Brian George

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Horrible Bosses Trailer


Nick Hendricks (a management candidate), Kurt Buckman (an accountant) and Dale Arbus (a dental assistant) are three best friends who love their jobs. However, for the three of them, there is just one thing coming between them and their happiness - their evil bosses.

Continue: Horrible Bosses Trailer

Employee Of The Month (2006) Review


Weak
Employee of the Month's main character, thirtysomething box boy Zack (Dane Cook), relishes having a job with the least amount of responsibility. When the Costco-like store where he works hires a new, comely cashier (Jessica Simpson) who has a history for hooking up with the employee of the month, Zack decides to try harder so he can win her affection.

Too bad the movie never follows Zack's example. For 103 minutes, Employee of the Month refuses to go beyond shallow observations and silly slapstick, making for an ordinary outing when that should not be the case. Anyone who has ever worked in retail (or seen Clerks) knows there's a wealth of material for a good comedy. When I managed a used bookstore, a customer argued her case for a lower price by repeatedly stating that she was "a lawyer." At Borders, I had another customer so convinced we carried International Male (we didn't) that he was threatened with police action. Also at Borders, I have never worked with so many people who had visible tattoos, including one who had a small image of a pen and book on her lower back.

Continue reading: Employee Of The Month (2006) Review

Employee Of The Month Review


Weak
Employee of the Month's main character, thirtysomething box boy Zack (Dane Cook), relishes having a job with the least amount of responsibility. When the Costco-like store where he works hires a new, comely cashier (Jessica Simpson) who has a history for hooking up with the employee of the month, Zack decides to try harder so he can win her affection.

Too bad the movie never follows Zack's example. For 103 minutes, Employee of the Month refuses to go beyond shallow observations and silly slapstick, making for an ordinary outing when that should not be the case. Anyone who has ever worked in retail (or seen Clerks) knows there's a wealth of material for a good comedy. When I managed a used bookstore, a customer argued her case for a lower price by repeatedly stating that she was "a lawyer." At Borders, I had another customer so convinced we carried International Male (we didn't) that he was threatened with police action. Also at Borders, I have never worked with so many people who had visible tattoos, including one who had a small image of a pen and book on her lower back.

Continue reading: Employee Of The Month Review

Touch of Pink Review


Weak
The infiltration of pop culture nostalgia into every square inch of our entertainment landscape is, depressingly, a foregone conclusion. And Touch of Pink, Ian Iqbal Rashid's pleasant but conventional dramedy about a South Asian gay man hiding his homosexual lifestyle from his traditional Muslim mother, is yet another entry in the burgeoning canon of wistful film-referential movies that think it's clever to drop obvious, pointless allusions to stars of bygone eras. You see, Rashid's film isn't just about a guy trying to hide his true colors from his sure-to-be-disapproving mother; it's a film about a guy trying to hide his true colors from his sure-to-be-disapproving mother with the help of his loyal, dapper imaginary friend Cary Grant. Cue incessant eye-rolling... now.

Alim (Jimi Mistry, of last year's The Guru) has abandoned his widowed mother and stultifying old life in Toronto for the swinging sexual freedom of London, where he currently works as a film-set photographer and lives with his handsome UNICEF economist boyfriend Giles (Kristen Holden-Reid). All is great in Alim's life, except that he desperately wishes he could share his good fortune with his conservative Muslim family. This loneliness drives Alim to Cary Grant, who as personified by Kyle MacLachlan (affecting a decent replica of the actor's distinctive voice while simultaneously parodying his suave mannerisms) is a dashing gentleman always ready to boost Alim's confidence with advice, compliments, or a pithy quotation from The Philadelphia Story or Gunga Din. Meanwhile, Alim's mother Nura (Suleka Mathew) is woefully jealous of her sister, who is staging a lavish wedding for her son (who has sexual issues of his own), and tries to persuade Alim to leave London - a place that holds shameful secrets for Nura - and return home to fulfill his duties as a good son by getting married and producing grandchildren.

Continue reading: Touch of Pink Review

Keeping The Faith Review


Good

A deftly updated homage to the screwball comedy stylings Howard Hawks, George Cukor and Billy Wilder, "Keeping the Faith" acknowledges right away that its plot, about two men of the cloth falling in love with the same girl, sounds like a lame bar joke.

It opens with the fantastic and versatile Edward Norton ("Fight Club," "American History X") playing a spiritually conflicted -- and at the moment, completely sauced -- Catholic priest, pouring his soul out to a patient bartender. "So there's this priest and this rabbi, and they're best friends, see...," he slurs into his beer.

The rest of the story goes something like this: Ben Stiller co-stars as the padre's rabbi rival for the affections of the magnetic Jenna Elfman, a long-lost friend from their shared Brooklyn childhood who pops back into their lives 20 years later, all grown up, sexy, sweet and irresistible.

Continue reading: Keeping The Faith Review

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