Basic training for the Korean War is tough on a group of young British cadets. It's specifically tough on Bill Rohan (Callum Turner), as their sergeant hates him. The only consoling factor is the trainee nurses school just outside of his basecamp. When he's not trying to woo the nurses in the town, he's sneaking over to their school to see the woman he has fallen in love with. But when the sergeant's prize clock is stolen, Rohan must do everything to save his best friend from court marshalling, catch the girl of his dreams, and prepare for war.
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Heather Goldenhersh and Brian F. O'Byrne - US Ireland Alliance to Honor Stephen Colbert, Carrie Fisher and Irish Artist Colin Davidson at Pre Academy Awards Event at Bad Robot Santa Monica, Academy Awards - Los Angeles, California, United States - Thursday 19th February 2015
Jimmy Gralton is a political activist in the 1930s with strong communist values. Unfortunately, this doesn't put him in the best light for Ireland's Catholic church, who consider he, his friends and associates to be antichrists. Jimmy runs a dance hall whereby he makes his views heard as the people of his town enjoy music and socialising as well as learning together and creating happy memories. The local priest doesn't see it as such a great thing though and he subsequently does his best to convince his parishioners that the hall brings nothing but evil to the neighbourhood. Those for the continuation of the hall's practises suddenly find themselves violently up against the protesting Catholic community, and two things that were always supposed to be about peace and civic spirit suddenly become armies who'll stop at nothing to defend their values.
'Jimmy's Hall' is a shocking Irish drama based on a true story during the 'Red Scare' in Ireland in the 1930s. BAFTA nominated director Ken Loach ('Sweet Sixteen', 'My Name Is Joe', 'The Navigators') is at the helm alongside screenwriter Paul Laverty ('The Wind That Shakes the Barley', 'The Angels' Share', 'Cargo'). It is scheduled to be released in the UK on May 30th 2014.
Brian F. O'Byrne and Heather Goldenhersh O'Byrne - Opening Night after party for Broadway's Outside Mullingar, held at the Copacabana nightclub - Arrivals. - New York, New York, United States - Friday 24th January 2014
Peter Maloney, Debra Messing, Brian F. O'Byrne and Dearbhla Molloy - Opening Night of Broadway's Outside Mullingar at the Friedman Theatre - Curtain Call. - New York, New York, United States - Thursday 23rd January 2014
John Aylward, Brian F. O'Byrne, Debra Messing and Dearbhla Molloy - Meet and greet with the cast of the play Outside Mullingar, held at the Manhattan Theater Club rehearsal space. - New York, New York, United States - Tuesday 3rd December 2013
Three Brooklyn cops are confronting moral dilemmas on the job. Eddie (Gere) is a week away from retirement when he's asked to help a couple of rookies learn the ropes. But he'd rather just keep his head down. Tango (Cheadle) is deep undercover in a drug sting, threatened by a tough FBI agent (Barkin) to set up his childhood friend (Snipes). And Sal (Hawke) is looking to steal some drug-bust cash to top up his salary so he can look after his pregnant wife (Taylor) and children.
Continue reading: Brooklyn's Finest Review
The man in question is Andy (Philip Seymour Hoffman), a pudgy volcano of a corporate hustler with a trophy wife. Gina (Marisa Tomei) fits that role to a T as she spends Andy's money and enjoys mid-day quickies with Andy's brother Hank (Ethan Hawke). Hank's money goes towards his ex-wife (a great Amy Ryan) and daughter while Andy's cash, when not with Gina, is spent on heroin in the très chic twentieth-floor apartment of his dealer in Manhattan. The boys need dough and their bourgeois office jobs aren't keeping it coming in. That's when Andy gets the idea.
Continue reading: Before The Devil Knows You're Dead Review
Working from Tracy Letts' adaptation of his own play, Friedkin gives us a five-character chamber piece, set in a downtrodden motel room out in the sticks. Bi-curious basket case Agnes (Judd) works as a waitress in a redneck bar by night, and shacks up in a motel room, in a pot-, coke-, and booze-induced stupor by day. It's her meager defense against the onslaught of just-paroled ex-husband Jerry (a beefed-up and amusing Harry Connick Jr.), who drops by to inflict verbal and physical abuse, not to mention dredging up memories of her long-lost son. The woman's only respite is her girlfriend, R.C. (Lynn Collins), a fellow waitress who's a tad too freewheeling for the reserved Agnes. Twitched-out and fragile, she meets her perfect match in the taciturn Peter (Shannon), a war veteran who harbors traumas of his own. Soon after they hook up, Peter becomes increasingly convinced that his body's been colonized by bugs -- bugs laying eggs and traveling up and down his bloodstream. Peter claims to be an escapee from a government medical lab where he was the subject of nefarious tests. He suspects the bugs were bio-engineered by the government to be tools for mind control. Before you know it, Bug has become a full-blown freak show, fueled by military-industrial conspiracies, and styled after Macbeth as the paranoid Peter and the needy Agnes become obsessive partners in mutual destruction.
Continue reading: Bug (2007) Review
An Everlasting Piece just feels good. It isn't a great movie; there is no deep, satisfying reward for watching it. But the characters, dialogue, and story form a charismatic relationship with the audience. This is certainly not Barry Levinson's best work to date. He does, however, direct McEvoy's script with the right attitude. Levinson doesn't take the circumstances too seriously -- these are hairpiece salesman after all -- but he doesn't go over the top in a quirky comic tone either. There aren't any corny bald jokes: The movie is smart enough not to waste it's time with lame humor about hair thinning.
Continue reading: An Everlasting Piece Review
Revolving around the self-destructive relationship between two Irish lads named Runt (Elaine Cassidy) and Pig (Cillian Murphy), there are flashbacks, voice-overs, dream sequences, and weepy music, as these two morose teens dally about in what I guess passes for a romance.
Continue reading: Disco Pigs Review
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