comprehend all the new experiences and longs for the comfort of his dark former home.
Continue: Room Trailer
Amy Schumer makes her big screen debut with a script that feels like a much-extended sketch from her TV series. It's hilariously observant and refreshingly grown-up about sex, but the plot falls back on the usual cliches. Even with some clever twists and turns, the structure is oddly predictable. But the biggest surprise is that Schumer and director Judd Apatow ultimately cave in and take a traditional approach to romance.
As she does on her show, Schumer plays a sexually frank woman called Amy. Taught by her father (Colin Quinn) to distrust monogamy, she has indulged in a commitment-free life, rarely seeing a man more than once. And her one repeat male partner (John Cena) is a rather too self-obsessed bodybuilder. Then her boss, blithely demanding magazine editor Diana (Tilda Swinton), assigns her to interview Aaron (Bill Hader), a doctor who specialises in sports injuries. Amy can't help but seduce him; it's what she does! But in the process she realises that she actually quite likes him. This idea so rattles her that she sabotages her close relationship with her sister Kim (Brie Larson), who is expecting a child with husband Tom (Mike Birbiglia).
Schumer has impeccable comic timing, and she's hilarious all the way through this film, playing on her character's riotous way of being shockingly honest at all the wrong times. In other words, the character is entertaining but never very likeable because of the thoughtless things she does and says. So our sympathies lie with Hader, who gives an unusually layered turn as a smart, sensitive and very funny guy who just might be too good for Amy. Other characters are either here to provide emotion (Larson and Quinn) or to shamelessly steal scenes (Swinton). And Apatow brings in a usual stream of big-name cameos, including Daniel Radcliffe and Marisa Tomei in a clever pastiche of a New York indie movie.
Continue reading: Trainwreck Review
Amy Schumer has shared more pictures and videos from her summer on Instagram. This time she's showing off her dance moves on board a yacht in Switzerland.
Amy Schumer’s holiday fun continues. This time, the 34-year-old comedienne shared a short video of herself on Instagram dancing to the Backstreet Boys’ ‘As Long As You Love Me’. Schumer was filmed on-board a luxury yacht on Lake Lugano in Switzerland along with her sister, Kim Caramele. Both wore one-piece bathing costumes as Schumer showed off her dance moves.
Amy Schumer and her sister, Kim Caramele, at the premiere of Cop Show on Broadway in February 2015.
Date of birth
1st October, 1989
Jeanette Walls is raised with the idea that city life is not something to be...
Basically a 90-minute shoot-out, there isn't a lot to this movie. British filmmaker Ben Wheatley...
It's 1978 Boston and an unlikely gang made up of Justine (Brie Larson), Stevo (Sam...
After the success of 2014's Godzilla reboot, the Warner Bros monsters get their own franchise,...
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One of the most extraordinary films of the year, this drama cleverly weaves in events...
A young woman and her 5-year-old son Jack live together in a confined, sound-proofed room...
Amy Schumer makes her big screen debut with a script that feels like a much-extended...
Amy enjoys her life in the big city with her comfortable apartment, wacky friends and...
With a strangely simplistic screenplay by William Monahan (The Departed), director Rupert Wyatt and his...
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