Brian Dennehy

Brian Dennehy

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Brian Dennehy - A host of stars were snapped as they arrived to the 15th Annual Monte Cristo Awards which were held at the Edison Ballroom in New York City, New York, United States - Monday 13th April 2015

Brian Dennehy
Brian Dennehy
Preston Whiteway, Nathan Lane and Brian Dennehy

The Big Year Review


OK
Even though it's rather corny and sentimental, this colourful comedy-drama holds our interest mainly because it's about a subject we'd never imagine watching a film about.

Brad (Black) is a birdwatcher who decides to do a Big Year, seeing as many birds as possible in 12 months, while holding down a full-time job and borrowing against his credit cards. Jetting around the country for rare spottings, he comes up against his record-holding nemesis Kenny (Wilson) as well as Stu (Martin), a corporate big-wig who has taken a year off work to follow his dream. But will their obsession with birding cause problems in their private lives?

Continue reading: The Big Year Review

The Big Year Trailer


Brad Harris is having what he calls a 'no-life crisis'. He is stuck in a soul destroying job and he is still living with his parents, despite him being in his mid-thirties. The one thing that holds any interest for him is bird watching. When he discovers that this year is known to 'birders' as 'The Big Year' - one year where birders set out to find as many birds in the country as possible - Brad is determined to beat the record previously set by Kenny Postick.

Continue: The Big Year Trailer

Brian Dennehy Tuesday 5th April 2011 New York premiere of 'Arthur' held at the Ziegfeld Theatre - Arrivals New York City, USA

Brian Dennehy
Brian Dennehy
Brian Dennehy
Brian Dennehy
Brian Dennehy

Brian Dennehy and Keane - Friday 7th January 2011 at Rte Studios Dublin, Ireland

Brian Dennehy and Keane
Brian Dennehy and Keane
Keane and Brian Dennehy

The Next Three Days Trailer


The Brennan family are suddenly thrown into dismay when wife and mother Lara Brennan is arrested for the murder of her boss. Throughout her incarceration and trail, Lara has always pleaded innocent to the claims but she was still found guilty leaving her husband John at home looking after their young son who is growing increasingly distant to his mother.

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Brian Dennehy Tuesday 9th November 2010 Special screening of The Next Three Days held at the Ziegfeld theater New York City, USA

Brian Dennehy

Brian Dennehy and Driving Miss Daisy Monday 25th October 2010 Opening night after party for the Broadway production of 'Driving Miss Daisy' held at The Plaza Hotel New York City, USA

Brian Dennehy and Driving Miss Daisy
Brian Dennehy and Driving Miss Daisy

Ratatouille Review


Essential
A fine red wine only gets better with age. Long before that cork is popped and the first pour hits your favorite wine glass, you already know how great that vintage vino is going to taste. Much like that bottle of wine, the animated films from Pixar Studios keep getting better with time. So how appropriate is it that its latest offering, Ratatouille, is all about delicious food, family and friends, and a glass of wine to wash it all down.

Ratatouille is an intricate dish, infused with energetic and amusing storylines that are all fully cooked and complementary to the film's rich visual look. It's easily the best Pixar creation next to The Incredibles; arguably it's even better. No surprise that Ratatouille is written and directed by Brad Bird, the same mastermind behind The Incredibles. Bird excels at integrating thematic elements that will entertain the youngest and oldest members of the audience alike.

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10 Review


OK
"Introducing Bo Derek?" She got introduced two years earlier in the infamous Orca.

No matter: She acquits herself far better here, namely ecause she has nearly no lines. This is Dudley Moore's show: An absurd and hopelessly dated bit of slapstick about Moore's showbiz star facing a midlife crisis. Zoom, he's off to Mexico, where he daydreams about Derek (in those hideous braids) at length. Blake Edwards made worse films than this, but his comic timing is all wrong, exiled to long bouts of non-sequitur gags, such as Moore's run-in with dentistry.

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The Belly Of An Architect Review


Terrible
Architect Stourley Kracklite (Brian Dennehy) arrives in Rome, where an exhibition of the works of the 18th-century architect Etienne-Louis Boullée is being mounted under Kracklite's supervision. The city - or something - doesn't sit with him; upon arrival, he begins complaining of stomach pains. Cancer? Kracklite is sure of it. Or not: It could be that his wife Louisa (Chloe Webb), with whom he is traveling (and who is pregnant with his child), is poisoning him, a revenge for his self-absorption. She may be further motivated in this by the affair she has taken up with Caspasian Speckler (Lambert Wilson), another architect involved with the exhibition. Which brings us back to the exhibition: Boullée's architectural metaphor of choice was the oval, a detail that finds an echo in Louisa's pregnancy and Kracklite's gut; and, in fact, Kracklite soon discovers that Boullée's life in many ways parallels his own. There's the fact too of a Roman statue of Augustus to which Kracklite takes a shine, and the pertinent detail being that Augustus was himself poisoned by his wife Livia. Our hero, among other eccentric behaviors, begins xeroxing photos of the statue's stomach...

