It's the 1970s and Captain James Conrad and Lieutenant Colonel Packard are leading a group of soldiers and explorers to a seemingly idyllic unmapped location in the Pacific.
Unfortunately, their journey requires some serious collateral damage, as they are forced to bomb the island and unwittingly incite the treacherous ire of Kong, the King of Skull Island. He crushes them - literally. That's what happens when you bomb the habitat of a giant ape. But soon they realise that Kong isn't the only outsize creature they have to fear, because the island is home to a group of demonic monsters as well, some that resemble spiders and others that resemble reptiles. Their only hope is to enlist the help of the island's inhabitants, tribal men and women who worship the great Kong but disapprove of the Americans' willingness to attack their home.
Directed by Jordan Vogt-Roberts ('The Kings of Summer'), 'Kong: Skull Island' is a re-imagining of the King Kong story, following him to his home on Skull Island where he first originated. The screenplay was written by Dan Gilroy and Max Borenstein, and filming spanned locations the likes of Hawaii, Australia's Gold Coast and Vietnam. Starring Tom Hiddleston, Samuel L. Jackson and John C. Reilly, the film is scheduled to be released on March 10th 2017.
26 year old Larson is to step behind the camera lens for her first feature film, which starts shooting in October.
In another piece of great news in what’s already been a great 2016 for Brie Larson, the Oscar-winning actress will be making her directorial debut in independent comedy Unicorn Store, it has been confirmed.
Variety reported on Tuesday (August 9th) that the 26 year old star will be taking her bow behind the camera for the new project, which is penned by newcomer Samantha McIntyre. She’ll also be starring in the movie as Kit, a young adult facing a crisis after having to move back in with her parents and who gets invited to a thoroughly unique shop.
Brie Larson is set to make her directing debut with 'Unicorn Store' later this year
Continue reading: Brie Larson Set To Make Directing Debut With 'Unicorn Store'
Larson will play Carol Danvers aka Captain Marvel, in the studio’s first film with a female lead.
After months of rumours Marvel have confirmed that Oscar winner Brie Larson will star as Captain Marvel in the superhero’s first stand-alone movie, due for release in 2019. The announcement was made during Marvel's evening presentation at Comic-Con on Saturday, with the actress herself making an appearance.
Continue reading: It's Official! Brie Larson Will Play Captain Marvel
She's the frontrunner for Marvel's first superheroine film.
Captain Marvel is coming! And guess who's the frontrunner to portray this all powerful hero: Brie Larson. In probably one of the greatest casting choices ever made in a comic book film franchise. It's worth noting that we're talking Marvel's Captain Marvel not DC's, though that's not a bad idea either.
Brie Larson to play Captain Marvel?
The 'Room' actress may be getting the role of Carol Danvers aka Captain Marvel in Marvel's first ever stand-alone heroine movie, competing against DC's 'Wonder Woman' starring Gal Gadot. According to Variety, she is the first choice for the role and, apparently, she's interested.
Continue reading: Brie Larson To Play Captain Marvel In 2018 Movie?
The 'Room' actress was spotted wearing what many assumed to be an engagement ring when she hosted 'SNL' on May 7th, and the news has now been confirmed.
Oscar-winning actress Brie Larson is engaged to her long-term boyfriend Alex Greenwald, it has been confirmed.
According to report by E! News, Larson’s representatives told the publication that she said yes when Greenwald, the 36 year old lead singer of California rock group Phantom Planet, proposed to her during a trip to Tokyo back in March.
Larson, 26, first publicly acknowledged their relationship in 2013 during an acceptance speech for her role in Short Term 12 at the Gotham Independent Film Awards. “I'd like to thank my boyfriend, Alex Greenwald, for making me pasta and taking care of our puppy while I made this movie,” she said three years ago.
Continue reading: Brie Larson Is Engaged To Long-Term Boyfriend Alex Greenwald
Alicia Vikander, Brie Larson and Mark Rylance also scooped awards.
It would no doubt have been a total travesty if Leonardo Dicaprio didn't win his long-awaited Academy Award for his role in 'The Revenant', but no doubt his very first Oscars victory is a huge cause for celebration. The movie won a further two accolades, but didn't come close to 'Mad Max: Fury Road''s success of no less than six prizes.
So DiCaprio finally has a Best Actor Academy Award to add to his collection, while 'The Revenant' director Alejandro G. Iñárritu wins for the second year in a row. The movie, which explores the vengeful quest of 19th century explorer Hugh Glass after he was abandoned during a bear attack, also scooped the award for Best Cinematography, but it was beaten to Best Picture by 'Spotlight'; a drama about The Boston Globe's investigation of child abuse in the Catholic church. 'Spotlight' screenwriters Josh Singer and Tom McCarthy also took home Best Original Screenplay, whilst Best Adapted Screenplay went to Charles Randolph and Adam McKay for 'The Big Short'.
