Sonny Weaver, Jr. is the general manager of National Football League team the Cleveland Browns who is faced with immediate dismissal if he does not put together an unbeatable draft pick for his team. With pressure from his associates and from Browns fans, he wants to make a spectacular impact on the football world on draft day but, with his ideas being very different from everyone else's, he's in for a big struggle to bring everyone round to his way of thinking and after making what seems like a professionally suicidal trade, even his mother starts to lose faith in him. Excitement builds as draft day nears, with everyone baffled by what could possibly be in store for the Cleveland Browns; but will Sonny pull through with the number one pick of the year?
Continue: Draft Day Trailer
What if our future was planned, if everything in life was part of one big plan, sometimes being in the right place at the right time is more important than you'd think, and if you're running late, the consequences can be greater than you realise. One event may lead onto a totally different outcome. Politician David Norris is about to learn just how important his set fate is to the world. After meeting an intriguing and beautiful woman called Elise, Norris is instantly drawn to her but their first meeting should have been their only one yet when fate gives him a break he once again sees Elise.
Continue: The Adjustment Bureau Trailer
In their deeply ironic yet habitually impish, beautifully black-and-white 1950s drama "The Man Who Wasn't There," writing-directing brothers Joel and Ethan Coen have revived the dry, laconic spirit of prototypical film noir and applied it to the life of an everyday barber.
True, he's an everyday barber mixed up in the blackmail and murder of his cheating wife's boss and lover. But he's such an obscure, detached shadow of a man that the whole mess feels almost workaday mundane. You see, it's not his wife's affair that motivates the man. "It's a free country," he says in the movie's soporific, quietly sonorous running voice-over. It's the fact that he figures blackmail is a good way to get $10,000 out of the boyfriend so he can invest in some new-fangled invention called dry cleaning.
The barber, named Ed Crane, is played with brilliant reserve by Billy Bob Thornton, who has the most subtly expressive, heavily crevassed film noir face to smoke a dangling cigarette since Humphrey Bogart. He hardly registers a distinguishable emotion in 116 minutes, yet his passive soul fills the screen as Ed's plans go badly awry.
Continue reading: The Man Who Wasn't There Review
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In their deeply ironic yet habitually impish, beautifully black-and-white 1950s drama "The Man Who Wasn't...