So it is that Peter Greenaway's The Belly of an Architect is crammed to bursting with symbolism, analogy, and allusion, all loosed within a circular plot wherein the film opens with the architect and his wife conceiving a child and closes with the opening of Boullée's exhibition, Kracklite's real "baby." But for many viewers, I believe, the most telling parallel is that between Kracklite, with his perpetual stomach upset, and director Greenaway: Both are pretentious gasbags. Another quick connection is that between the "belly" of the title and "taste." The secret subtext of all of Greenaway's work is that his taste is good, or at least arcane in a high-minded way (and despite a predilection for bodily functions that is present in most of his films, which in less tony productions would rightly be termed sophomoric). The viewer is invited to share in this, but it's made clear that those who don't (or who can't follow his esoteric web of allusion) are either pigs (as was the villain in Greenaway's major success, 1989's The Cook, the Thief, His Wife & Her Lover), philistines, or merely dim.

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Fail Safe (2000) Review


Very Good
CBS -- of all places -- remade the original, masterful Fail-Safe, a cautionary tale about nuclear war, jammed full of big name movie stars (check out that cast!), and shot in black and white from Walter Bernstein's original screenplay. It's a very faithful remake, even though the production values (it's shot on video) are atrocious. It's a fabulous original film and a worthwhile redo -- but it comes about 20 years too late. Why waste time remaking a tale about nuclear war with the Soviet Union -- a country that no longer existed -- in this millennium? Still, it's worth a look if you're a fan of the original.

Tommy Boy Review


Weak
Given time and some top-rate producing talent, David Spade and Chris Farley might have evolved into a Martin and Lewis for the 21st century, but we'll never know. They only had two outings together, Tommy Boy and Black Sheep, before the red-faced Farley overindulged himself to death in 1997. Of the two films, Tommy Boy is better (and has since become an inexplicable cult hit), but neither one is much good, and for that, aim the blame at Lorne Michaels, who has a very spotty track record of creating decent features for his Saturday Night Live stars. For every Wayne's World, there are three Coneheads.

Tommy "Boy" Callahan (Farley) has just graduated from college after seven years, much to the delight of his beloved father Big Tom (Brian Dennehy), buy no sooner does the widowed Big Tom marry his second wife (Bo Derek) than he drops dead of a heart attack. Now Tommy Boy has to rescue the family's brake shoe business before it's devoured by arch-rival Ray Zalinksy (Dan Aykroyd) while he also keeps an eye on the evil Beverly's schemes and her equally evil son Paul's (Rob Lowe) sabotage.

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Stolen Summer Review


OK
Writer-director Pete Jones serves up a nostalgic slice-of-life in his examination of friendship and faith in the winsome but saccharine Project Greenlight winner Stolen Summer. Jones, the budding filmmaker whose chosen screenplay would emerge victorious among hundreds of competitors, delivers a film that has atmosphere and heart but ultimately ends up as just another anemic, personal story with well-meaning sentiment. There is much being made about the behind-the-scene politics of nurturing Jones's winning pet project through the Project Greenlight campaign, as well as his movie being the subject of a hit HBO documentary series. Sadly, this all feels like some publicity stunt more than it does a legitimate process in discovering talented artists.

Stolen Summer tells the poignant tale of two energetic 8-year old youngsters living in the hazy days of Chicago circa 1976 where disco music and polyester profoundly dominated the scene. Pint-sized rabble-rouser Catholic schoolboy Pete O'Malley (Adi Stein) is sternly lectured by his teacher and told that he must change his mischievous ways over the summertime. And so Pete is released from school with some serious thinking to do while he basks in the glory days of the upcoming summer. But Pete's overworked firefighter father (Aidan Quinn) and stay-at-home mother (Bonnie Hunt) are harried by all their responsibilities and just don't have the time to cater to all the personal and emotional needs of their brood. Thus, Pete has to find his own way to spiritual salvation.

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Gorky Park Review


OK
America's obsession with all things Soviet gave us this movie, the inevitable mystery set in the snow-shrouded, fur-hatted land of Russia (though actually shot in Helsinki). With William Hurt and Lee Marvin in the lead roles, it's hard to see how this film could go wrong, and yet it does, quite horribly. Joanna Pacula is wooden in her first movie appearance, as a Russkie ingenue who basically knows everything about why there are three bodies in a Moscow park with their faces ripped off, though she isn't talking to the cops (led by Hurt). Ultimately a mystery is revealed, and boy is it a doozy: it involves fur coats! If I ever have to hear the phrase "the sables" again I think I'll shoot myself. Hopelessly dated and morose -- and much is lost from the bestselling novel.
Brian Dennehy

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Brian Dennehy Movies

Knight Of Cups Trailer

Knight Of Cups Trailer

Rick is one of the hottest screenwriters in Hollywood but after the death of his...

The Big Year Movie Review

The Big Year Movie Review

Even though it's rather corny and sentimental, this colourful comedy-drama holds our interest mainly because...

The Big Year Trailer

The Big Year Trailer

Brad Harris is having what he calls a 'no-life crisis'. He is stuck in a...

The Next Three Days Movie Review

The Next Three Days Movie Review

This faithful remake of Fred Cavaye's 2008 dramatic thriller Anything for Her (Pour Elle) is...

The Next Three Days Trailer

The Next Three Days Trailer

The Brennan family are suddenly thrown into dismay when wife and mother Lara Brennan is...

Righteous Kill Trailer

Righteous Kill Trailer

Watch the trailer for Righteous Kill.Al Pacino and Robert De Niro truly are one of...

Ratatouille Movie Review

Ratatouille Movie Review

A fine red wine only gets better with age. Long before that cork is popped...

The Ultimate Gift Movie Review

The Ultimate Gift Movie Review

And here I thought the ultimate gift was a Nintendo Wii.As part of the trend...

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