One of the most extraordinary films of the year, this drama cleverly weaves in events from the news headlines to tell a raw, deeply involving story that's unnervingly personal. Irish director Lenny Abrahamson and writer Emma Donoghue bring these events to life with uncanny skill, using a young child's perspective to give it an extra-strong kick. And Brie Larson's central performance is so powerful that she's become the one to beat on Oscar night.
She plays Joy, a young woman who was abducted at 17 by a man she only knows as Old Nick (Sean Bridgers). The story opens as her son Jack (Jacob Tremblay) celebrates his fifth birthday in the single room where he was born and has spent his entire life. There isn't even a window to look out of so, to help him cope, Joy explains that there is no life outside the room, and everything they see on television is fake. She also gets Jack to hide whenever Nick visits, so they can't develop any kind of relationship. But as he grows up, Jack's curiosity demands more answers, and Joy finally decides to tell him the truth in the hope that he can help them escape.
Its halfway into the film when Jack's world is suddenly opened up around him in a rescue sequence that's exhilarating, terrifying and literally breathtaking. And from here, the film gets even more punchy, as Joy and Jack struggle to adapt to life in what seems like an alien landscape. Joy's parents (the great Joan Allen and William H. Macy) have split up, and her mother has a new partner (Tom McCamus), and their reunion is watched closely by the media, police and psychologists. All of this is seen through Jack's curious, observant eyes. Everyone is worried about him, but he perceptively notices that his mother is having even more trouble coping than he is.
Continue reading: Room Review
The drama picked up the coveted People's Choice Award at the Toronto International Film Festival on Sunday (September 20th).
Lenny Abrahamson’s drama Room impressed the critics and wowed audiences at this year’s Toronto International Film Festival, taking home the prestigious People's Choice Award. In the film Brie Larson stars as Ma, a woman being held captive in a room with her son Jack, in a role which required the actress to really get in the mind of someone cut off from the outside world.
Brie Larson stars in Room.
For Larson, becoming Ma would take enormous mental and physical preparation which started with an intense diet and exercise program to get her inside the mind of someone being held in captivity. “That physical process really put me in a certain mindset,” Larson said.
A young woman and her 5-year-old son Jack live together in a confined, sound-proofed room in the outhouse of Old Nick's backyard. There is nothing but a bed, a bathtub and a few household items inside, with Old Nick making occasional visits when Jack hides away in a wardrobe. The woman was kidnapped seven years ago by Nick, and subsequently raped by him, meaning that Jack knows nothing of life outside the room. He's content with life with his mother, but she has never given up hopes to escape their prison. She hatches a plan for Jack to escape and seek help and the pair are eventually re-united with her mother and father, and given temporary accommodation in hospital. But Jack is barely able to comprehend all the new experiences and longs for the comfort of his dark former home.
Continue: Room Trailer
Amy Schumer makes her big screen debut with a script that feels like a much-extended sketch from her TV series. It's hilariously observant and refreshingly grown-up about sex, but the plot falls back on the usual cliches. Even with some clever twists and turns, the structure is oddly predictable. But the biggest surprise is that Schumer and director Judd Apatow ultimately cave in and take a traditional approach to romance.
As she does on her show, Schumer plays a sexually frank woman called Amy. Taught by her father (Colin Quinn) to distrust monogamy, she has indulged in a commitment-free life, rarely seeing a man more than once. And her one repeat male partner (John Cena) is a rather too self-obsessed bodybuilder. Then her boss, blithely demanding magazine editor Diana (Tilda Swinton), assigns her to interview Aaron (Bill Hader), a doctor who specialises in sports injuries. Amy can't help but seduce him; it's what she does! But in the process she realises that she actually quite likes him. This idea so rattles her that she sabotages her close relationship with her sister Kim (Brie Larson), who is expecting a child with husband Tom (Mike Birbiglia).
Schumer has impeccable comic timing, and she's hilarious all the way through this film, playing on her character's riotous way of being shockingly honest at all the wrong times. In other words, the character is entertaining but never very likeable because of the thoughtless things she does and says. So our sympathies lie with Hader, who gives an unusually layered turn as a smart, sensitive and very funny guy who just might be too good for Amy. Other characters are either here to provide emotion (Larson and Quinn) or to shamelessly steal scenes (Swinton). And Apatow brings in a usual stream of big-name cameos, including Daniel Radcliffe and Marisa Tomei in a clever pastiche of a New York indie movie.
Continue reading: Trainwreck Review
Date of birth
1st October, 1989
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