One of the century's smarter films about politics, Preston Sturges' The Great McGinty takes a blowsy, no-nonsense approach to the subject at its core -- corruption -- and by treading that line between sanctimonious outrage and full-blown farce achieves a welcome attitude of realistic (and fatalistic) morality. Sturges' fable starts in one of those wonderfully atmospheric, fly-buzzed and smoky bars that inhabit Third World cities in all great films, where the man, Dan McGinty (Brian Donlevy), is working as a bartender, and telling the story of his fairy tale rise and fall. In its own meritocratic way, the story is actually quite inspiring: man comes out of nowhere, rockets upward through a major city's political organization, marries well, lives better, eventually becomes governor. Sure, he rose to power on a raging tide of graft, but that's the Chicago way, right?
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